No People are Uninteresting

Proud T1D Cyborg | Lit Student | Queer | She/Her | Art, Poetry, Diabetes stuff, Politics, Thoughts, Fandom things, and whatever else | (tag line is from "People" by Yevgeny Yevtushenko)

[permetutotheworld]

[ouidamforeman]

The Gawain poet, hitting a blunt: the knight was green. But more importantly I need you to understand how hot this guy was. Like so fucking hot dude

[pocketsizedpanther]

He can't keep getting away with this 😮‍💨😮‍💨😮‍💨😮‍💨

[jackhawksmoor]

If people don't stop suggesting this stuff he's going to accidentally become a wizard

[389]

Mona Hatoum, Grater Divide, 2002 Mild steel, 204 cm x variable width and depth

[earnedmagic]

Mona Hatoum is a Palestinian artist. From Artform’s 2021 Rape is a Border:

Take Grater Divide, 2002. The work is ridiculous: a standing metal cheese grater more than six feet high. Installed in a gallery, it works as a room divider, but the holes make privacy impossible. The wall is a weapon rather than a shield: A person undressing behind it could be cut as well as peeped at, opened up by sharp edges made for shredding. The work is not only an enlargement of a grater, however, but also a miniaturization of a divide, prototyping, in particular, the West Bank barrier Israel had begun to construct on appropriated Palestinian land. A person traveling through a border checkpoint may be asked to undress—strip searches are not prohibited by Israeli law. In the United States, they have been allowed ever since the 1985 Supreme Court case United States v. Rosa Elvira Montoya de Hernandez, which originated with the cavity search of Hernandez, who was traveling to Los Angeles from Colombia. In both countries, the coercive invasion of bodies is more likely to be visited on people of color, who are disproportionately singled out for selective or heightened “screening.” This word’s very meaning is reframed, or enlarged, by the Grater Divide. Gloria Anzaldúa, the queer Chicana theorist of Borderlands/La Frontera (1987), called the United States–Mexico border an “open wound” where “the Third World grates against the first and bleeds.” All borders are graters: not solid walls but permeable ones whose pores are sharpened to pierce what passes through.

[cyborg-empress]

I thought I'd share some of my Sinners sketches to celebrate its 4 Oscar wins! (Shoulda won best picture tho)

Click for better quality!

[conman167936]

Guillermo Del Toro is the only director who would shoot Gepetto making Pinocchio as if it were Dr. Frankenstein creating the monster.

And then shoot Dr. Frankenstein creating the monster as if it were Gepetto making Pinocchio.

[cherryjennn]

Even more devastating, the scene where pinocchio was made was very violent in looks and almost angry but gepetto grew to love his creation like a son but the scene of making the creature was loving and attentive but victor grew to hate his creation .

[twobeesornottwobees]

printers behave like that because the medieval monks they put out of work are haunting them

[fishhfangz]

More Dispatch anti-ICE art!!!

I recieved a lot of love on the last one, thank you guys so much!! These are really fun to make, I entered a flow state making this one while listening to Primer 55.

Here's a sketch based on a suggestion by videogamesarecool! I might actually finish it cause it turned out really good. :)

[velvetvexations]

Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines

[velvetvexations]

So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.

Al Feldstein, Tales of Terror: The EC Companion

[iconuk01]

Just to add context for those not aware of the impact of this story.

The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.

They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.

The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.

The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.

The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.

Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.

Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.

The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.

[assortedinsanities]

Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.

As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.

[about-faces]

[t00thpasteface]

related to my previous post: this is my POV on the eternal "it is/n't that deep" debate always going on with everything, as someone who now just goes "cool okay whatever" and leaves when something disappoints me instead of wasting time raging about what went wrong or waiting around for it to get better. i think it's good to have all those crazy what-if thought experiments, but i also think you need to make sure you're not setting yourself up for heartache! be nice to yourself and be nice to other people (as the moral so often is...)

[escuerzoresucitado]

[saucefunk]

THAT’S WHAT I’M TALKING ABOUT

[imatmywormrightnow]

I seem to be living a very expensive lifestyle called eating food regularly

[magicmooshka]

recently my friend's comics professor told her that it's acceptable to use gen AI for script-writing but not for art, since a machine can't generate meaningful artistic work. meanwhile, my sister's screenwriting professor said that they can use gen AI for concept art and visualization, but that it won't be able to generate a script that's any good. and at my job, it seems like each department says that AI can be useful in every field except the one that they know best.

It's only ever the jobs we're unfamiliar with that we assume can be replaced with automation. The more attuned we are with certain processes, crafts, and occupations, the more we realize that gen AI will never be able to provide a suitable replacement. The case for its existence relies on our ignorance of the work and skill required to do everything we don't.

[cyborg-empress]

Spoilers for Wake Up Dead Man

@fist-of-vengeance and I did a rewatch of this excellent movie and were speculating why Dr. Nat's house is so aggressively decorated with butterflies. They are on the wallpaper, the mugs, the pillows, everywhere.

Butterflies often symbolize rebirth, which makes complete sense with the story of Wicks' supposed resurrection, but why is this specifically associated with Dr. Nat?

@fist-of-vengeance suggested that perhaps the butterflies are his wife's decor, considering decorating is a traditionally female role. This would mean that he is slowly rotting in this suffocating shell of his former life that reminds him of the wife he lost.

I would also like to suggest that the butterfly imagery might be alluding to what happens to caterpillars in the cocoon: they dissolve and become a sort of soup before they can reform into something new. So maybe it's related to how Dr. Nat was dissolved, and how because of Wicks' ideology and his own greed he never had a chance to become something new.

[pwlanier]

Hedgehog-shaped jar, Neolithic period (3500-3000 BCE)

Courtesy Alain Truong

[redscharlach]

I feel you, Neolithic hedgehog. I feel you.

[rowlfthedog]