u cant trust anyone

Game Changer & Make Some Noise

gracie abrams

if i look back, i am lost
Sade Olutola
$LAYYYTER
noise dept.

Jar Jar Binks Fan Club
Interview Vampire Daily

Product Placement

ellievsbear
taylor price
"I'm Dorothy Gale from Kansas"

Discoholic 🪩
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Origami Around
KIROKAZE
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pixel skylines
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official daine visual archive
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@combustiblebuttercream
u cant trust anyone
Noragami AU: The lady and her regalia
I’d like to feed him some spaghetti
first day of halloween! here’s a mudad
this is a better version sorry
SPOOKY MONTH?????!??????? Like, GHOSTS and fuck???!?!???
And PUMPKINS
PUMPKINS AND FUCK!?!!!???????!!?!?!?!?!
I leave the app for the tiniest while and everything's new
WHAT'S GOIN ON WITH THE TEXT ON THE LITTLE BOTTOM BAR THERE THE FONT'S DIFFERENT THIS IS FUNKY
idk if anyone will find this useful, but this is how i go about planning my stories. i mostly write fantasy, so that’s what this is most applicable to. but it could work with other genres too.
so there’s three major components to a story: the characters, the plot, and the world. creating them individually is the easy part, but they all connect and affect each other in different ways. (like you can’t have a character who loves peaches and eats them every day if they live a peasant in a region that doesn’t grow peaches, for example.)
so i created a cheat sheet to help connect all three components together.
1) the world creates the characters.
this is related to the peach example above. the characters should be a direct result of the environment they grew up in and the environment they currently live in.
2) the characters are limited by the world.
also related to the peaches. characters can’t do anything outside of what the rules of their surroundings and universe allow, such as eating peaches when they’re not available. this also applies for magic users. they can’t have unlimited magic, so keep in mind what you want out of both the characters and the world when creating magic systems.
3) the characters carry the plot.
we’ve all heard it before: “bad characters can’t carry a good plot. good characters can carry a bad plot.” but we all like a good plot anyway. try to make sure you’re not giving your characters too heavy or too light of a plot to carry.
4) the plot pushes the characters.
if nothing in the plot happens, your characters will remain static forever. if you struggle with plots, try starting with what character development you want to happen, then go from there.
5) the plot depends on the world.
you can’t overthrow the evil government if there isn’t one. think of what your world needs most and what your plot is centered around, and fit those two together.
6) the world is changed by the plot.
even if your plot is centered around something most of your world would call “insignificant”, the world will still experience some change from the plot. either the evil government will be gone, or maybe that one teacher is now way more careful about keeping an eye on the test key. either way, the world will be different from now on.
final note: usually people will be able to write one or two of the components with ease, but don’t know where to go from there. i personally can’t write plots, but thinking this way has really helped me actually make a story out of the world and characters because i looked at what i needed from what i had. i really hope this can help you too! happy writing!
tl;dr this is a cheat sheet to help anyone who struggles with writing one or two of what i consider the three major components to a story.
I don’t understand american school years what the fuck is a freshman or a sophomore why do you have these words instead of the numbers
what why would you use numbers
so IT FUCKING MAKES SENSE WHAT THE HELL IS A SOFT MOORE OR A FRESH MAN WHY ARE THE MEN FRESH
America makes no sense, as usual.
bless the person that actually made the chart
laughter from France
France what the fuck
France you had one job
I’m crying
This is hilarious
@biffan
Friendly reminder that she
i literally procrastinate talking to my friends like it hits me “oh shit i havent talked to that friend in a while” and im like “yeah ill have to do that later” and then i dont
then i feel really guilty about it and [AVOIDANCE INTENSIFIES]
Then it’s like a month later, and I’m just sitting there like, if I never speak to them maybe they’ll just forget I ever existed.
Periodic reminder when this kind of post comes up that being my friend means never having to say “sorry i dropped off the face of the earth for a few weeks/months/years” there. I get it. I promise. I vanish sometimes too and then get all avoidant about it. I’ll understand if you need to do the same, and I’ll be here when you come back. Team Weird Avoidant People Who Are Sort of Terrible At Friendship But Trying Really Hard needs to stick together.
This.
@ginminn
me, writing, throwing commas around like i’ve just won the lottery and i’m exulting in my winnings, needlessly, passionately, with no thought to the consequences,
thinking about getting some coffee for energy because i have one friend who really likes coffee and i am an impressionable young man
what kind of coffee should i get that doesnt taste like doo-doo trash?
the only coffee ive ever had was the free coffee they gave to students in the morning at my high school before school started.
why is coffee so goddamn bitter i ordered vanilla cream and said “please dont make it bitter” and it’s still so bitter it hurts me
“uwah!! cweamy vaniwwa cowffee hurty!! úw—“
a toxic dad in a tv show: *cries and shows vulnerability, in order to evoke sympathy*
me, unfazed: die