Escaflowne the Movie (2000)
I’m probably dating myself immediately by choosing this movie, but it’s what came to mind after a joint last night. I recommend watching (at least) the opening scene of this film up until the title comes on at around 5:20. You can watch it here. I will spoil the movie, though, so here’s your warning. Also, this movie deals with heavy themes such as depression and nihilism. If that isn’t your thing, run awaaaay!
So, why this movie? Well, let me paint a lil’ picture for you. (With words, I don’t wanna paint rn, sorry.)
I was 10 or 11 when Escaflowne came on TV one night, I think. (This painting sucks, leave me alone.) I remember it being faaairly late, and I was fiending for anything with the vibe of Dragon Ball or Cowboy Bebop. Though I didn’t know it at the time, it was anime that I wanted to watch. I felt like a cool grown-up watching them because they had violence and adults smoking. Simpler times.
Escaflowne started much slower than I would’ve liked as a kid. Now, I can appreciate the time given to showing shots of the sky and the massive airship that dwarfs a damn mountain. But as a kid, I wanted something to happen.
I got my wish when this anime boy fell from the clouds. I’m like, where’d this guy come from? I’m locked in now. Suddenly he lands on the airship, and a guard is rightfully like, “Bro, who tf-“ SLICE! The guard is dead, and my lil developing brain decides, “Yup, here’s a core memory.” What proceeds is the most intense opening of a movie I’d seen up until that point. The drums kick in, and this anime boy runs into a hull full of soldiers and sprays everybody. The animation, choreography, music, and cinematography are outstanding. Truly unmatched stuff. I won’t go into detail here because I want to break this scene down later, but yeah, the anime boy’s lone assault on this airship is incredible.
I NEVER got that opening scene out of my head. It started my obsession with anime guys and their samurai swords before Samurai Champloo, and solidified my appreciation for airships/sky battles. Maybe it’s because I recently beat “Tears of the Kingdom,” but I’ve been thinking more and more about how I like fighting in the sky. (Not irl, though.)
Now the thing is, the opening scene is ALL I ever remembered from the movie. I could recall elements of the rest of the film, like the fact that there were giant robots, but the story and characters never stuck. And that’s why I decided to rewatch this as an adult and figure out why.
I won’t dissect the entire movie beat for beat. It’s tempting, but I want to discuss the story and its themes today. I’ll need to let you in on another small fact to do that. This movie is an adaptation of an anime TV series called “The Vision of Escaflowne.” I didn’t know that until last night because while watching it, I could see the story introducing many elements and dropping them just as quickly, so I googled it. At this point in my life, I’ve watched many films based on books. You can just tell after a while. What’s interesting, though, is that this adaptation took a lot of liberties with the source material. I only knew this version, so I’m judging it on its merits.
I’m also ghetto, so here’s Wikipedia’s summary.
“Hitomi Kanzaki is in crisis. Her life has lost its meaning, and she is plagued by unusual dreams. She is depressed and wants nothing more than to disappear. After falling out with her only friend, she is mysteriously summoned to another world, Gaea, where she finds herself inside Escaflowne, a doomsday weapon destined to come to life at the appearance of a prophesied "wing goddess". The world of Gaea is facing its own crisis: relentless conquest by the Black Dragon Clan, the rebels against which become convinced that Hitomi is the prophesied goddess who will revive Escaflowne. Never certain of her identity in Gaea, Hitomi finds her destiny as she becomes closer to the rebel leader, Lord Van, and helps to bring about the fall of his vengeful brother Lord Folken, the master of the Black Dragon Clan.”
Say thank you to Wikipedia! ...I’m sorry if this is annoying to read.
Anyway, I’ll say that’s a reasonably exciting story! Maybe not now when tons of Isekai have done it arguably better in all these years, but It’s interesting. A depressed person with the power to make or break a world? What a concept! Indeed it’s enough to make you curious. I’m gonna stop talking like this now.
Nihilism is the name of the game in this film. Each major player (Hitomi, Van, and Folken) represents different stages of it. Whereas Hitomi deals with how much modern-day living sucks, Van and Folken’s conflict involves war and their entire world. That said, Hitomi was ready to self-destruct in her introductory scene due to her depression. VERY HEAVY. After the opening scene's thrill, this was like whiplash. None of this stuck with my childish brain; I was very dumb. Thankfully, the imagery was not disturbing (otherwise, it probably would have), but the stuff she said resonates with me now.
Ultimately, she finds she’s not alone in feeling this way, as Van is similarly alone in his world as the sole heir to his kingdom. He has only known struggle thanks to his dickhole older brother, who is coo-coo-crazy with his nihilism, and is hell-bent on taking the whole world out with him. Hitomi and Van only defeat Folken thanks to finding and understanding each other. …Except they don’t defeat him… in fact, the story and many of the themes get kinda screwy.
I’ve buried the lead, but in my opinion, this movie starts off strong and then drops the ball. I will say I liked what the story was doing. The theme, learning that you’re not alone when you’re depressed, is beautiful. Sure, one can argue that it oversimplifies a real issue, but stories can do that. I see stories as extensions of their creators. The writing is genuine here. Hitomi’s dialogue in the intro was legit and also beautifully directed. I’m definitely assuming here, but if this is how the writers chose to tell the story of someone struggling with depression, I won’t dismiss it because they didn’t match how I feel you should write about it.
The problems I had were more on the missed potential side. And letting dialogue take the place of visual storytelling. The first act had me completely engrossed. I couldn’t take my eyes off it. The troubles started to arise when they started introducing maaaaany characters. I started to lose track of them. I love ensemble casts, but in a 90-minute movie, they’re not all going to get to shine. This is only a problem for me when I actually LIKE the characters. (which I did, the freakin goobs) So if they were to… suddenly eject from the plot, I’d be sad. This is where the film, initially being a show, reared its ugly head. Van is part of a resistance group, but he’s not even the leader. I don’t know why the Wikipedia synopsis said that.
You find this out after his and Hitomi’s introductory scenes. They throw this lovable gang of misfits at you, and they do it well. I was on board and was even starting to worry for them because I knew a dark fantasy story had the potential to kill off mains. None of them die, though. In fact, around the halfway point of the movie, they all become completely irrelevant. The actual leader? Diet-Sephiroth? He can keep UP with Van, who is, on all accounts, a killing machine. They seemed to think showing us this was important. Too bad he’s useless by the movie's midpoint, too, because he never has to show that strength again. They don’t even get a scene at the end where they tell Hitomi goodbye. Why the hell were they even there? Why did we spend any time learning about them? I’m sure they get more relevancy in the show, but this isn’t the show; it’s a movie. A movie that purposefully isn’t anything like the show, either. From what I read, this movie cut a lot of the fat from the show, but I guess this couldn’t be helped. That said, there’s a scene where a VERY detestable character gets a farewell scene. Why him and not Van’s crew? I’m very upset, lol.
So what happens when the crew is gone halfway through the movie? Well, Hitomi and Van bond. But… not in any way that’s immediately noticeable. This is my major, major issue. Too many characters tell Hitomi things about Van before we see them bond. I really wish she’d SEEN that he wasn’t such a bad guy instead of people telling her. They also tell her the whole point of the movie, which is a no-no for me. The lion dude is straight up like, “Yeah, Van wants to die.” He may as well have said, “Just like you did earlier in the movie because he’s depressed too.” I was hoping she’d learn this from her interactions with Van himself, but up until this point in the movie, they don’t interact much. This is where my tastes come in, as I want to grow attached to the main characters in a story. Hitomi and Van, despite being very profoundly written in this film, are only their sorrow, it seems. Hitomi, at least in the beginning, is less so. But Van is about as interesting as a wall in this movie. (A wall that can fight good, mind you, but fight good is not a personality trait.)
Stories about emotionally stunted, stoic-lite dudes that need a woman to show them how to care make me cringe. I can’t help it; it’s just not my thing! “Man strong, he need woman to lie head on.” I personally think that’s weak irl, so stories like that don’t resonate with me. To each their own. I think it could’ve at least been done a bit more tastefully. But heeey, this movie is a 2000’s movie, baybee, and hindsight is, of course, 20/20. In the movie’s defense, though, Hitomi and Van don’t seem to develop feelings or intimacy beyond understanding one another, so that’s why I could keep going! One could even say the stoic dude thing wasn’t their intention! But that’s the problem when you don’t give HIM (Van) any agency, and everyone talks about him like they did. I forgot he wasn’t a machine until ⅔ into the film.
I gave it some thought, and the only reason this bothered me was that Van’s humanity was all there, but AFTER these scenes with Hitomi being told about it. Van DOES open up and IS a good guy in a bad position. There’s a scene where he sculpts a figurine for one of the crew members. I actually love how the scene was directed because you couldn’t tell he was doing it. It was a reveal. And a very good reveal, to me. I enjoyed that! If they had put that scene earlier than it was placed, that could’ve been the visual moment to know that he’s not all “kill, kill, destroy.” But it wasn’t new information where it was placed. The movie said, “Sorry, I know Van seemed a lil coo-coo-crazy initially, but we promise you he’s a protagonist.” And I’m like, “I knoooow, you told me so many times that this seems redundant now.” Okay, I’m done with my lil rant.
The intention to make Hitomi and Van two peas in a pod was great, but it felt like Hitomi didn’t think he was tight until he saved her and was told multiple times Van’s cool... After that, she becomes a “Van’s the Man fan girl.” So if you look past all that, they bond, and it’s nice. But the rest becomes kind of a slog. Characters are introduced and given nothing; Before I end this, lemme talk about Folken real quick. His motivations were weird. Basically, he hated the world? And wanted it destroyed by the apocalyptic arrival of Hitomi. The head-scratching came from the fact that he didn’t need her to fuck up the world. He was doing a pretty good job being evil and ruining everyone’s lives without her. His misinformation about their lil prophecy was his own undoing. In fact, he knew he was going to die and welcomed it. The prophecy said he’d die, but it didn’t say how it would happen. I guess he wanted it to be Hitomi, but she was like a school girl so that didn’t happen. Lol, sorry, bro. I skim over stuff all the time; these are the results. The plot was “Folken was wrong about everything.”
So, due to being wrong about everything, Folken is betrayed by one of his own soldiers and KILLED lol. If you didn’t watch, you’re probably like wow that’s underwhelming. But if you SAW how impossibly powerful they made Folken seem, this is even more of a wet slap on your cheek. His climactic battle with Van and Hitomi is underwhelming because they don’t fight. It seems like, through Hitomi’s influence, Van no longer wants to be a fighter ANYWAY. He just wants peace. But the movie definitely made it seem like they were all going to fight more. I guess I like climactic fights if you give me too powerful badasses. Theme be damned, lol. That’s not a fair critique, but it’s what I wanted. Not a single clash of a sword between Van and Folken. The ending just had me scratching my head. After the lack of character stuff, all I was looking forward to was a sick animated fight, and I didn’t get it. There are more things I could nitpick, but ultimately it was the lack of believability in Van and Hitomi’s relationship that kept this from being a classic in my eyes. I’m fairly lax about plot shit when the characters are hitting, but if I’m bored of your mains, I don’t care, yo; I’m going to sleep. So much potential, though!
There are a few scenes I’d like to go over in detail because, despite the movie’s lack of a satisfying whole, there were some REAL TASTY parts. But I’ll do that in another post, as this one is too long now. I’d say at the end of it all, I did learn something about my own tastes. And now you did too. Thanks for reading if you got this far!
