Attackers explain how an anti-spam defense became an AI weapon.
love that energy

Product Placement
styofa doing anything

Kaledo Art
Aqua Utopia|海の底で記憶を紡ぐ
Sweet Seals For You, Always
Today's Document

Discoholic 🪩

❣ Chile in a Photography ❣
NASA
Claire Keane
No title available
almost home
Monterey Bay Aquarium
Mike Driver
DEAR READER
Xuebing Du

izzy's playlists!
Keni
tumblr dot com
let's talk about Bridgerton tea, my ask is open

seen from France
seen from Sweden
seen from United States

seen from United Kingdom
seen from Brazil

seen from Malaysia
seen from Germany

seen from Brazil
seen from Singapore

seen from United Kingdom
seen from Sweden

seen from France

seen from Malaysia
seen from Canada
seen from United States

seen from Malaysia

seen from Spain
seen from France

seen from Italy
seen from France
@croftyspock90
Attackers explain how an anti-spam defense became an AI weapon.
love that energy
Asdfghjkl her perfectly straight face and even tone throughout should win an AWARD
me: isn’t it funny how captain kirk was supposed to be the sex appeal of star trek but it ended up being spock
my dad: i thought it was bones
me:
my dad: i thought bones was supposed to be the sex appeal
prev you’re the only person here that gets it
The first interview.
Dark and twisted idea: Obviously, James seems to be at least okay with murder, possibly even enjoy it.
In contrast, Sherlock can't stomach the idea.
The first time Sherlock needs to kill someone, he starts falling apart and panicking.
James loves Sherlock and is genuinely worried about him. He wants to help. But he's also incredibly aroused by watching Sherlock kill.
So James tries calming him down and comforting him. First, James kisses Sherlock. Then, when that seems to help, he takes it further, and the two have sex.
From Sherlock's pov, James is giving him something else to focus on, to help Sherlock ground himself and not feel alone.
In James' defense, that's completely true. It's just also true that as he makes love to Sherlock and tells him it will be alright, James is replaying the moment Sherlock killed the person over and over again in his head.
mr ritchie can we have a scene where the boys need to infiltrate a party and wear formal clothes please ill pay real money
I flip and fold, I superimpose, I become location and you veer toward me, the eye to which you are relative, magnetized for your revelation. Hook and bait, polestar and checkmate, I am your arrival, there is no refusal, we are here, you see, together, we are already here. Lovesong of the Square Root of Negative One by Richard Siken
A much quicker Leyendecker study for the Young Sherlock gang. Can't get enough of the doom in their narrative--are they lovers? WORSE.
R.i.p J. C. Leyendecker you would have LOVED Sheriarty
september was practice… in october I’m getting my shit together
in november I'm getting my shit together
in december I’m getting my shit together
in february I’m getting my shit together
in march I’m getting my shit together
in april I’m getting my shit together
in may I’m getting my shit together
in june I’m getting my shit together
you may think misogyny is good because it is made up of miso, which is delicious, and gyny, which is woman. and girl miso sounds great. but 👆 it is not girl miso
"Miso" is Greek for "hatred". "Gyny" is Greek for "woman" Misogyny literally means "hatred of women".
The word "misogyny" is always associated with the unnecessary hatred and abuse of women. No one ever thinks about this word in a positive light.
will you ever forgive me
jesus christ did i fucking kill them im sorry
you may think homicide is good because it is made up of homo, which is gay, and cider, which is delicious. And gay cider sounds great. but 👆 it is not gay cider
Mermaid witnessing a werewolf transformation by the beach and believes all humans are like that. Pirate: ahoy Mermaid: awooo? Pirate: a what
Pirate: [digging up treasure] Mermaid: no… bad boy… bad… no diggy hole… [sprays water] Pirate: what the fuck Parrot: what the fuck
She thinks the parrot is just a transformed human too.
Love how the mermaid, whose home is presumably underwater, knows absolutely nothing about humans but does know about The Spray Bottle.
#can you imagine seeing a mermaid on a rock and she just fucking#throws her head back in a perfectly wolven howl#in the middle of the fucking ocean
She learned from the seals
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)
“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time.
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”
She protects her family.
An Archive of Our Own, a project of the Organization for Transformative Works
This now has a proper fic.
Sharing to be done.
She got the idea for the study while walking with her advisor at Stanford to discuss her thesis topic, and the paper she eventually published in the Journal of Experimental Psychology in 2014 is sharp enough that it should have ended the seated meeting on the day it came out.
She ran 4 experiments on 176 people. Same person tested twice. Once sitting, once walking. The creativity tasks were the standard ones psychologists have used for decades to measure how good a brain is at generating novel useful ideas.
81% of participants in the first experiment produced more creative ideas while walking than while sitting. In the second experiment, 88%. In the third, 100%. Every single person walked into a more creative version of themselves. On average, people generated 60% more novel useful ideas the moment their legs started moving.
The skeptical question is the obvious one. Maybe it was the fresh air. Maybe it was the scenery passing by. Maybe it was the change of environment doing the work, not the walking itself.
Oppezzo killed every one of those explanations with one experimental decision. She put people on a treadmill facing a blank wall. No scenery. No fresh air. No environmental change. Just legs moving in place while staring at white drywall. The 60% boost held.
Then she ran the experiment that closed the case completely. She took participants outside in two conditions. Half of them walked through a Stanford courtyard. The other half were pushed through the exact same courtyard in a wheelchair. Same outdoor stimulation. Same scenery passing at the same speed. The only difference was whether the legs were moving.
The walkers produced dramatically more novel high-quality ideas than the wheelchair group. The outdoors did almost nothing on its own. The walking did everything.
She also tested the opposite kind of thinking. Convergent thinking. The kind where there is one right answer and you have to narrow down to it. Word puzzles where 3 words share a hidden fourth word that connects them. The seated participants did slightly better on these. Walkers got slightly worse.
Walking is not a general intelligence enhancer. It does one specific thing. It opens up the divergent search inside your brain. The part that generates options. The part that produces unexpected connections. The part that takes a problem and finds five ways into it instead of one.
When you need to converge on the single right answer, sit down. When you need to find the answer in the first place, get up.
The mechanism is now well understood. Walking selectively activates what neuroscientists call the default mode network, the system inside your brain that runs when you are not consciously focused on anything. The DMN is where mind-wandering happens. Where memories cross-reference each other. Where ideas that have been sitting in separate folders inside your head finally bump into each other.
When you sit at a desk and force yourself to concentrate, you suppress the DMN. When you walk at a natural pace, the executive part of your brain gets just busy enough handling the walking that the DMN comes online and starts doing the work that focus was blocking.
The most useful finding in the entire paper is the one almost nobody quotes. The boost did not turn off the moment people stopped walking. Participants who walked first and then sat back down stayed elevated. Their next round of seated creativity work was still significantly better than people who had been sitting the whole time. The rest lingered for at least several minutes after the legs stopped moving.
You do not need to do creative work while walking. You need to walk before the creative work. The brain holds the state.
Edited down a long tweet. (x)
Oh my god rockys job is beach-
idk if anyone else has seen the surge of memes making fun of cave divers recently. there was a comment on one that was like "cave divers with 4 kids, 2 degrees, a loving wife and a huge house when they learn that Satan's Sphincter has a 0% survival rate" it had me crying laughing
You'd think "oh, well they're rich dipshits with no training who pulled a Stockton Rush, IE: did something everyone told them not to and then died" but nope, 90% of cave diving stories are like "Johnny Wetsuit had 5000 hours diving experience, a doctorate in Cave Diveology from the most prestigious university in the world, was trained to swim by literal navy seals, was part dolphin and had the power of echo-location, God himself contacted him to let him know the conditions in Drowning Idiot Cave were going to be perfectly safe for cave diving, so he went Cave Diving, made one tiny mistake, and then he got stuck and drowned to death."
ok but there’s a reason cave diving signs go so hard
My brother used to do SCUBA stuff and apparently there's spots in places like Lake Tahoe where there's just bodies that haven't been recovered because the people that could go and get them know better than to go diving in the parts of the lake where the bodies are.
I feel like the ‘Satan’s Asshole Cave’ meme is a bit of a misnomer though because half of these places are named. Nutty Putty. Darby Canyon. Wookey Hole.
It’s more like; Loopty Doopty Cavern, where 18 out of 25 known explorers had to have their bodies dragged out over excruciating 28 hour long recovery missions
What month were you born in?
January
February
March
April
May
June
July
August
September
October
November
December
Doing a final project in my stats class, we have to pick a subject and collect data on it. We need at least 100 data points, and I figured this blog is big enough that a poll on here could get to that pretty easily!
Doing my project on if it’s more likely to be born in certain months :]
I have gotten the OK from my teacher to collect data using a Tumblr poll, btw. I’m also going to have to send her this post as proof of where I got the data from / proof I didn’t just make up the numbers. So. Behave
like to charge, reblog to cast.