Game of Thrones Daily
trying on a metaphor
Jules of Nature
cherry valley forever
d e v o n
No title available
will byers stan first human second
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ

bliss lane
almost home

titsay
EXPECTATIONS
Sweet Seals For You, Always
Stranger Things
𓃗
NASA

Product Placement
art blog(derogatory)
Monterey Bay Aquarium

seen from United States
seen from Brazil

seen from Belgium

seen from United Kingdom

seen from United States

seen from United States
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States
seen from Ecuador

seen from Malaysia
seen from United States
seen from Russia

seen from Malaysia

seen from Malaysia

seen from United States

seen from United Kingdom
seen from Netherlands
@coldwarning
its actually a new law that we have to listen to carly rae jepsejn every day or we'll be arrested. i know its weird but well i dont want to go to prison so
丸尾 末広 Suehiro Maruo 薔薇色ノ怪物 1982
Oda Iselin Sønderland, “Gutterommet” (detail), 2022, Watercolour on paper, 72 x 57 cm)
gregg: my Popcorn Classic today is "Bondage Ecstasy" (1989). This is... when it comes down to it, this is a movie about a man who turns into a fly and gets into some more uh- risque situations. i would say this is a movie you'd watch alone, or maybe with a fellow movie buff who appreciates uh- a more experimental kind of movie.
tim: is this porn?
gregg: no, its uh- its a horror movie, with more erotic scenes and uh- scenarios. in league with movies like "Eyes Wide Shut" (1999), with Tom Cruise your favorite, and "The Fly" (1986).
[tim takes the tape and looks at it]
tim: what is this- this is just se- uh- smut! or sleev- uh- sleaze.
gregg: no, its not. it has a story. do you- is "Eyes Wide Shut" just smut? its a movie, tim.
tim: that's- whatever.
kington..... to stop the ci- uh the taliban you need to tie me up.... like in this movie
Slides were used to teach history of art and architecture since around 1880s until they were replaced by digital modes such as PowerPoint. Since the founding of the Fogg Art Museum in 1895, the Fine Arts Library has served the needs of teaching faculty, art museum staff, undergraduate and graduate students, researchers, and historians at Harvard and around the world. By 1920s, many universities had slide libraries, including Harvard. Since then, over the decades, FAL has acquired over 600,000 slides, mainly from the courses taught by Harvard faculty for teaching.
In the past couple years, the Fine Arts Library’s Digital Images and Slides Collection has been engaged in a large-scale move of our 35 mm slides to off-site storage at the Harvard Depository.
This collection of over 600,000 slides documents the history of world art and architecture up to the early 2000s. Access for retrieval of items needed by future researchers is being provided through creating HOLLIS records. We have digitized most of the slides, but the archiving of this significant teaching format, nearly in its original arrangement, will serve as a valuable record both of the past art historical interests of faculty and students, and as a tangible reminder of bygone classroom teaching practices.
These are some samples from our slide collections. We’ll be showing some of these slides at our Open House on September 18th.
If we start from the principle of denying others posited by de Sade it is strange to observe that at the very peak of unlimited denial of others is a denial of oneself. Theoretically, denial of others should be an affirmation of oneself, but it is soon obvious that if it is unlimited and pushed as far as it can go, beyond personal enjoyment, it becomes a quest for inflexible sovereignty. Concern for power renders real, historical sovereignty flexible. Real sovereignty is not what it claims to be; it is never more than an effort aimed at freeing human existence from the bonds of necessity. Among others, the sovereign of history evaded the injunctions of necessity. He evaded it to a high degree with the help of the power given him by faithful subjects. The reciprocal loyalty between the sovereign and his subjects rested on the subordination of the latter and on their vicarious participation in his sovereignty. But de Sade’s sovereign man has no actual sovereignty; he is a fictitious personage whose power is limited by no obligations. There is no loyalty expected from this sovereign man towards those who confer his power upon him. Free in the eyes of other people, he is no less the victim of his own sovereignty. He is not free to accept a servitude in the form of a quest for wretched pleasure, he is not free to stoop to that !
- bataille, eroticism
Solitary Figure in a Theater - Edward Hopper, 1903
Things have changed for me
And that’s OK
my fav clips from lady of the flowers lyric video