Kaledo Art
blake kathryn
KIROKAZE
Sade Olutola
Misplaced Lens Cap
祝日 / Permanent Vacation
No title available
Monterey Bay Aquarium
todays bird
Alisa U Zemlji Chuda
Not today Justin
★
i don't do bad sauce passes
2025 on Tumblr: Trends That Defined the Year
will byers stan first human second
art blog(derogatory)
trying on a metaphor
NASA
Xuebing Du
hello vonnie
seen from United Kingdom
seen from United States
seen from Romania
seen from Netherlands
seen from Canada
seen from Japan
seen from United Kingdom
seen from France
seen from Türkiye
seen from Netherlands
seen from Netherlands
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@datran92
Baby Driver (2017)
Dir.: Edgar Wright
Cinematographer: Bill Pope
Cameras and Lens: Panavision Panaflex Millennium XL2, Panavision C-, G-, T-Series, ATZ and AWZ2 Lenses
Negative Format: 35 mm (Kodak Vision3 250D 7207), Dolby Vision Panavision (anamorphic)
Aspect Ratio: 2.35:1
#1film1frameChallenge
Charlie's Angels: Full Throttle (2003)
Director: McG
Cinematographer: Russell Carpenter (I)
Cameras: ARRIFLEX 435 ES Camera Panavision Panaflex Millennium Camera
Lens: Panavision Primo Anamorphic Lenses
Format: 35mm Film, Kodak Vision 500T, Anamorphic
This frame impresses me the most because of many reasons. It is well-composed, well lit, very natural and to me, it sums up the whole vibe of the movie: funny, unconventional but still elegant in its own way. Here is a gif of this shot to remind you how it plays out.
And here is another three shot that is quite comical and iconic.
Blade Runner 2049
Blade Runner 2049 (2017)
Director: Denis Villeneuve
Cinematographer: Roger Deakins
Cameras: Arri Alexa 65, Arri Alexa XT Studio
Lens: Hasselblad Prime 65 Lenses, Zeiss Master Prime Lenses
Trailer: https://youtu.be/haXvp8M9Cog
It Follows (2015)
Director: David Robert Mitchell Director of Photography: Mike Gioulakis Aspect ratio: 2.35 : 1
In addition to my previous post about "It Follows".
PULP FICTION (1994) DP: Andrzej Sekula | Director: Quentin Tarantino
IT FOLLOWS (2014) DoP: Mike Gioulakis | Dir: David Robert Mitchell
Cameras: Arri Alexa Plus and Red Epic Camera.
Captured formats: Apple ProRes and Red Raw.
Lens system: Cooke, Fujinon, Angenieux.
The Scent of Green Papaya (1993)
Director: Tran Anh Hung
Cinematographer: Benoît Delhomme
Aspect Ratio: 1.66 : 1
Tron Legacy (2010)
Director: Joseph Kosinski
Cinematographer: Claudio Miranda
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Lens: Angenieux Optimo 17-80mm T2.2 Lens, Zeiss Master Prime Lenses
Aspect Ratio: 1.78:1 (16:9), 2.39:1
