i want you guys to know that i have mental illness since middle school and i am ugly as fuck. good night.
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@davejade
i want you guys to know that i have mental illness since middle school and i am ugly as fuck. good night.
knowing my art is something most people just scroll past absentmindedly is soul crushing
anyway here’s some art i’ve done recently
knowing my art is something most people just scroll past absentmindedly is soul crushing
i will lick yuour Poosay for €4.
Whaddaye say?
Sloppy Astyle??
(quite an alluring ofer if i do sayso myzelf……..
line 1: german pervert
line 2: scottish pervert
line 3: italian pervert
line 4: average frenchman
Dogy named Pieceof Shit
does anyone want to do thisbwith me
how it should be
Beautiful siblings insider trading and money laundering
how it should be
just fapped + climaxed to this in my specialized room. wow!
I FUCKING HATE YOU PEOPLE (Sizhen System, 2025, pixel, critical thinking worksheet, paper, the "environmental impact" of "AI image generation", earnest hatred, Google form, .png, time, .pdf)
I FUCKING HATE YOU PEOPLE is an interactive multimedia art experience by Sizhen System, an alias of NYT-acknowledged and Academy of American Poets-published poet Nora Hikari. It features a series of AI-generated images of fictional White female US American military soldiers, drawn in an "anime" style, in various levels of eroticism and pornography. The images contain various computer-generated hallucinations of what the image model conceptualizes as "American iconography." A critical element of the images are the ways that the machine corrupts these actual images -- flags, in particular, as well as the distortions which arise in anatomy, increasing over the course of the image series.
Following the series of images is a piece of creative nonfiction writing in the form of a six-page interactive "worksheet", styled as a classroom worksheet for a hypothetical course in "Johnny Jackass’s Introduction to Non-Terminal Thought" and titled "Sizhen System's Curricular Torsion 6: WHO'S AFRAID OF THE CRITICAL THINKING SECTION?" In addition, there is a public Google form which allows participants to submit their answers to the worksheet directly to the artist.
Artist statement: "I made I FUCKING HATE YOU PEOPLE because I fucking hate you people. Your reactionary sentimentalities cause you to refuse to reckon with anything that could possibly expand your consciousness unless you are literally bludgeoned over the head with it. This piece is Not Art. There is No Art contained within this piece. This device is a weapon designed to hurt the reader/viewer. Any and all art which comes from this piece, or is produced by this piece, is purely incidental, and not the political responsibility of the artist, who did not make a piece of art."
The full body of the work can be found as a compressed file, with assets, at this link: https://system-wires.itch.io/i-fucking-hate-you-people
THIS NON-ART PIECE CONTAINS SEXUAL NUDITY AND IS NOT APPROPRIATE FOR PEOPLE WHOM THAT IS NOT APPROPRIATE FOR.
As an artist, which gives me the purview to elevate non-art (as the non-artist of this non-art piece self describes it), my analysis is thus: this is a non-piece mockingly combining the myopic obsessions of this website's worst clientele - the white, chauvinistic, USAmerican fandomite liberals who have never done an ounce of critical thinking in their life - into a mean spirited parody. It's jingling keys at them and calling them babies. "Is this what you dumb fucks like? You clearly don't have the cognition for serious, genuine engagement with the ideas and principles that have gone into the conversation of art for centuries, so here's a white bitch in a navy uniform getting fucked while holding a burger. Did I dumb it down enough for you to understand it?"
If you exist outside that purview, you can take the non-piece as an observation of how the coddled ignorance of the privileged imperial core shapes the face of global art by its incessant demands to simultaneously never be challenged and to be taken seriously as not just a, but the, voice of what art is and gets to be.
I would be remiss to overlook the fact that the non-artist has used image generation for this task. Image generation has been chided by very many people, for very many reasons. Obviously among those are some good reasons, which the non-artist is not addressing. What the non-artist is addressing is specifically the erroneous, fascist assumption that lies underneath the assertion that AI "isn't real art" because "[AI has no soul][it's stealing from real (ensouled) artists][you just typed in a prompt instead of spending hours drawing it by hand]".
These are obviously, fundamentally reactionary arguments against AI art, deriding it on grounds that art is a designation that has specific and definitive characteristics of being created by humans (it is generally agreed by christian dogma, the only one these people are likely to be acquainted with, that only humans have souls), taking effort, or simply looking a certain way. AI image generation has done considerable damage to that conception by throwing into jeopardy the value of the 'skill' required to pump out pinups of glossy eyed, doll faced anime girls getting fucked via being able to do so at a pace no artist can possibly match.
Though it does this with a marked reduction in things like consistency or anatomical knowledge or 'quality' (whatever you define that as), AI image generation is nonetheless popular specifically because a lot of people consume such pieces thoughtlessly, instantly, and voraciously; taking it in as nothing more than a pretty picture to beat off to, then discarding it - if it even garners the time out of their day for that before being lost in a sea of other functionally identical pieces made by other self proclaimed artists.
The non-artist is specifically calling into question whether such art was ever truly art under such a definition, if indeed anything ever made for mass market appeal and consumption can be considered art, blurring the lines and tearing down the pretenses between art making and content creation. She is doing this for the explicit purpose of brute forcing philosophically constipated morons into realizing that, indeed, all dogshit is art, whether penned by humans over weeks or generated via machine in seconds, because the process of art is not one of effort or divine imbuement of Meaning into a canvas, but of curation and communication.
By choosing to present this gallery of sloppily generated images to us, she has made non-art into art. By interacting with it, by critiquing it, by validating its existence and profundity, we have immortalized our reactions to this piece as part of the piece; as art.
This is why nobody takes art critics seriously, unless you're invested in some money laundering scheme. Complete and utter bullshit "hurr durr I AI generated images and u interacted with it so now it's art" LMAO
This is an example of a terminal thought -- that which the eponymous Johnny Jackass went out of their effortful way to provide you with a lesson plan on avoiding. You have allowed your reactionary sentimentalities about aesthetic, which are synchronous with fascist condemnations of degeneracy, to stop you from engaging thoughtfully with the work. You have done this because, presumably, this work is designed specifically to critique people like you, and you have balked at this and recoiled in derision and emotional and political reaction. This is the exact kind of engagement this piece is designed to address and critique. You can disagree with the work or the effectiveness of the work, and you are entitled to being wrong about art, and having opinions about work I or anyone else creates which are divergent or unaligned with whatever that creator believes about the work. But you terminate your critical thinking at the command of your chauvinism at your own peril, both in terms of your capacity for effective political analysis and, therefore, agency, as well as in the terms of your capacity for thoughtful curiosity about the complexity of the world around you. It will not only fail to enrich your life and the lives of the people you treasure, but indeed, it will serve to the immediate and trivial detriment to all of you.
Anyone who rejects this piece is unquestionably a reactionary whose idea of art is 150 years out of date because it is a textbook example of Dadaism. Self-declared anti-art using machine aesthetics to challenge conventional notions of what art is and openly decry the bourgeois nature of those conventions, this is Dada, a century on from its inception.
Hey guys. What the hell is that
i mean fuck i like pain i like grief i like desolation i like sorrow i like to mourn
hiiii [gets onto your cot without taking off my boots, soaking wet and covered in mud from the trenches] cuddle me :3
Student : Wowww the cafeteria food is so nastyyyy today right Alyssa ?
Alyssa : Yes
Their friend Randy who has been trying to convince them for months that he was a death row inmate in his previous life: For my final meal they fed me the worlds roundest pea
i forgot to upload dis...-_- but yes. doodleeess