i just remembered how much i used to love supernatural

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@deanandcasandpie
i just remembered how much i used to love supernatural
i’m gonna start gatekeeping. like i’m sorry but you can’t speak on dean if you haven’t watched the first 3 seasons. that’s dean studies 101. it’s like oh? you wanna be a dean major but you haven’t taken the intro course? no dice. you can’t get a dean studies phd without dean studies 101. it’s foundational. BUT ALSO. you want that phd but haven’t taken the senior 500 level courses ?? you ONLY took 101 and a few 200 level course? babey you barely have a dean studies bachelors degree. not even enough credits for a minor.
oh that man in your show killed people? oh he's covered in their blood? [gets out notebook] what's his name? what show is this?
cas + text posts pt. 2 bonus:
2 posts with the exact same energy
cas + text posts pt. 2 bonus:
I think a surprising amount of writers don’t realize that tragedies are supposed to be cathartic. They’re intended to result in a purging of emotion, a luxurious cry; the sorrow caused by a great tragedy is akin to fear caused by a good horror movie – it’s a “safe” sorrow, one that is actually satisfying to the audience. It can still be beautiful! It’s isn’t supposed to just be salting the earth so nothing can grow.
But that’s how you get grimdark: writers who don’t realize that they’re supposed to be doing something with the audience instead of to the audience.
#i once heard a lecture where someone said that the great appeal of tragedy is to see terrible things happen to people you’re supposed to#empathize with and see yourself in#and that the catharsis comes from seeing someone’s life go horribly wrong and still have the author hold your hand and tell you#‘this story mattered. even though it had a sad ending it still mattered. even if you don’t succeed your attempts matter’#grimdark tells you that the world sucks and nothing you do matters#well-written tragedy tells you that sometimes the world sucks but everything you do matters so so much#your story is still worth telling even if you never achieve that happy ending#or if you lose it along the way#people have inherent value and their stories deserve to be told no matter if they turn out okay or not#and in a reality that has no concept of ‘fair’ that shit just hits good man!!! feels good!!!!! it’s COMFORTING
oh
4.01 - Lazarus Rising ↳ original air date: September 18th, 2008
EMERALDCAS’ CELEBRATION 🌻 DAY TWO — side character spotlight: jo harvelle
for @sarahblakes 💙💛 happy belated birthday zoë!
♡adorable♡
main panel is up too !!!
We’ll fall deeper in love every day From life unto life and for always
Soulmate - Flora Cash
(for @lailaphx-is-havin-a-crisis, for introducing me to this song)
i think the greatest visual irony spn ever pulled off was gradually increasing the lighting and saturation levels with each consecutive season after season 5 and ending up with almost the same colour palette as gabriel’s sitcom world in changing channels
time is a flat circle we will always end up here etc etc
so some choice responses to this have been:
this was unintentional but works as an interesting metaphor for the show’s trajectory
this was unintentional and i fucking hate it
this was INTENTIONAL and im breaking into the cw to set fire to all their assets
the w*ncestie who asked me to add a warning bc they think misha looks ugly in that second cap (??)
the thoughtful person who added an essay in the tags about how the colourist for seasons 1-6 quit in 2011 and spn has had various different colourists since, hence the inconsistent colour grading and its tendency towards the hypersaturation of other cw shows (i.e. riverdale)
the multiple people who said they like spn better when they can’t see shit
and my personal favourite,
gabriel won theory
4x01 || 15x18
Dean living his fantasies - Requested by anonymous