she/it/ella/sí/ona/hyy adulta (casi 30). butch tranny. payasa salvaje. sabuesa entrenada. Muñeca tonta. péist ait. call me circus or cadhóit. i aint ur puppy. dlúthpháirtíocht le gach náisiún coilínithe. aontacht trasinscneach agus dlúthpháirtíocht dhyke
If u wanna know abt me, mssg and ask or learn a minority lang dork ✌️
(Or use google translate on the irish under this lang im not ur mom)
Tyyfayasa po Fwylgyy yw mh'anywf yn an Cwyltag, mont g'coyhaf anywfow aral do d'tafasyow aral.
carywr dayca, carywr banyowa, mawrxogwr gwynsa, bwwyts, anysyag tortway, caarmysc chwalsag, awrtwr, cwrwysfayn drag, banyng phayasa, gwylwr oo d'tafas gwyla (an d'tafas ma yw hyyma! Hag "cwy" yw an cood ooma thafas/an Cwyltag)
(More info + other langs below)
Ymaf wa b'post yn hAyrynag xow lyoos rag dha waryf yw faa, ny bhrays ynyy na hyyna. Ymaf wa ha h'aprayn mar rag an d'tafasyow chwalsag yw dha waryf, hag Ayrynag yw mha ynywnot. Ymaf wa g'coyh an foors lavayr Mwwoyn mar rag dhayc yw mhyy hag yma caarmysc foncwy doyf o Mhwwoyn. Nyyma ynyf mont yanc hmg.
Mar bhyf wa lafargar waryys ba hyy do "an ghwarasyas dhayca" mont bha cwd ynyy yn mor a bhyf wa d'ta char ywaas hmg. Ymaf wa halx do ny mont g'caaryow dhayca mhawrxogwyr. Ny g'caraf ynyn sgwrs ro d'twom, na ry aalycya do ynyn mhyl mont dha waryf yw sgwrs bhax. Oh yea ywaas ymaf wa lafar "bro" war oll d'taypa mont ny xow "'d'trayag" fayy myy hmg, yma warys cwd ma chyrt ma ny dha warys hyy hmg
Ow ya am an foors, yma an g'cworp ma waryf:
(Gaelainn)
Is mise sorcas nó cadhóit as Gaelainn ach táim ag úsáid ainmneacha difriúla le teangacha difriúla.
Leispeach, trasinscneach, búits, oileánach turtair, madra crosanta ceilteach, ealaíontóir, banríon dhraig, cailín áilteora, déantóir de theangacha saorga ("cwy" an cód de mo theanga shaorga is ea é sin goa)
Táim ag postáil as Gaelainn chomh minic mar gheall is maith liom í, níl ann mó ná é sin. Táim ag a foghlaim mar gheall is maith liom na teangacha cheiltigh agus ba mo chéad Gaelainn. Táim ag úsáid canúna na Mumhan mar gheall is leispiach mé agus tá cara álainn agam as Mumhain. Níl ionam ach yank goa.
Má taim ag cliúsaíocht leat tá sé leis "an dlúthpháirtíocht dhyke" ach is dócha go bhfuil dúil agam ionat freisin goa. Cuirim lorg ar níl ach chairde dykeacha trasinscneacha. Ní thatníonn dioscúrsa ro-lasánta uaim ná suaitheadh a chur le aon-dhuine uaim ach is maith liom dioscúrsa beag. Oh ywah rud eile táim ag "bro" a labhairt le saghas go leor ach nílimse chomh cisincneach fé goa is féidir leat mé a ceartú air gach t-am mara maith leat é goa
Óo aon rud eile goa is cuma ar taobh thuas so orm dála an scéil
(Toki pona)
tomo musi anu soweli Cajo li nimi mi pi toki pona la taso la mi kepeken nimi ante tawa toki ante.
melome, tonsi, melome mije, soweli tan ma pi akesi poki, kon Keta pi kulupu mute, pali musi, meli lawa pi musi tonsi, meli musi pi len sinpin pi kule mute, soweli pali pi toki pali ("cwy" li nimi lili pi toki pali mi)
mi kepeken toki Kelin pi tenpo mute tan olin mi pi toki ni la ni li ali pi wile mi. mi kama sona e ona tan olin mi pi kulupu toki Keta la toki Kelin li toki open mi pi kulupu ni. mi kepeken nasin toki pi ma Muwan tan melome mi la mi jo e jan pona pi kon suwi pi sinpin suwi tan ma Muwan. mi ala ante tan soweli pi ma Juwese a a a.
mi toki suwi anu toki unpa tawa sina la mi pali e ni tawa "pali linluwi melome" la taso la ken suli la mi pilin suwi anu pilin unpa tawa sina a a a. mi alasa a e jan pona melome e jan pona pi tonsi meli, la ni taso. mi wile ala e toki pi kama sona pi utala ike e pana pi pilin ike tawa ante la taso la mi olin e toki lili pi kama sona a a a. a yeah, la kin la mi kepeken nimi "bro" lon tenpo mute tawa kule mute la taso la sina wile ala e nimi ni la sina ken toki pi ken ala tawa mi la mi pali ala sama jan pi tonsi ala tawa nimi ni a a a.
Project Hail Mary is very representative to me of this exhausting contemporary literary trend where you can tell certain books are written for Boys because they completely eschew things like "character depth" and "complex plotting" and "artful prose" (frivolous, ephemeral, products of the humanities, feminine) in order to place all their focus on having Cohesive Worldbuilding (concrete, logical, product of STEM, masculine). The events are uninteresting and described in the most boilerplate manner imaginable but you sure can Believe Them. This is also how I feel about Brandon Sanderson and Dungeon Crawler Carl btw
If you're a trans girl who's getting into kink, especially one who's early in her medical transition or hasn't started it yet, I promise you have more to offer than your cock and the fact you are a tgirl.
If it feels like that's all someone wants out of you you are well within your rights to avoid that person, there are people who will see you for more than that, I promise.
as a regular donor to Gaza Soup Kitchen I get their email updates, and they said today that while they've continued to be able to expand, donations are slowing down as Gaza gets less coverage. If you have a few dollars to spare, I encourage you to send them here to continue the amazing work that Hani and his team are doing.
Come, you simply must meet my associates! This woman right here is a delightful pervert of sorts, and this fellow here, he’s some kind of a fucking idiot.
people have lots of pet peeves with guys being/being called grunglers. i dont care abt any of that. my annoyance is that in the original tweet the guy himself was not the grungler, the messed up dark souls character he made while on call with strange transsexuals was the grungler. ur all misusing the term
I feel like zombie settings could do more to make slow zombies scarier in quiet, creeping ways. Zombies facing away from people. Walking backwards. Only moving if they're not seen. Holding a survivor but not hurting them. Motionless but their eyes follow you. Soundless horde.
If zombies are a representation of the breakdown of society, the traditional zombie is a more noticeable, violent, immediate collapse of society.
The slow, quiet, still zombie is more about the societal collapse we don't see until it's too late, one that doesn't happen suddenly and drastically but one that happens without a fuss. The violence doesn't become the focus of the tension, the violence is the release of it.
Zombies sitting at tables, doing nothing for days, just staring silently while you search for food.
Zombies walking endlessly through the same trails they did in real life.
Zombies sitting at the bus stop, waiting for the bus to move. It never will.
Zombies that are not mindless drones, they're beings whose sanity is lingering in darkened secluded places of their self, ready to burst forth in unsuspected ways.
Humane in absolute cryptid ways and inhumane in the most human way possible.