Brett Whiteley (1939-1992), A day at Bondi, 1984. etching, black ink on white wove paper, 20 x 18 cm
wallacepolsom
PUT YOUR BEARD IN MY MOUTH

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Xuebing Du
YOU ARE THE REASON
trying on a metaphor

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Sade Olutola

祝日 / Permanent Vacation
$LAYYYTER
Cosimo Galluzzi

Janaina Medeiros
occasionally subtle

@theartofmadeline
NASA

#extradirty

shark vs the universe

pixel skylines

oozey mess

seen from United States

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seen from Colombia

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Brett Whiteley (1939-1992), A day at Bondi, 1984. etching, black ink on white wove paper, 20 x 18 cm
Artwork Copyright © Tyler Spangler
Buy prints here: society6.com/tylerspangler
Großglockner Hochalpenstraße, Heiligenblut, Austria 2018.
Nikon 35ti | Kodak Ultramax 400
National Gallery
Cilantro drawing from the other month
thank you, light through the window more
jenny holzer × helmut lang
probably the part of my body I love the most
Mya Daren, cinematographer, and artist
Maya Deren: Grid of Stills from Maya Deren films 1944
This post-board or mood-board of stills from Deren’s work, assembled by her in 1944, includes stills from Meshes of the Afternoon, Choreography for Camera, At Land, and Ritual in Transfigured Time. A prolific artist, dancer, choreographer, film-maker, Deren embraced the skill-set that came to represent avant-garde American film-making in the post-war period, forming a kind of archetype for the counter culture.
Keith Haring, 1989
from the ‘lustmord’ series, jenny holzer.
IAIN THOMAS
The Age At Which It Happens (2012), published on iwrotethisforyou.me;
So-called “Devil in the glass”, 1st half of the 17th century, glass, metal, 6.6 x 3.5 cm, Kunsthistorisches Museum Vienna, Austria
The Humming Room by Adrian Piper (2012). MoMa.
ig: xlu.tiff
Andy Warhol: Kiss (1963-64). 16mm film.
Georgia O’Keeffe in Santa fe, by Tony Voccaro and Pelvis Series, Red with Yellow, 1945
from the inhabit manifesto