
Origami Around

Kiana Khansmith
ojovivo
noise dept.
Misplaced Lens Cap

shark vs the universe
Cosmic Funnies
Claire Keane
almost home

blake kathryn
"I'm Dorothy Gale from Kansas"
taylor price
𓃗
Today's Document
wallacepolsom
let's talk about Bridgerton tea, my ask is open

No title available
I'd rather be in outer space 🛸

ellievsbear
untitled
seen from United States
seen from United States
seen from Canada

seen from Brazil
seen from United States
seen from Malaysia
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from Türkiye
seen from United States
seen from United States

seen from United Kingdom
seen from Argentina
@copymoonjjoyy
Tumblr is a fate driven website. You can't find posts through the search function, you see them when you're meant to.
Mulan dir. Tony Bancroft, Barry Cook | 1998
don't be mean to yourself that's you
you live there
Do well by your female characters
Back in film school you wouldn't believe the amount of scripts I read from my (mostly male) classmates that featured the same character; a kind, helpful woman reflective of the male protagonist who showed up when he needed her to offer warm words and support, allowing him to overcome obstacles and go for what he needs.
I hope she doesn’t sound familiar to you.
One of them was a coworker, another a train station attendant, another the best friend who lived next door—it didn’t matter, they were all the same character, uninvolved in their own lives, created to help a man get to his goal. Let’s be wary of this trope, and stop robbing our female characters of their own agency. We can do this in a few ways:
1. They aren’t convenient
One confusing fault of the female characters I read in my peers’ scripts was that she was always around right where the protagonist needed her to be. It didn’t matter if he was having a crisis in the alleyway, or by the museum, or in his own house, she’d show up like she’d been summoned.
She needed a place to be—a life outside of him. A job, school, hobbies. Sometimes when he needs her—she shouldn’t be there.
2. They have an actual personality
While being warm, kind, supportive, and empathetic are all admirable traits people do have, I’ve never met a real person where that’s all they were. Like building any character, she needs flaws, interests, something to her that isn’t just for other people’s benefit. Consider what traits she has that aren’t just ways she serves others.
Allow her something just for her. Something selfish.
3. They have and work towards a goal
Related to her not being convenient—she’s got her own thing going on. Like any other character, she has goals and objectives, motivations, something to work towards. As much as she supports the protagonist, she also takes from him to fulfill her own goal.
Give her wins, disappointments, a little something going on. Something to gain from her interactions with him.
What else bothers you about common female character tropes? Or what did I miss?
THE MANDALORIAN AND GROGU BuzzFeed UK
They don’t know what it feels like to be rejected and misunderstood. Not the way I do, not the way you do. And somehow that makes us, I don’t know u n i q u e. Or maybe even s p e c i a l.
Concept art by Tyrus Wong for Bambi (1942)
no matter how normalised it gets I will die on the hill that it is rude to record strangers in public without their consent
This post keeps making me cry laughingg
#same
WALL-E (2008)
You may not be able to fight like a Samurai, but you can at least die like a Samurai.
Kill Bill: Vol. 1 (2003) dir. Quentin Tarantino
POM POKO 平成狸合戦ぽんぽこ 1994, dir. Isao Takahata
in the chillest possible way,