Misc. plein air scans
Today's Document
Noah Kahan
let's talk about Bridgerton tea, my ask is open
No title available

bliss lane
"I'm Dorothy Gale from Kansas"
Jules of Nature

blake kathryn

Origami Around

PR's Tumblrdome
Cosmic Funnies

ellievsbear
d e v o n
No title available
đ©” avery cochrane đ©”
cherry valley forever
YOU ARE THE REASON
Misplaced Lens Cap
he wasn't even looking at me and he found me

tannertan36
seen from Bangladesh

seen from Malaysia
seen from Colombia
seen from United States
seen from United States
seen from United States

seen from Vietnam
seen from United States
seen from Indonesia
seen from United States

seen from United States
seen from Canada
seen from United States

seen from Canada

seen from Italy

seen from India
seen from United Arab Emirates

seen from Malaysia
seen from United States

seen from United Arab Emirates
@darling-wishbone
Misc. plein air scans
'Am Elterngrab (The Parent's Grave)' postcard of a woman mourning at her parent's grave, 1904.
for sale on my ebay
Outtakes from the photo shoot for the cover of Björkâs album 'Post ' (1995)
MARTA BLUE
Franciscan nuns at the Convent of St. Anthony of Padua, Spain, are keeping a giant rabbit breed from dwidling to extinction. To fund their conservation efforts, the nuns sell homemade cookies and ice cream. (People)
An embroidered lace bridal gown, circa 1905-1910.
Source
âI love the way the playerâs body moves in Bloodborne: You can fly in any direction like that, like a nervous little bird. If you want to be close, you are instantly close, and if you want to be away, you are instantly away. What a gift. Of course everything is violent and wants to touch you, but if you are perfect, you will not be touched. There is a little secret here which perhaps you can notice: When the ugly monsterâs limbs reach out to touch the small humanâs body, there is about a tenth of a secondâmaybe lessâ where her body is invincible. It doesnât even matter if sheâs geometrically in harmâs way or not. She is safe because she timed it right, was perfect. See, even in this very hard game, there is something wonderful and fair: The game doesnât care about the way bodies actually intersect. If your timing was correct, it agrees: âYou were not touched.â Many games hide that tiny moment of invincibility within quick movement, and it feels so kind just knowing, no mater how bad you are, that if you could fit every moment of pain in that one tenth of a second you could be invincible for the rest of your life. Sometimes I wish I had this power in real life. If I had it would mean never having to say ânoâ in so many words, nor the confrontation that sometimes comes with saying no. But that perfect, flawless dodge is not sustainableâyou have to be devastated so many times to get the timing so flawless. And hereâs my bad secret: when I killed this one monster, I didnât do it by dodging flawlessly, but by mashing some awful weapon in her side while her limbs were flailing and she could not hit me back. Unfair and problematic of me, I know. So often, gamesâ expressive qualities are limited to the violent motion of virtual bodies, yet they can be extremely articulate within that vocabulary. As much as I want to be an untouchable angel of forgiveness and grace with a bottomless well of compassion for all living things, I keep messing up that dodge and I think itâs making me a bitch.â
â Aevee Bee, âI love my untouchable virtual bodyâ (via goodbyemisery)
Takanori Aiba: Bonsai Treehouse (2003)
Three of Hearts
komako sakai, the snow day
beauty @ gloria coelho ss06
wool bralette + eyelash crochet mini-kini coverlette, fastened by a hoya carnosa bijou... tulle trimmed & accented by a fur bolero by girl in sheep's clothing
'Yule Goat' by John Bauer, 1912.
Fleet Foxes â White Winter Hymnal
I was following the pack, all swallowed in their coats With scarves of red tied âround their throats