the gay pride flag except itās just eddieās near death experiences
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Mike Driver

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trying on a metaphor
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@dean-coded-ghost
the gay pride flag except itās just eddieās near death experiences
s1 is just. i love you grainy unfocused shots of cemeteries and foggy roads no one travels. i love you johnās journal as a bible. i love you sam driving the impala casually with dean sleeping in the passenger seat. i love you jessica moore and sarah blake and cassie robinson. i love you dark motels with neon signs and dusty libraries with huge lore books. i love you side character serving as a mirror to the winchesters. i love you cleaning guns and wounds and sharpening of knives and gas stations and flip phones and laptop stickers. i love you small towns where time stands still with something unknowable and hungry lurking in the shadows. i love you angry psychic sam and dean trying his best with a leather jacket too big for him. i love you looming presences of john and mary. i love you homemade and flawed equipment. i love you horror and tragedy and blood. i love you dramatic lighting and silhouettes. i love you folklore and local legends. i love you -
Imagine loving a guy so much you almost kill yourself to find his baby boy in a tsunami, you claw at the earth when you think you've lost him forever, you crawl under a fire truck to drag his bleeding body to safety with an actual sniper shooting your way, you accept the fact he put you down as his boy's legal guardian in case he dies with barely a protest, you agonise when he quits being your job partner, you take said son to the zoo all the time, you get jealous like a dog pissing on a tree when he has a new friend, you're there when he begs you to fix something you can't fix and you can only hold on to his shoulder to try and shoot the pain, you go to him the second some ugly man dumps you, you throw a hissy fit about him leaving to Texas and sabotage his house showing, and then, you cave. You cave and you give up your housing situation to help him, you move into his house and you let him go. You let him go because you love him that much.
And he looks at you like you set his world on fire and built it back anew, and you hope he looks through the rearview as he drives away, hoping he'll miss you half as much as you'll miss him.
He will. You were struck by the same lightning, you'll forever share a heartbeat.
jaw fucking drop everybody look at this tiktok
I imagine young Dean loved riding shotgun, talking hunts and cars with his dad, feeling all grownup and whatnot. But some days he'd let Sammy have the front seat, would cramp himself into the back, listen to that latest Led Zeppelin album and watch nature go by :>
this is too much I'm gonna- *remembers joking about rewatching supernatural is harmful* kill myself
Combining my first love (editing) and my newest love (pop-up art) with my true love (destiel)
Other pop-up art i have done
If your friend is struggling, the signs might not be obvious. A cry for help can take many different forms. Try checking in on them if you hear them express any of the following sentiments:
I miss Supernatural
I should rewatch Supernatural
Supernatural was such a good show
I hope they make more Supernatural
My headcanon is that one day, when Eddie and Chris have come over to hang out with Buck and Theo, Buck just falls asleep on the couch because Eddie is here now and he'll watch over Theo, he can rest his eyes for just one second, right? And when he wakes up, Chris is playing on his Nintendo Switch and Theo is innocently drawing something, but Eddie is looking at him funny and Buck's like did I drool in my sleep or something? Why are you loking at me like that? And Eddie's like I'm not looking at you like anything, dude. And Buck goes to the bathroom to pee or whatever and when he sees his reflection in the mirror, his face is painted all over with red and blue markers and he can't wash them off so he just let's them be. And when he gets out everyone laughs at him and he laughs with them and he realizes this is the first time he's felt actually happy since Bobby's death.
I've been thinking while chilling in the they cast Ryan with a plan delusionland, but specifically what it would take to give Buck the most satisfying love story possible. Because Buck was written as the love interest. His purpose in season 1 is to give something to the main character. And ever since, he's been there to provide something to his love interests even though he's the main character now, he gave Ali a place to stay, he gave Taylor professional advancement (and this one is made worse by her book), he gave Natalia inside information on death, so he's constantly providing things without getting anything substantial in return, much like with Abby and the way that he was just a device to make her feel better about her life. And the main thing here is that Buck is being pursued in order to offer something. He's never the one to go after them, he's the one being chased in a sense, Abby calls him, Ali calls him, Taylor kisses him, Natalia asks him out, Tommy kisses him, so these people want something from him and they take it, most of the time without giving him something in return, Abby forces him to get closure by himself, Ali leaves him because she can't handle the job, where do I even begin with Taylor. So if you think about it, considering the initial way Buck was written, and the way they expanded this to the point that he was literally born to offer something to someone who provided him with nothing (in this case his parents), or the way Maddie shows up because she needs the safety he could provide (I'm not saying Maddie doesn't provide him with anything, I know she does so much for him, but she did show up because she needed a place to hide) his main love interest needs to be someone who's not asking him for stuff. And that's been Eddie since he was introduced. Under Pressure is about Buck choosing Eddie. Eddie tries, but when he realizes Buck is serious about not liking him, he validates Buck's feelings, granted in his sassy way of his, and backs off until he has a chance to give Buck the choice to let him in. You can have my back any day. The phrasing of this is great for the whole Eddie trusts Buck to take care of him, he's not saying he will take care of Buck, he's giving Buck the option of taking care of him. But the thing there is that he puts the choice in Buck's hands. Buck could've walked away. Even Buck's reactions to the way Eddie says it shows a moment where Buck is considering before offering the or you can have mine. The metaphor surrounding the rescue in this context is interesting because while Eddie is choosing Buck right there, he's not forcing Buck to step in. Much like the ambulance, Eddie is offering himself, but he's not forcing anyone to go into the ambulance and risk getting blown up with him. Buck needs to volunteer. And he does.
I know the fandom loves to say Eddie baby trapped Buck, but Buck was the one who took one look at Eddie and said I'm stepping in with you whether you like it or not. Eddie never demanded anything from Buck beyond for Buck to be himself. He never asked for help with Chris, Buck chose to talk to Bobby to clear him being at the station, Buck chose to trick Eddie to offer him help in the form of Carla. Sure, when it's convenient for the plot, Eddie will just decide on things, but like, even the lawsuit of it all, when Eddie is inserting himself into the conflict, Buck is ready to be forced to provide Eddie with something to be forgiven "so whatever it takes for you to forgive me" but Eddie is instantly "I forgive you" because he doesn't need for Buck to prove himself. Over and over again, the show puts Eddie in a position that shows that he just loves Buck. No matter what. He never asked Buck to provide him with something. I think even the will and the way Eddie hides it plays into this. He doesn't want to ask for Buck to do this. Eddie knows Buck will do it, he knows how much Buck loves Chris, but the will reveal is not really about Eddie asking Buck to do something for him, taking care of Chris if he can't because the episode already showed Buck doing that without knowing that was what Eddie wanted, but to give Buck that shock that he does have something to live for, that he matters, that someone loves him. Eddie exists as the person that allows Buck to make his own decisions. He does push back when he thinks Buck needs that push but he doesn't make the choice for him. Even if Buck ever decides to walk away from him, he'll let him if that's what Buck really wants, because ultimately it will be Buck's choice and he respects that. And ultimately, with the archetype they had in mind when they created Buck, that is what Buck needs for him to be in the most satisfying romantic relationship narratively. Buck needs someone who loved him before they were in love with him. And that is the work they have been putting towards buddie since Eddie was introduced. And that's also why Buck is the one who needs to start his endgame relationship. It's never gonna feel right until Buck chooses to do something about it because everything about him is about someone else making the choice.
and when 911 pulls out an ao3 classic and eddie gets buck a st theodore medallion like shannon got him a st christopher one what do we do then huh. patron saint of soldiers meet the patron saint of travelers and the red strings that connect you all
I bet queerbaiting feels so good. itās a shame Iāve already established myself as a lesbian who writes gay shit because Iām just imagining the high I would get from writing something where my audience has no expectation of anything more queer than the barest of crumbs, like the real top shelf queerbaity stuff, give them no faith that Iād ever follow through but also give them plenty of material to imagine, and then slap them in the face with the queerest faggiest ending theyāve ever seen. Make my straight fans look like absolute clown shoes. I think the rush Iād get from doing this would be so intensely addicting that it would briefly fix everything wrong with me but since this is a stunt youād only ever be able to pull off once I would immediately go into cardiac arrest and die
"i fell in love the way you fall asleep: slowly, and then all at once"
soft eddie who hasnāt figured it out just yet:
soft eddie in the process of figuring it out:
soft eddie who finally knows:
i do have a more in depth meta post in my drafts, and iāll keep working on it, but i do want to note that i can cherry pick as much as i want and the fact still remains that post 9.13, eddie has a different spark. a different, quiet confidence, a different light in his eyes, and i have to think itās because ryan has shifted his approach to the character.
when a tv character is a bisexual dude the #1 thing you have to do is cause physical harm to him and cover him in blood and make him writhe in pain and stuff
RYAN GUZMAN as EDMUNDO āEDDIEā DIAZ & OLIVER STARK as EVAN āBUCKā BUCKLEY 9-1-1 - S06 E12, S08 E06 & S08 E09