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@circusclownmusichour
Jamie Salé/David Pelletier (CAN)
2002 Olympic Winter Games Free Skate
bison
In the theme of a Dreamscape
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(Continuation of postcard-sized prints I decided to choose)
Art by XI ZHANG
Feelings come in waves; they always hit you, whether you expect it or not Prints | Ko-fi | Patreon
To everyone experiencing laging phones while viewing this post: yes that is the goal (sorry!) :)) ♥️
The pixel art is so good it gets your phones hung up on how good it looks. 👉👈
I think the only true conclusion one could ever draw about Sabrina carpenter from her music is that she has a kinda weird relationship with gender, where she can never truly decide if being a woman is a good & powerful thing or a bad & weakening thing, and she can never decide if that’s her own fault or the fault of the male society in which she lives. this is not a criticism to be clear: that seems like a very normal way to engage with the world to me. it’s just funny to me that the seemingly most personally revealing aspect of her music is the way she seems to have no idea how to live as a straight woman. I can’t relate to this at all because I am not a straight woman, but man does it seem accurate to the experiences of straight women that I know. Straight women sound off. If you’re out there. Straight women can you hear me? Is it that me espresso?
girl are you trapped in there?! girl get out!! girl scream if you need help!!! this is not very that me espresso girl!!
yeah i mean i've been saying this for months (sorry OP to jump on your post, it just aligns with something i've been trying to get across for a while now) but the overt, on-purpose heteropessimism of her music in combination with her vintage drag queen aesthetic and mid-century movie inspired concert visuals are all actually working together to create really interesting commentary on the current state of heterosexual womanhood. she's a lot smarter than most people give her credit for and this is all on purpose. i think a lot of people tend to assume that female artists arrive at a place of satirical or otherwise layered social commentary by accident and it's just something they're reading into it because they're smarter than the actual artist, not that it's ever something they put into the art while they were making it... but like, if you pay attention to everything she's doing and the way she presents herself when she's off-duty as opposed to in performance mode, she isn't Doing Hyperfemininity 24/7. her stage presentation is one of exaggerated hyperfeminine aesthetic performance because it's part of her commentary on how the experience of straight womanhood is basically doing 200% for men who give maybe 15% at best. she's got a whole song basically lamenting the fact that she is unfortunately a straight woman who craves dick in a world where men are fucking terrible with no real motivation to change!
Felt like this shouldn’t stay in the tags
babe stop armchair diagnosing people you dont like with psychopathy or npd we're gonna go play in the paddock ok??? come play in the paddock with us
what is a paddock
we r gonna go play in there
Your inner child doesn't need to buy plastic toys and cheaply made collectibles or to hold onto a badly written book series; your inner child needs emotional regulation and to punch your parents in the face.
“hes a woman to me” IS HE? or are you equating women with submissive character traits you've arbitrarily put on a random man
I don't think men saying out of pocket shit to me on the internet is because they're men. everyday billions of men wake up and don't say out of pocket shit to me on the internet. this is clearly an active choice
genuinely one of the scariest and saddest kinds of conversations that I find myself regularly having with various women is where they will describe something that a man in their life has done or said to them that is absolutely horrific and then when you express horror about it they are just like "haha well you know how men are"
girl that is not how men are. I have many men in my life who I care about and none of them are like that. that man is not biologically compelled to treat you like shit. it's a choice he is making. ARERRGH
I remember when people pretended to care about bees for a few years because they were an indicator species and now I’m getting replies to that post like “idc if all bugs die as long as we get rid of mosquitos and flies and cockroaches” YOURE GONNA FUCKING DIE!!!!! WE WILL DIE TOO!!!!! WE WILL ALL DIE WITHOUT BUGS!!!! IM NOT KIDDING!!!!
Whether it’s people who mention their Hogwarts house on their Hinge profile or literal white supremacists, culture is awash with adult babie
This was an interesting article to read. I think it's a little simple but still fun to skim thru.
toni morrison eloquently discussed this very thing in 2004!
Thinking of yourself as a smol bean baby is a way of tapping out and expecting other people to fight on your behalf. It also makes you a more pliant consumer. Social media is awash with the idea that ‘it’s valid not to be productive’, as though productivity were the only manifestation of capitalism and streaming Disney+ all day is a form of resistance. It’s much rarer to encounter the idea that we have a responsibility about what we consume, or that satisfying our own desires whenever we want is not always a good thing: it’s like “there is no ethical consumption under capitalism” has morphed into “there is no unethical consumption under capitalism”.
Not to add to this post but this part spoke to me specifically
So anyways with the rapid rise of fascism I feel it’s a good time to point out that it’s perfectly legal to follow unjust orders slowly, badly, or inefficiently
Breaking the law, even an unjust law, has consequences that not all can afford. But also a very large number of us are also very stupid, or very confused, or very lazy, and so it’s not unreasonable that someone at the bottom of the chain of command might make a typo, or misplace some paperwork, or leave a Friday afternoon email for Monday morning.
When something goes wrong, or an operation slows down, because a low-level worker somewhere sent a package to the wrong address or left someone on hold for an hour or didn’t fill out a particular form correctly- Do you immediately assume malicious intent? Or do you usually just brush it off as some underpaid idiot being bad at their job?
You also gotta not brag about it. Keep your political opinions on the down low. Be noncommittal or ignorant or undecided. Say things like “I’ve never heard of that”, “where did you hear that?” or “that’s interesting, I heard a conflicting story from here, how weird”. Never be outwardly confidant of what you know. When there is a silence, don’t fill it- leave the space and let the other fill it for you. That’s how you get information, that’s how you find sources, that’s how you reduce the value of anything others get out of you.
Virtue signalling by wearing pins and ribbons and loudly declaring your place is not safe in some environments. It will place scrutiny on you and everything you touch. Nobody believes the guy who says “fuck my boss and everything he stands for” scratches the boss’s car by accident, even if it is an accident.
If you want to slow the march of a tank, filling the path with mud is going do more than laying down in front of it.
On April 16th 2025 the US federal government has proposed to change the interpretation of the endangered species act so that it no longer protects habitat.
This is open for public comment until the end of May 19th. Please comment and make your voice heard.
Wildlife need their habitat. If the ESA redefines harm so that habitat is no longer protected, the implications for wildlife would be catastrophic.
GET EM!!!!!!!!!!!!!!
I hate to bring actual American politics onto this blog, but genuinely what the fuck.
If anyone is struggling with the slightly inaccessible language used here but wants to comment in a way that is informed by what the proposed rule is saying:
In the Endangered Species Act, there is a definition of the word 'take': "to harass, harm, pursue, hunt, shoot, wound, kill, trap, capture, or collect, or to attempt to engage in any such conduct".
Notably, none of those words mention anything about habitats directly. So, in follow-up regulation, the definition of one word within that definition — 'harm' — was expanded to include "significant habitat modification or degradation" that hurts wildlife. This updated regulation has been upheld by the Supreme Court in 1995, 6-3.
The reason they're stating to get rid of this? Because it doesn't align exactly with other definitions of 'harm' or 'take' (generally used to discuss a direct action that immediately, physically hurts an animal). And also, of course, later on it has a little mention that it will "bring economic relief" because of the costs that...well...protecting wildlife habitats incurs.
There's no mention of adding on anything else about habitat protections, only removing it from the definition. It's giving them legal space to do whatever the hell they want to habitats.
I see a lot of notes explaining the importance of habitat protection in protecting wildlife, which is absolutely great, but also bear in mind that the argument they're making is, first and foremost, "but that's not what I'd use the word 'harm' for :(", and secondly "protecting wildlife in general is bad for the economy (aka Me, a Rich Person) actually".
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What the fuck
This is absolutely fascinating. I've now been looking at Alex Colville's paintings and trying to work out what it is about them that makes them look like CGI and how/why he did that in a world where CGI didn't exist yet. Here's what I've got so far:
- Total lack of atmospheric perspective (things don't fade into the distance)
- Very realistic shading but no or only very faint shadows cast by ambient light.
- Limited interaction between objects and environment (shadows, ripples etc)
- Flat textures and consistent lighting used for backgrounds that would usually show a lot of variation in lighting, colour and texture
- Bodies apparently modelled piece by piece rather than drawn from life, and in a very stiff way so that the bodies show the pose but don't communicate the body language that would usually go with it. They look like dolls.
- Odd composition that cuts off parts that would usually be considered important (like the person's head in the snowy driving scene)
- Very precise drawing of structures and perspective combined with all the simplistic elements I've already listed. In other words, details in the "wrong" places.
What's fascinating about this is that in early or bad CGI, these things come from the fact that the machine is modelling very precisely the shapes and perspectives and colours, but missing out on some parts that are difficult to render (shadows, atmospheric perspective) and being completely unable to pose bodies in such a way as to convey emotion or body language.
But Colville wasn't a computer, so he did these same things *on purpose*. For some reason he was *aiming* for that precise-but-all-wrong look. I mean, mission accomplished! The question in my mind is, did he do this because he was trying to make the pictures unsettling and alienating, or because in some way, this was how he actually saw the world?
omf i never thought i'd find posts about alex colville on tumblr, but! he's a local artist where i'm from & i work at a library/archives and have processed a lot of documents related to his art. just wanted to give my two cents!
my impression is that colville did see the world as an unsettling place and a lot of his work was fueled by this general ~malaise?? but in a lot of cases, he was trying to express particular fears or traumas. for instance, this painting (horse and train) was apparently inspired by a really tragic experience his wife had:
iirc she was in a horrible automobile crash, as the car she was in collided with a train. i find it genuinely horrifying to look at, knowing the context, but a lot of colville's work is like that? idk he just seems to capture the feeling you get in nightmares where everything is treacle-ish and slow and inevitable.