one in five billion

anj, 20s. i make and reblog stuff about tv shows and films i like.

[epistolaire-livre]

The Safekeep (2024), Yael van der Wouden, p. 143.

[plumebeat]

the pitt women sketch dump

[luke-thompsons]

#she's real asf for that

[oliveespineapples]

"i asked chatgpt" well i went to Rockin' Robin and she said that you have all the answers and you just need to stop being so scared of who you are

[aphrostiel]

some x-files doodles!

more fanart of one of my favorite shows!! on a par with twin peaks, to the surprise of literally nobody because both shows are besties

[finalgirlabigailhobbs]

ship dynamic that im weak for: middle-aged people who are Weird About Each Other

[starbashir-deactivated20241016]

something i do love about agatha all along is in a time where every tv show has young women leads and the media having an emphasis on "young and beautiful" this show has the leading women all roughly over the age of 40 who are serving cunt and face the whole time. its just very refreshing to see

[margoterobbies]

AUBREY PLAZA as RIO VIDAL in 01x01 "Seekest Thou the Road" AGATHA ALL ALONG (2024)

[rogers-carter]

#the lesbian gaze

AGATHA ALL ALONG 1.05 - Darkest Hour Wake Thy Power

[royalarmyofoz]

AGATHA ALL ALONG 1.04

[texasbama]

Abbott Elementary | 4x01 "Back to School'

[linusbenjamin]

Amy Acker as Root Person of Interest Created by Jonathan Nolan

[everoutoftouch]

If you have Spotify reblog this and tag what your number one song on your “on repeat” playlist is.

[sourdough-seal]

bingewatching will never come close to bingereading. there is nothing like blocking out the entire Earth for ten hours to read a book in one sitting no food no water no shower no bra and emerging at the end with no idea what time it is or where you are, a dried-up prune that's sensitive to light and loud noises because you've been in your room in the dark reading by the glow of a single LED. it's like coming back after a three-month vacation in another dimension and now you have to go downstairs and make dinner. absolutely transcendental

[thexfiles]

“There’s a sequence after Mulder arrives back in his apartment to confirm Kurtzweil’s existence and friendship with his father where Scully comes in and says, ‘I’ve quit, I’m leaving. I’m going off to so and so, I don’t want to stay because I know you’ll talk me out of it. So I gotta leave now, bye.’ So she runs out. Mulder persues her down the hallway, has already confessed to her in the room that now is the worst time of all. ‘We’re really on to something here. I need you. I need you, I need you.’ That’s the theme of the movie, Mulder needs Scully. Never before has he come to that understanding quite so strongly as he does in this story. So, she’s running because she’s afraid that he’s gonna talk her out of it. So the best thing she can do is just hit the elevator button and go, go, go. She never makes it. This was her first mistake. And Mulder also knows that that’s where she’s headed, is out the door. So, he’s gotta tell her why it is that she’s so important to him. And tell her once and for all that in fact, the whole time that they’ve been together, that the two of them have been together, that she has made him better. She has made him feel not like an outcast, not like discarded FBI trash, but actually somebody that’s worthy of her friendship. That, as he says, she’s made him a whole person.”  — Rob Bowman, The X-Files: Fight the Future commentary

[mulderscully]

DANA SCULLY | 4.15

[rosenkranz-does-things]

if you walk out on me, I'll walk after you