sorry if this has been asked before, but what are your favorite quotes about (romantic) love?
• “I love you. I want us both to eat well.”
— Christopher Citro, from “Our Beautiful Life When It’s Filled with Shriek”
• “You kiss the back of my legs and I want to cry. Only the sun has come this close, only the sun.”
— Shauna Barbosa, from “GPS”
• “August. We were arguing. You want love to be like this every day don’t you? 92 degrees even in the shade.”
“I used to be a hopeless romantic. I am still a hopeless romantic. I used to believe that love was the highest value. I still believe that love is the highest value. I don’t expect to be happy. I don’t imagine that I will find love, whatever that means, or that if I do find it, it will make me happy. I don’t think of love as the answer or the solution. I think of love as a force of nature - as strong as the sun, as necessary, as impersonal, as gigantic, as impossible, as scorching as it is warming, as drought-making as it is life-giving. And when it burns out, the planet dies.”
“If love is going to be done differently I will have to do it. I don’t mean as a messiah-thing, I mean as a me-thing. I want to look into your eyes and not get blown up. I want you to see me as I am and not destroy me. I don’t want to retreat into plant life, or have the same bad dream every night. I don’t want to watch a city burn because I was there.”
• “I’ll take care of you. / It’s rotten work. / Not to me. Not if it’s you.”
— from Anne Carson’s translation of Orestes
• “I think of you all the time and therefore have little to say that would not embarrass you, for instance my first feeling about the rain was that it was like you.”
— John Cage, from a letter to Merce Cunningham
• “I want you to know, if you ever read this, there was a time when I would rather have had you by my side than any one of these words; I would rather have had you by my side than all the blue in the world.”
• “I want to be a village full of sweethearts, / as you are, every second of the day, / cooking me soups & drawing me pictures / & holding me, my inexplicable & elephant sadness, / with your infinite arms. / But isn’t it true, you are not / always why I am happy. & I promise / it is true, you are almost never why, / why I am sad.”
— Chen Chen, from “Elegy for My Sadness”
• “Look here Vita—throw over your man, and we’ll go to Hampton Court and dine on the river together and walk in the garden in the moonlight and come home late and have a bottle of wine and get tipsy, and I’ll tell you all the things I have in my head, millions, myriads — They won’t stir by day, only by dark on the river. Think of that. Throw over your man, I say, and come.”
“I always have such need to merely talk to you. Even when I have nothing to talk about – with you I just seem to go right ahead and sort of invent it. I invent it for you. Because I never seem to run out of tenderness for you and because I need to feel you near.”
“I could only think of you as being very distant and beautiful and calm. A lighthouse in clean waters.”
“What can one say — except that I love you and I’ve got to live through this strange quiet evening thinking of you sitting alone. Dearest — let me have a line… You have given me such happiness…”
— Virginia Woolf, from letters to Vita Sackville-West
• “I am reduced to a thing that wants Virginia. I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone. I just miss you, in a quite simple desperate human way. I can’t be clever and stand-offish with you: I love you too much for that. Too truly. You have no idea how stand-offish I can be with people I don’t love. I have brought it to a fine art. But you have broken down my defences. And I don’t really resent it.”
“Please, in all this muddle of life, continue to be a bright and constant star. Just a few things remain as beacons: poetry, and you, and solitude.”
— Vita Sackville-West, from letters to Virginia Woolf
• “Love is awful. It’s awful. It’s painful. It’s frightening. It makes you doubt yourself, judge yourself, distance yourself from the other people in your life. It makes you selfish. It makes you creepy, makes you obsessed with your hair, makes you cruel, makes you say and do things you never thought you would do. It’s all any of us want, and it’s hell when we get there. So no wonder it’s something we don’t want to do on our own. I was taught if we’re born with love then life is about choosing the right place to put it. People talk about that a lot, feeling right, when it feels right it’s easy. But I’m not sure that’s true. It takes strength to know what’s right. And love isn’t something that weak people do. Being a romantic takes a hell of a lot of hope. I think what they mean is, when you find somebody that you love, it feels like hope.“
— Phoebe Waller-Bridge, in Fleabag
• “i carry your heart with me(i carry it inmy heart)”
— e.e. cummings, from “[i carry your heart with me(i carry it in]”
• “There was once a very great American surgeon named Halsted. He was married to a nurse. He loved her-immeasurably. One day Halsted noticed that his wife’s hands were chapped and red when she came back from surgery. And so he invented rubber gloves. For her. It is one of the great love stories in medicine. The difference between inspired medicine and uninspired medicine is love. When I met Ana I knew: I loved her to the point of invention.”
— Sarah Ruhl, The Clean House
• “oh god it’s wonderful / to get out of bed / and drink too much coffee / and smoke too many cigarettes / and love you so much”
— Frank O’Hara, from “Steps”
• “This morning there’s snow everywhere. We remark on it. You tell me you didn’t sleep well. I say I didn’t either. You had a terrible night. “Me too.” We’re extraordinarily calm and tender with each other as if sensing the other’s rickety state of mind. As if we knew what the other was feeling. We don’t, of course. We never do. No matter. It’s the tenderness I care about. That’s the gift this morning that moves and holds me. Same as every morning.”
— Raymond Carver, from “The Gift”
• “Well Marianne, it’s come to this time when we are really so old and our bodies are falling apart and I think I will follow you very soon. Know that I am so close behind you that if you stretch out your hand, I think you can reach mine.”
— Leonard Cohen, in a letter to Marianna Ihlen
• “I think about love on a scale from 1 to 10. Most of us find a 6 or a 7, and that’s why we have divorce. It’s the truth. We settle for that 6 or 7. But I like to think Kevin is Chiron’s 10. He’s found that and he realizes that there’s no reason to settle for a 6 or a 7 because, “I know this person is my 10. Whether or not this person believes I’m his 10, I’m going to devote my life to this person entirely.” That’s why the line where he says, “You’re the only man that’s ever touched me,” for me, was the most amazing, most beautiful thing I’ve seen in cinema, period. Because that’s what we strive for as people, to find that one person because they’re there. If Kevin doesn’t feel that they should be together, Chiron is just going to die a miserable person because that’s his person and he won’t settle for anything else.“
— Trevante Rhodes about Moonlight
• “I look at you and I would rather look at you than all the portraits in the world”
— Frank O’Hara, from “Having a Coke with You” but the whole poem is !
• “The door slammed and someone came home and low voices could be heard, the single lilt of a question as it rose, “How was it?” or “Are you hungry?” Something plain and necessary, yet extra, with care, a voice like those tiny roofs over the phone booths along the train tracks, the ones made from the same shingles used for houses, except only four rows wide—just enough to keep the phone dry. And maybe that’s all I wanted—to be asked a question and have it cover me, like a roof the width of myself.”
— Ocean Vuong, from On Earth We’re Briefly Gorgeous
• “I keep wishing for you, keep shutting up my eyes and looking toward the sky, asking with all my might for you, and yet you do not come. I thought of you, until the world grew rounder than it sometimes is, and I broke several dishes.”
— Emily Dickinson, in a letter to Minnie Holland
• “I don’t want you to be nervous. Maybe thinking of a walrus would help. Have you seen the video of the penguin accidentally stepping on a sleeping walrus? It thought it was a rock. The walrus wakes up like what the fuck and the penguin scurries off like oh shit. Sometimes it’s funny watching a surprise happen, and not just funny but kind of amazing — like, you never really know what’s what when it comes to this planet.
Then again, when it’s you getting surprised, that’s different. Especially for tender ones like us. What are we supposed to do? It’s bad for our hearts, you know. I hope you won’t need pills like I do. I think I get so scared because I’m greedy — I want to hold onto everything, the world wants to take it away. What the fuck. The number of hours we have together is actually not so large. Please linger near the door uncomfortably instead of just leaving. Please forget your scarf in my life and come back later for it.”
• “Willem sleeps on the left side of the bed, and he on the right, and the first night they slept in the same bed, he turned to his right on his side, the way he always did, and Willem pressed up against him, tucking his right arm under his neck and then across his shoulders, and his left arm around his stomach, moving his legs between his legs. He was surprised by this, but once he overcame his initial discomfort, he found he liked it, that it was like being swaddled. One night in June, however, Willem didn’t do it, and he worried he had done something wrong. The next morning–early mornings were the other time they talked about the things that seemed too tender, too difficult, to be said in the daylight–he asked Willem if he was upset with him, and Willem, looking surprised, said no, of course not. “I just wondered,” he began, stammering, “because last night you didn’t–” But he couldn’t finish the sentence; he was too embarrassed. But then he could see Willem’s expression clear, and he rolled into him and wrapped his arms around him. “This?” he asked, and he nodded. “It was just because it was so hot last night, Willem said, and he waited for Willem to laugh at him, but he didn’t. “That’s the only reason, Judy.” Since then, Willem has held him in the same way every night, even through July, when not even the air-conditioning could erase the heaviness from the air, and when they both woke damp with sweat. This, he realizes, is what he wanted from a relationship all along. This is what he meant when he hoped he might someday be touched.”
— Hanya Yanagihara, A Little Life
• “No, I didn’t imagine my being alone with you the way you do. If I want the impossible, I want it in its entirety. Entirely alone, dearest, I wanted us to be entirely alone on this earth, entirely alone under the sky, and to lead my life, my life that is yours, without distraction and with complete concentration, in you.”
— Franz Kafka, from a letter to Felice Bauer
• “If I could attach our blood vessels so we could become each other I would. If I could attach our blood vessels in order to anchor you to the earth, to this present time, I would. If I could open up your body and slip inside your skin and look out your eyes and forever have my lips fused with yours, I would.”
— David Wojnarowicz, The Half-Life
• “I could recognize him by touch alone, by smell, I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
— Madeline Miller, The Song of Achilles
• “If Moses had seen the way my friend’s face blushes when he’s drunk, and his beautiful curls and wonderful hands, he would not have written in his Torah: do not lie with a man”
— Rabbi Yehuda Al-Harizi/Judah Ben Solomon Harizi
• “I’ll rob the bank that gave you the impression that money is more fruitful than words, and I’ll cut holes in the ozone if it means you have one less day of rain. I’ll walk you to the hospital, I’ll wait in a white room that reeks of hand sanitizer and latex for the results from the MRI scan that tries to locate the malady that keeps your mind guessing, and I want to write you a poem every day until my hand breaks and assure you that you’ll find your place, it’s just the world has a funny way of hiding spots fertile enough for bodies like yours to grow roots. I hope our ghosts aren’t eating you alive. If i’m to speak for myself, I’ll tell you that the universe is twice as big as we think it is and you’re the only one that made that idea less devastating.”
— Lucas Regazzi, from “Small”
• “I thought she was sleeping until I heard her call out from across the room, “Will you bring me a glass of water?” I did. Then in her always-sleepy tone and drawl she said, “Do you remember when you were a little girl and you would ask your mama to bring you a glass of water?” Yeah. “You know how half the time you weren’t even thirsty. You just wanted that hand that was attached to that glass that was attached to that person you just wanted to stay there until you fell asleep.” She took the glass of water that I brought her and just sat it down full on the table next to her. Wow, I thought. What am I gonna do with love like this.”
— Dito Montiel, One Night
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