Gesture drawings from today. 60 seconds each.
I’m rusty as fuck. lol
btw I was using this website: http://www.quickposes.com/gestures/timed
taylor price
Peter Solarz
"I'm Dorothy Gale from Kansas"
Today's Document

★

Origami Around
Stranger Things
Alisa U Zemlji Chuda
dirt enthusiast

pixel skylines
YOU ARE THE REASON

Kaledo Art
Acquired Stardust
occasionally subtle

JVL
wallacepolsom
Three Goblin Art
h
KIROKAZE

❣ Chile in a Photography ❣
seen from United States

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@crowcandy
Gesture drawings from today. 60 seconds each.
I’m rusty as fuck. lol
btw I was using this website: http://www.quickposes.com/gestures/timed
Doodled a cute dopey little alpaca today <3
Some recent watercolor sketches
When confronted with a cuddly cat, the lizard simply continues to lizard.
I will never not reblog this.
lizard is like "ugh... mammals..."
Oh my heart...
The new Supreme Paradox. Believed to be a paradox Orange Dream Ivory from an Orange Dream Butter Yellowbelly x Yellowbelly pairing. She belongs to Shane Whitaker Quality Serpents and Nick Boles. (x)
I’m not normally a huge ball python fan, but that’s very cool looking.
HNNNGgggngnnnnnn Waant.....
The Relative Color and the Absolute Color
Since the colors are never what they look like, It’s useful to understand the color in two ways : the RELATIVE color and the ABSOLUTE color.
The Relative color is the color as it is seen, according to the perception of the eye and the translation from the brain to the mind. The Absolute color is the color as it is, in reality.
This is part of the colors relationship, and the contrast of the colors.
To be able to get the right relative color (meaning without any false notes), it’s crucial to know what its absolute color really is.
For example, the absolute color of grey is very often the relative complementary color of its surrounding color.
Depending of the kind of picture and depending of your color’s intentions (that is off special effect or narrative effect), using an absolute complementary (that is, for the previous e.g, a true blue) in direct contact to its surrounding colors may easily create a so much strong contrast that the mind will perceive it as a false note, then causing a global unbalance on all other colors in the image.
E.g, here is the page 05 from “Detectives” vol.02 (Hanna/Sure/Lou, ©Delcourt editions)
The “grey” panels 05 and 09 have a cold vibration, almost blue, because they are in a direct relationship within a yellow hot tan. This two panels, in minority, are also secondary in the narration of the page.
Using a true absolute blue would reverse this narrative order because the color contrast would became so much strong that they would became the primary focal point of the page.
Let us look a little closer at the 3rd strip. The mind read the left panel as cold, in a subtle blue. The shirts are read as white, and the bottles of champagne as greenish…
…but by isolating the absolute colors, in comparison with a Titanium white, none of this previously mentioned relatives colors exist in this picture.
…And if they were, the balance of the colors would be broken, and the falses notes would be made. Notice how the eye now read differently the picture, it can’t stop looking at those white shirts and then those bottles. It almost forget to look at the balloons and the characters. ( i’ll talk about the narration through the contrast of colors later, in another post)
It is the same for the values. A relative value defines itself compared with its surrounding values.
Let’s look back at our 3rd strip. Watch the contrast between the shirts, and the light jacket in the front, how they seem to be so much lighter in comparison with the other clothes.
When in reality, if we compare them to each other, the difference became a lot more subtle than it seemed to be.
This is a side effect of the relative color. The mind analyzes et translates a color based on its database stocked in its memory, trying to identify the color in the most simple and efficient way possible.
The shirt itself is light indeed, and white. But it’s simply its “name”. Its “classification”, its “identity” (see the flat step of my quick step by step). What we’ll ask in a store.
In reality, this shirt is not white, and not much lighter than the light face of the grey jacket or the blue shirt. But for our mind, white means light. Lighter than everything. However, a white shirt in shadow is often darker than a back shirt in the light, whatever the mind is saying.
So, compare, isolate, compare, isolate, compare, always.
You can change your “mind database” with some practice. By using a paper sheet with holes to isolate outside colors. ( grey paper is best) Or by opening some pictures in a software and use the color-picker to learn what is going on with the color relationship. Testing yourself to find out the absolute color of your surrounding whenever you can.
Then, colorisation will become much easier, and like a musician able to reproduce a song he heard a the first try, you’ll develop the Golden eye.
YES
lmao beard porn
Pics from Animals Inside Out
eff yeah referencccceeee
Happy 2nd Birthday Shoelace!
AW GAWD SO CYOOOOOT!
Some harsh but very very true words
When people let me review their portfolios (on career day or open days at my game design school) I explicitly ban them from commenting during the review… …because otherwise they will follow the impulse to downplay everything I see in an attempt at being humble. "this is an old image…"
"I’m not happy with that one…" "this is just a sketch…"
"I did this really quickly…" "there is better stuff on later pages…" It’s totally understandable to have those impulses. The quality of art is not empirical data and therefore impossible to measure. Good art, bad art, it all comes down to standards. And you don’t want to come off as naive or self-absorbed. But just don’t do it. Don’t talk yourself down in front of others. In the best case you have someone supportive who now thinks “damn, this person needs to be prepped up all the time. Do I really want to work with somebody like that” or in worst case “now that you say it, yeah, this is kinda lame/rushed/unfinished/lazy, go away.” You can only submit what you have. If that is not enough, then it’s not enough. Your attitude will not change that. But if it is enough, you can do serious harm by not being confident of who you are now. This means appreciating what you are able to do right now and have a clear vision of what you want to learn, be confident that you will learn it in time. Be proud.
So much truth
Went to a sculpt jam today and started sculpting a fluffy creature I doodled yesterday. Might add the doodle to this post later.
how are you getting that much momentum on the third kick
I'm so fucking mesmerized by this O.O
Black Rabbit of Inle
by Android Jones
OMFG WATERSHIP DOWN The last. fucking. thing. I expected to see in my dashboard today. I'm so happy T^T
when it rains
does water collect in the collar of garrus’s armor
idgaf if people have already drawn shit for this
I'm laughing so hard...
Exercise 27 Results: Shading Candy Step by Step by: Tim Von Rueden (vonn)
Check out our sweet Candy Study results with full step by step explanation HERE. http:
This is so damn specific but holy hell look at that sub surface scattering on that gummy bear...
*Drool*
this NEVER stops being hysterical
SOON
AAAAHAHAHA
no i believe you mean NANA NANANANANANANA NANA NA NANANA~
….GOODGOD……the king will be please……
Um, yes.