just a panicking lesbian with punk intentions @dancingpink - Tumblr Blog

In order to stop the culture of faking orgasms, we need to stop the culture of shaming others for their sexual experiences.

Can’t get your partner off on the first try? Cool. You can still be thoughtful and make them feel good.

Can get your partner off within 30 seconds? Awesome, good for you both, don’t let it get to your head.

Can make someone cum in less than 5, but for others, it’s a process that takes an hour? That’s alright, everyone’s different.

Does it take you 30 minutes to cum? That’s okay, you’re not broken, you’re not a failure.

Does it take you 10 seconds to cum? That’s great, you’re not a slut, you’re not overly sensitive or dirty.

Can’t cum without toys/vibrators? That’s awesome, that’s a valid part of sexual play!

Can only cum with loving, vanilla sex? That’s perfectly normal, and you will find lots of great partners to experience that with!

Can’t orgasm at all? THAT’S ALSO COOL. It’s not a bad thing, you can still enjoy sex TONNES just like others.

Orgasms are NOT the defining characteristic of your sexual prowess. They are great, they’re lovely when they happen, but for the love of science, stop bringing them up higher than they need to be.

buzzcutseasonart

they enjoy both 😌💞

(more scenes from my renga fic 💓 thank you for all of the love and support recently! yalls kindness and patience with me is overwhelming and I feel so appreciated!!)

josyuss

good bois

wouldyouliketoseemymask

This is a compiled list of some of my favorite pieces of short horror fiction, ranging from classics to modern-day horror, and includes links to where the full story can be read for free. Please be aware that any of these stories may contain subject matter you find disturbing, offensive, or otherwise distressing. Exercise caution when reading. Image art is from Scarecrow: Year One.

PSYCHOLOGICAL: tense, dread-inducing horror that preys upon the human psyche and aims to frighten on a mental or emotional level.

“The Frolic” by Thomas Ligotti, 1989

“Button, Button” by Richard Matheson, 1970

“89.1 FM” by Jimmy Juliano, 2015

“The Yellow Wallpaper” by Charlotte Perkins Gilman, 1892

“Death at 421 Stockholm Street“ by C.K. Walker, 2016

“The Ones Who Walk Away from Omelas” by Ursula K. Le Guin, 1973

“An Empty Prison” by Matt Dymerski, 2018

“A Suspicious Gift” by Algernon Blackwood, 1906

CURSED: stories concerning characters afflicted with a curse, either by procuring a plagued object or as punishment for their own nefarious actions.

“How Spoilers Bleed” by Clive Barker, 1991

“A Warning to the Curious” by M.R. James, 1925

“each thing i show you is a piece of my death” by Stephen J. Barringer and Gemma Files, 2010

“The Road Virus Heads North” by Stephen King, 1999

“Ring Once for Death” by Robert Arthur, 1954

“The Mary Hillenbrand Cassette“ by Jimmy Juliano, 2016

“The Monkey’s Paw” by W.W. Jacobs, 1902

MONSTERS: tales of ghouls, creeps, and everything in between.

“The Curse of Yig” by H.P. Lovecraft and Zealia Bishop, 1929

“The Oddkids” by S.M. Piper, 2015

“Nightmare at 20,000 Feet” by Richard Matheson

“The Graveyard Rats” by Henry Kuttner, 1936

“Tall Man” by C.K. Walker, 2016

“The Quest for Blank Claveringi“ by Patricia Highsmith, 1967

“The Showers” by Dylan Sindelar, 2012

CLASSICS: terrifying fiction written by innovators of literary horror.

“The Tell-Tale Heart” by Edgar Allan Poe, 1843

“The Interlopers” by Saki, 1919

“The Statement of Randolph Carter“ by H.P. Lovecraft, 1920

“The Damned Thing” by Ambrose Pierce, 1893

“The Legend of Sleepy Hollow” by Washington Irving, 1820

“August Heat” by W.F. Harvey, 1910

“The Black Cat” by Edgar Allan Poe, 1843

SUPERNATURAL: stories varying from spooky to sober, featuring lurking specters, wandering souls, and those haunted by ghosts and grief.

“Nora’s Visitor” by Russell R. James, 2011

“The Pale Man” by Julius Long, 1934

“A Collapse of Horses” by Brian Evenson, 2013

“The Jigsaw Puzzle” by J.B. Stamper, 1977

“The Mayor Will Make A Brief Statement and then Take Questions” by David Nickle, 2013

“The Night Wire” by H.F. Arnold, 1926

“Postcards from Natalie” by Carrie Laben, 2016

UNSETTLING: fiction that explores particularly disturbing topics, such as mutilation, violence, and body horror. Not recommended for readers who may be offended or upset by graphic content.

“Survivor Type” by Stephen King, 1982

“I’m On My Deathbed So I’m Coming Clean…” by M.J. Pack, 2018

“In the Hills, the Cities” by Clive Barker, 1984

“The New Fish” by T.W. Grim, 2013

“The Screwfly Solution” by Racoona Sheldon, 1977

“In the Darkness of the Fields” by Ho_Jun, 2015

“The October Game” by Ray Bradbury, 1948

“I Have No Mouth, and I Must Scream” by Harlan Ellison, 1967

HAPPY READING, HORROR FANS!

wouldyouliketoseemymask

I’ve been doing some reading and have more stories to add:

PSYCHOLOGICAL:

“Paradise Pine” by C.K. Walker, 2016

“Suffer the Little Children” by Stephen King, 1972

“Rocking Horse Creek” by C.K. Walker, 2016

“The Ledge” by Stephen King, 1978

“Ted the Caver” by Ted, 2001

“The Fly-paper” by Elizabeth Taylor, 1969

CURSED:

“The Reaper’s Image” by Stephen King, 1969

“Correspondence” by Bloodstains, 2011

“Casting the Runes” by M.R. James, 1911

“The Dionaea House” by Eric Heisserer, 2004

“1408″ by Stephen King, 1999

“Stinson Beach” by Walter Smith, 2011

MONSTERS:

“The Crawlers” by Jimmy Juliano, 2014

“Pickman’s Model” by H.P. Lovecraft, 1927

“Dollhouse” by C.K. Walker, 2016

“I Love My Grandparents’ Fireplace” by Rona Vaselaar, 2016

“Click-clack the Rattlebag“ by Neil Gaiman, 2015

CLASSICS:

“Oh, Whistle, and I’ll Come to You, My Lad” by M.R. James, 1904

“The Voice in the Night” by William Hope Hodgson, 1907

“The Cask of Amontillado“ by Edgar Allan Poe, 1847

“A Sound of Thunder” by Ray Bradbury, 1952

“Cool Air” by H.P. Lovecraft, 1928

SUPERNATURAL:

“It Was a Different Time” by Cymoril Melnibone, 2018

“The Testament of Magdalen Blair” by Aleister Crowley, 1929

“Instructions for the Babysitter” by CR Jones, 2018

“The Hand” by Guy de Maupassant, 1880

“63 Years Ago” by Jake Healey, 2016

UNSETTLING:

“Window” by Bob Leman, 1980

“No Matter Which Way We Turned” by Brian Evenson, 2016

“The M Show Fan Club” by lenalona, 2013

“The Dune” by Stephen King, 2011

“Jacqueline Ess: Her Will And Testament“ by Clive Barker, 1984

“The Judge” by Rona Vaselaar, 2015

ENJOY!

wouldyouliketoseemymask

Here’s some more stories I’ve enjoyed, bringing the list total to 125 scary tales:

PSYCHOLOGICAL:

“Nightcrawlers” by Robert R. Mccammon, 1984

“Burn” by C.K. Walker, 2016

“Examination Day” by Henry Slesar, 1958

“Miriam” by Truman Capote, 1945

“To See the Invisible Man” by Robert Silverberg, 1979

“A Conversation with a Stranger on the Bus” by C.M., 2019

“The Man Who Loved Flowers” by Stephen King, 1977

“Paleontologists Were We” by C.K. Walker, 2016

CURSED:

“The Hourglass Tattoo” by The Dead Canary, 2019

“I Uncovered the Disturbing Truth Behind a Haunted Film…” by Joel Farrelly, 2015

“Moomaw’s Curses” by Pippinacious, 2017

“A Curse is Killing My Friends and I’m Next” by Zamil Akhtar, 2017

“The Cat From Hell” by Stephen King, 1977

“I’ve Been Getting Strange Letters from the St. Louis Prison” by Andrew Harmon, 2015

“The Ash-tree” by M.R. James, 1904

MONSTERS:

“The Midnight Meat Train” by Clive Barker, 1984

“Recluse” by Jimmy Juliano, 2016

“The Raft” by Stephen King, 1982

“Mr. Widemouth” by perfectcircle35, 2010

“The Beast of Averoigne” by Clark Ashton Smith, 1932

“Graveyard Shift” by Stephen King, 1970

“The Puppet in the Tree” by Dopabeane, 2018

“The Autopsy” by Michael Shea, 1980

CLASSICS:

“The Triumph of Night” by Edith Wharton, 1914

“Specialty of the House” by Stanley Ellin, 1956

“The Oval Portrait” by Edgar Allan Poe, 1842

“The Mezzotint” by M.R. James, 1904

“The Occupant of the Room” by Algernon Blackwood, 1917

“Where Are You Going, Where Have You Been?” by Joyce Carol Oates, 1966

“The Waxwork” by A.M. Burrage, 1931

“The Terrible Old Man” by H.P. Lovecraft, 1920

SUPERNATURAL:

“The Stillwood King” by Kris Straub, 2008

“She’s Gotten One Step Closer Every Night…” by Nick Botic, 2018

“Beauty” by Robert R. Mccammon, 1990

“My Girlfriend Talks in Her Sleep…” by Ryan Matthews, 2018

“The Everlasting Club” by Arthur Gray, 1910

“Char” by C.K. Walker, 2016

“The River Styx Runs Upstream” by Dan Simmons, 1981

“Lemon Blossom Girl” by Kris Straub, 2008

“How to Summon the Butter Street Hitchhiker” by Chris Hicks, 2018

UNSETTLING:

“Soft” by F. Paul Wilson, 1984

“The Taxidermied Child” by Tobias Wade, 2019

“It’s a Good Life” by Jerome Bixby, 1953

“Magnum Opus” by C.K. Walker, 2016

“Something Passed By” by Robert R. McCammon, 1990

“The Stretching Party” by Nick Botic, 2018

“Incident On and Off a Mountain Road” by Joe R. Lansdale, 1991

“Other People” by Neil Gaiman, 2001

HAVE FUN!

naazaif327

oh man, so excited to read these when its way too late at night!

moldspace

i took a pottery class before COVID sent everything to hell and made some weird pots in it

lesbiangender-deactivated201908

I’m gonna say something….. controversial

lesbiangender-deactivated201908

if you’re writing a story and your villain has (or is) dissociative identity disorder then your art is bad and you should feel bad.

lesbiangender-deactivated201908

you know how straight people are really terrible at telling gay jokes because they don’t understand what the actual funny parts of being gay are?

Yeah people without DID who try to use the disorder for horror/thriller purposes fail at it because they don’t understand how DID actually effects people and their lives and behavior and relationships

In fact every piece of dramatic media I can think of that depicts DID kinda relies on the audience not understanding how DID actually works

And if the audience being educated ruins their suspension of disbelief, you’ve fucked up

And if you have to demonize highly vulnerable abuse survivors to create drama, you might not have any business writing fiction to begin with

lesbiangender-deactivated201908

Fictional DID is always depicted as dangerous to everyone but the person with the disorder and it makes me wonder what amount of research is acceptable in Hollywood and TV these days

like in Split they’re all “different alters have different biological realities” as some kind of edgy “what if the hulk but real” thing, and as far as I know, the idea that different alters have different physiologies is not accepted by modern psychology, and was likely falsified by an extremely abusive, immoral, and sadistic psychologist who gave his patients dangerous experimental drugs just to see how they would react, and then when the patients complained of trouble breathing or heart problems, this doctor told the nurses that it was all part of ~multiple personality disorder~ so that they wouldn’t like. I don’t know. Tell someone that this doctor was poisoning his patients in a wholly unscientific manner for apparent shits and giggles.

So yeah, that such a good sign for that movie huh?? //sarc

Look I don’t have DID, but I did live with someone who did for a year. It barely affected me. The person told me because they assumed I would notice something odd if we were living together, but tbh if he hadn’t I probably wouldn’t have thought anything except maybe that he was forgetful and disorganized.

I only ever knowingly interacted with one alter, who a psychologist might describe as an “angry part”, as sometimes alters experience limited emotions and are classified as “emotional parts”. This is the kind of alter that movies like Split want you to think is a rage-crazy murder monster with no impulse control.

The real-life “angry alter” my roommate had? I mean he was kind of a dick. He always seemed generally pissed off but he wasn’t a threat to me. I think he maybe wasn’t very nice to my roommate but since that happened internally I never saw, I could only guess. Hardly a hulk-like sex murderer.

And actually the majority times I talked to this alter I didn’t even know it. Because usually he made a point of acting like my roommate so that no one would give the system any trouble. Because DID is a highly specialized, involuntary coping mechanism created to protect a victim of trauma or abuse. Alters form so that the victim can continue with their life and grow and develop. If all alters were dangerous volatile monsters that you could easily tell the difference between at a glance, they wouldn’t be a very effective defense mechanism.

So I would talk to my roommate as usual, and then like an hour later he would be like “whoa how long have I been gone, what was my body doing all day” and I would be like uhhh I literally don’t know dude if you hadn’t said that I wouldn’t have realized you weren’t the one fronting all day.

In Split it’s like “if I lose control of my alters they kidnap and murder people!!!” and meanwhile in reality it’s more like….. System needed to go to class today but Alter B was fronting when it was time to leave for class and they didn’t feel like going, so the whole system missed out on class and that sucks.

And when alters do hurt people its…. pretty much always the body of the system. There are suicidal and self-harming alters for sure. But I’ve never found a medically or scientifically valid article or study about homicidal alters. And certainly not alters who carry out complex kidnapping plots of multiple people.

And obviously fiction that demonizes any mental illness makes the world a more dangerous place for people with that mental illness, and I’ve even met mental health workers who believed the horror movie depiction of DID and thought my roommate was going to kill me. That is a serious problem. It’s one thing for Average Joe to think Split is a legit portrayal of DID, but when the people whose job it is to help mentally ill people believe this?? At best it’s going to be harder for systems to find the help they need. At worst, the mental health system becomes hostile and dangerous to those with DID.

leosuncancervenus

Oh, let’s all get into this post

likorys-shimenawa

Research and sensitivity writers. I cannot stress how important they are.

seanastinhopeunquenchable

Sean Astin thinks Sam and Frodo might have kissed!

aiyanayanas

candiikismet

Finally someone tackles gift giving. It’s my core love language and people don’t get it. At all.

unfortunatelyimaginary

Idk if gift giving is my love language to receive, but it is the one I most easily give. It's just little trinkets or shiny things that hold the message "I saw this and thought of you". The value/price is meaningless, but the time invested into the object has a lot of value.

weaponsofclairvoyance

i dont think men should be allowed to draw comics until they can pass a 4 week class on human anatomy AND get at least a 90 on the essay question (describe a woman for 1000 words without mentioning her tits, her sexual experience, how good she is at wearing heels and kicking ass, or whether or not she is/would be a good mother)

weaponsofclairvoyance