
if i look back, i am lost

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roma★
we're not kids anymore.
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Mike Driver

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h
YOU ARE THE REASON
sheepfilms

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Today's Document

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Stranger Things
NASA
Monterey Bay Aquarium

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$LAYYYTER
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@crownanother
My emotions about space travel, and the history of, are strong today.
@identifying-planes-in-posts
Boeing 737NG
SLS
Let's kill this guy with mama.
"I don't think fishes should smoke" - a friend
the individual square doodles under the cut
things to say after fucking up egregiously
pack it up boys we've made a social blunder
let's run that again
one more time normal style
I'm going to become a statistic
further proof god is out to get me
it's because I tore my acl senior year
I couldn't do it for religious reasons
my ex took my talent in the divorce
good thing nobody saw that (said directly to someone who definitely saw it)
Holy shit he’s back
my favourite part of ao3 not having an algorithm is that i can click on any random fic, out of whatever curiosity (morbid or otherwise) i may have on a whim, knowing I won't spend the next three months having ''similar'' content constantly shoved in my face in a desperate attempt to keep me engaged while i stab the not interested button over and over with a growing rage bubbling beneath my skin
I felt like I should be picked up by a horse-drawn sleigh any minute
A few years ago while trying to find ways to commit suicide as painlessly as possible, I came across a PDF of Dr. Paul Quinnett's The Forever Decision. Thinking it might go into actual methods of suicide (I read an article once that actually did that and was trying to find it again) I started to read it, and I think I only got about two pages in before I was crying too much to actually see the words.
I downloaded the PDF to my hard drive and I open it again whenever I'm feeling too suicidal to do much else, but not enough to start booking a ride to the hospital. And every time without fail I only go up to a few pages before backing off and choosing to live another day just because suicide suddenly seems even more unbearable than whatever the hell upset me in the first place.
All the book really does is [I'm pulling a summary from GoodReads here as, again, I've read no more than 5 pages] "discusses the social aspects of suicide, the right to die, anger, loneliness, depression, stress, hopelessness, drug and alcohol abuse, the consequences of a suicide attempt, and how to get help."
But it also starts with the author kindly asking the reader to complete the book before going through with anything, and for some reason I'm compelled to really just try to read it all before finalizing everything. Despite not yet completing it (hopefully never will) I think I can safely say it's saved my life at least a few times now.
It's intentionally legal to copy and redistribute this book to keep it as accessible as possible, and it's very easy to find, but here's a link for it anyways.
go white boy goooo
no white boy not like that
white boy i've never seen anyone fuck it up like that
skateboard will be so fictionalized that people forget we all have one inside of us. like the war of course but like they arent just fantasy creatures.... its just In There
hey. So skeletons may have autocorrected to skateboard,
CHARACTER ADDED!
Skateboards (Real) (Not Fictional) (Everyone Has One) (Living Inside of You)
yes carrie killed over 400 people ok. thats bad i know. but have you considered that i feel really bad for her :(
carrie deserved to kill 400 ppl as a treat
That's because he didn't write, nor intend to write, a horrible terrible disturbed woman beyond redemption. The genesis of Carrie (told in its entirety in the 1999 edition's introduction that you can read here, and in King's memoir On Writing), was this: sometime in high school, King read an article in Life magazine about supposed poltergeist activity in a home, which seemed to be associated with the teenage girl who lived there. The article included the hypothesis that poltergeist activity is, in some way, tapped into or manifested by girls at that critical and tumultuous age.
And some years before that, King had gone to school with a couple of girls he pseudonymously calls Tina and Sandra, who were bullied and shunned by the other kids—Tina for wearing the same clothes every day, Sandra for her epilepsy and extremely religious mother, but both really for having some undefinable Other quality that kids pick up on like blood in the water. Both of them were dead by the time King began writing Carrie: Tina by suicide, Sandra from her epilepsy.
Carrie was what King imagined might have happened if that explanation of poltergeist activity were correct, and if Tina and Sandra had been able to tap into such an energy. He started writing the story a few years after getting married (his wife Tabitha is also a writer), but abandoned the idea a few pages in; the raw, merciless adolescent cruelty the story called for was too much to deal with, and what did he know about teenage girls, anyway? But Tabitha dug the pages out of the trash and read them, and convinced him it was a story that needed telling.
Carrie is a story which, perhaps like poltergeist activity, could only happen to a girl on the brink of womanhood, when every emotion and sensation is excruciatingly vivid and nothing makes sense anymore and every single occurrence in your life is the most important thing that will ever happen to you. It's about being horribly powerful and vulnerable at the same time, and alienated from your own body. It's about the visceral, starved animal fear and rage of being a teenage girl, and it goes to show what an arcane and powerful craft creative writing is that a man could manage to capture that without having experienced it firsthand.
"Sometimes—quite often, in fact—I wish that Tina and Sandy were alive to read it," King says in the 1999 introduction to Carrie. "Or their daughters."
Yeah, if you read the man's own words she was clearly intended to be sympathetic and human
Also book Carrie was fat!
HOW TO TURN OFF GOOGLE AI in GMAIL:
Open Gmail in your browser
Click on the Gear Icon ⚙️ in the upper right
In the General Tab, scroll down to "Smart Features" and UNCHECK THE BOX. It is about halfway down.
Then, right below that is Google Workspace smart features. Click on the "Manage Workspace Smart Features" and make sure both toggles are OFF
gen z deadbeat father who left to get oat milk and a vape