have you all noticed how we have an abundance of sakuatsu fics, fanart and stans in the western media but very few and rare doujins served by the japanese side of the fandom?
even the sporadic content we see has a very different take on sakuatsu than we do..
now, take myself as a referance. i entered the fandom with a vengeance against all but suga, avoided sakuatsu and kagehina like it was the COVID epicenter itself but a year and a half later ended up reading one teeny fanfic on ao3 out of dire curiousity and ended up with sakuatsu as my adopted babies.
there was a lot of discussion on this ship on twt, tumblr and the like, but when i searched up for doujins to satisfy my horny hunger, i found none?
the very few and far between were actually AtsuSaku (top atsumu, still not much common with the english speaking world) and SakuOsa (poor atsumu 🤣) and featured sakusa as a very grumpy, tsundere, devil-may-care lover whom atsumu had to ask permission just to kiss. compare THAT to how the western fandom potrays him as the blunt jerk who is nefariously down bad for atsumu, but is still kinda loveable and chaotic in his own steed.
the thing is, sakuatsu is a rare ship. there are hardly 5 panels on interaction for them in the manga, and still quite less info on sakusa available, which gives the people the opportunity to mould him into any shape they want. atsumu has more chemistry with hinata, aran, kita, suna, hell you'd even find more miyacest content in japan than sakuatsu. it all started out as a crack ship, something similar to matsuhana, and exploded exponentially in a span of few weeks like it was set on fire. honestly, covid-19 would be jealous.
in the year 2020, the world recieved so many beautiful fanfics, maybe some of the best in the fandom. the same teenagers once raving after kagehina and iwaoi were now adults and have had enough of bubbly, tooth rotting fluff and circumstancal angst.
iwaoi's biggest potential for angst is them seperating for college, same as bokuaka and kuroken. maybe an external factor causing a rift in the couple. very basic.
they wanted something dynamic, something real, something which allows your creativity to leap out the box and sprint several kilometres ahead.
the salient answer was sakuatsu.
only in sakuatsu, the angst potential come from the characters themselves. sakusa and atsumu are insufferable, totally unlikeable people (though i have met a lot of people like atsumu and they get on with their day just fine). they have no chill, no qualms, no redeeming feature other than volleyball and their looks and maybe this could work out?
two jerks, aint afraid to talk shit, bringing out the best (or worst?) in each other. maybe they could find love afterall? huh.
what's this? a chance for ao3 authors to expand their creative writing skills to new horizons and take artistic liberties indulgently but still have a locus to ground themselves to so that they don't go all hocus-focus?
you bet they'd take this chance.
famous fics like 'a liar's truth', 'hand study', 'burden of blame' were released and it was the explosive and beautifully belligerent start of a ship no one saw coming. riding on the highs and lows of a relationship, depicting exactly how toxic yet fulfilling realistic dating can be, its upto you how you'd end up. these fics depicted the shimmering tension, the passionate abhor and the disastrous clashes.
there was no way a huge chunk of japanese fans, enough to catalyse its popularity, would be able to reach these fics and fanarts, which were usually just characteristics fleshed out in the author's mind. ooc, if you will.
sakuatsu is literally whatever you want it to be. a murder mystery or a romcom, you decide. it is ever changing, ephemeral, dangerous. you need to keep up with every step to find its beauty.
its a pity that the japanese fandom wasn't able to catch onto this sakuatsu fever and create some god-tier content like they usually do with other notorious ships like kageoi or kitaatsu.
also, osaatsu/atsuosa, kitaatsu and atsuhina are already selling there a lot (which makes a lot of sense in hindsight than this sakuatsu, no offence) and view atsumu as a TOP.
also, also the japanese part of the fandom have no qualms with shipping komosaku and ushisaku and do it graciously, so well both characters are satisifed fully with the japanese seperately as far as they are concerned.
well, if the movies come out, there is a good chance that the sakuatsu car ride would be just around the corner again and maybe this time, the japanese fandom can hop on a ride? and show atsumu riding on sakusa too pls i need to see thier bful art ahaha
JJK 270 being titled Dream’s End is so fudging ominous. That’s some Umineko type beat. I’m not sure if I should even judge this chapter as presented because of this. In fact, I'm holding off on posting the other analysis I had for today since I no longer am certain of what JJK 268–270 are.
There's two lines of thought I have:
1) Gege suffering from burnout and bad working conditions plus rushing has caused the writing to decline.
2) Gege still has a hidden ace saved for the final chapter and the weird writing is deliberate.
I'm going to humor Option 2, but only because the title of this chapter is called Dream's End.
(The most 'hear me out' discussion under the cut. Using TCB scans and leaks. Click images for captions/citations.)
Preface
"Without love it cannot be seen."
This is a phrase and philosophy I have borrowed from Umineko since I've started these JJK yapfests. It essentially boils down to 'discard your negative biases and try to examine things in good faith.'
JJK 268 & 269 have fudging tested that for me. I've been giving Gege and the characters a pretty hard time with the caveat of knowing how exploitative the manga industry is. I initially rejected the idea that these chapters were to be taken at anything other than face-value because of this. In fact, I cited the JJK 268 chapter title of Finale as a reason I've accepted things as is.
And with that same logic, I'm now doing the opposite... So hear me out! I've got some pretty good reasons to be doing this.
What's wrong with JJK 268–270?
There's a lot of things in these chapters that are fundamentally inconsistent with what's been established in throughout the manga. If we use Option 1 to explain these contradictions, these are last second retcons because Gege forgor.
Option 2? We're about to have the rug pulled the hell out from under us because the last 3 chapters have been delusions.
What first tipped me off to something possibly being wrong on purpose was the fate of the incarnated culling game players in JJK 270. Not too long ago it was established that the souls of non-sorcerers in vessels were unsavable.
The souls are suppressed in a way that distorts them permanently or their consciousness is outright destroyed. They were gambling on Megumi's survival due to him being a sorcerer and Sukuna's incarnation method being unique. 99% of them will die and those who survive will likely be vegetables, so why is there a sudden gamble on their survival in JJK 270?
It's such a neat and fine bow to tie this mess up that goes directly against existing lore. It's so ideal that it has me suspicious.
Brain damage from sorcery on non-sorcerers has been established as extremely taxing. I think about Gojo's Unlimited Void (UV) the most when it comes to this. Non-sorcerers were hit by it for 0.2 seconds and required medical intervention for 2 months to fully heal from it. Sukuna, the absolute strongest, tanked some of it and it affected him for the rest of the battle. ...And then we have Megumi who was under it for about 6 minutes and seems to have very little problems from it.
This is bizarre. Someone who underwent the month long bath and UV without Reverse Curse Technique (RCT) should be struggling to even stand after waking up. Sukuna had RCT and the Gojo brain damage still took him out. This screams of inconsistent writing unless...this is a deliberate hint that something is amiss.
I want to draw attention to the panel Megumi's UV damage is addressed. Just about everyone has been seemingly waiting around in the same spot for him to wake up. It's a bit weird given that sorcerers don't usually do that. They usually get a move on asap. And after the destruction of Shinjuku and the Culling Game Players still running about, why would they take a breather to discuss their plans that worked?
But that's not what started bothering me about that panel after reading JJK 270. It's that characters who aren't in the room, start appearing without warning. Look who is behind Maki and to the left. It's Kusakabe. And to her and Yuta's right? Inumaki. So why is it that Hakari, Kiara, and Ino are in Kusakabe's place while Todo spawns where Inumaki is? (And Yuta is facing the wrong direction too.)
That's pretty fudging weird right? You can chalk it up to Gege forgor but it doesn't stop there. Higuruma enters the discussion in a way that causes Yuji to pause.
Why is Yuji surprised to see him? (And where the fudge did he come from?) Shouldn't he know of his survival by now? And why is he in a cast? Higuruma had learned RCT and fully restored his arms before leaving the battlefield. If he's conscious, then he should be able to heal himself fully no problems.
And that got me thinking... Why is Yuji still missing his fingers?
It was established that he kept his fingers unhealed to help with Yuta's plan. This means that if he won, he has no need to keep them missing. Yuji has fully regenerated missing chunks of his face, including his eye, and stomach. He has RCT just like Higuruma. But it doesn't end there either. Yuji's number of fingers on his left hand keeps changing.
4 fingers, 3 fingers, dubious amount of fingers, 5 fingers. Once again, you can chalk it up to Gege forgor, but JJK 270 came out and the same problem started happening with Megumi's scars.
The same mistake is made within the same set of panels and very big page. That's weird.
ONCE AGAIN, you can chalk it up to Gege forgor, but when these errors occur, like with Yuta mistakenly having his ring on in JJK 251, Gege will note the mistake outright. Gege has made no such comments for Yuji's fingers or the scars. This many “errors” in row when Gege has otherwise been careful with these features could indicate it really is on purpose. (Kind of like Sukuna's everchanging mask. The thing was just moving around and pulsing. That was deliberate not inconsistency.)
What does this mean?
I think it means what we are seeing isn't reality. After all, the most common way to tell if you're dreaming is being unable to count the number of fingers on your hands. Another way to tell is the distortion of faces.
Readers have noticed that something is wrong. The weird timeskips, the lack of lasting consequences, design inconsistencies, characters behaving like similes of themselves, death and pain being glossed over like it's nothing. It all feels so off. But it's still close enough to the original to be somewhat believable. ...Is that not what it's like to dream and not know you are dreaming?
Why is it that the chapter titled Dream's End ends with the hunt for a curse user whose ability is to distort the perception of reality?
Dreams and Delusions in JJK
We already know Gege weaves Buddhist symbolism and ideas heavily into JJK. I'm not an expert in Buddhism at all, so there's a lot of it that goes over my head. I decided to look into if dreams are significant in Buddhism and boy howdy are they. Quoted directly from the source:
"Dreams can be a message from a Bodhisattva, an ancestor, or a god, The intent of the dream may be to test the dreamer’s resolve: is he non-retreating (avaivartika) from Bodhi (enlightenment) even when sleeping? The purpose of the dream visit may be to communicate information vital to the dreamer’s well-being. The Buddha himself had five dreams of catastrophes, falling stars and worlds in collision just before his enlightenment. The dreams were sent to him not by a benevolent Dharma-protector, but by an malevolent sorcerer, intent on disrupting the Buddha’s samadhi and preventing his awakening."
In summary, (correct me if I'm wrong) dreams appear to be seen as another state of being just as valuable and impermanent as reality.
There's also this other bit I'll quote directly.
"The most common use of dreams in the literature of the Mahayana, or “Northern School” of Buddhism in China, Tibet, Japan, Korea, and Vietnam is to see dreams as a simile for sunyata, (emptiness) the hollow core at the heart of all component dharmas (things). For example, in the well-known Vajra (Diamond) Sutra, the Buddha taught that:
“All conditioned dharmas, are like a dream, like an illusion, like a bubble, like a shadow, like a dewdrop, like a lightening flash; you should contemplate them thus.”"
That's starting to sound like what Yuji's Domain does, right? He projects memories that did happen and mixes them with delusions and dreams. Sukuna and Megumi both experience this in full.
It's incredibly suspicious that it hasn't been named yet. Yuji is the son of Kenjaku who has a domain based on the Womb Sutra/Realm...which is paired with the aforementioned Diamond Realm to encompass the entire Dharma. It's very likely this is what Yuji's domain is—a realm of dreams and reality combined as one.
Unreality Runs in the Family
When Sasaki Setsuko "wakes up" as the Culling Games begin, Kenjaku explains her situation with this:
What follows is a sequence that cannot be described as a dream. It seems to be a blend of reality and hallucinations. But that's not anything strange, Sukuna does it too with Kashimo in reverse.
As you can see, both the positions of the characters and even the backgrounds change suddenly from reality to ??? and from sequence to sequence. It's all incredibly dream like.
Another strange thing about this space is Kenjaku creating it as a part of an escape route Binding Vow. You know, the kind Sukuna uses for Malevolent Shrine.
What I want to draw attention to here is this reality-dream state somewhat requires consent (in the loosest possible definition) to appear. The person entering this state has to desire it themself. We see this with Jogo and Gojo who are mutually interested in having a relationship of somekind with Sukuna. (Same with Kashimo.)
(It's also very hard to tell if they are dead or still in the process of dying during this.)
This is where the delusions Yuji projects differ. They are forced onto others when he is near death or severely injured, seemingly as a defense mechanism.
And would you look at that...the syntax is identical for Todo and Choso's Brother Yuji Delusions. "At that moment, a memory was born inside X's brain...of a past event that never happened." It's kind of like how Yuji replaces Gojo in Megumi's memory to reach him. It's also very strange that Sukuna, Choso, and Jogo go "What is this?" to this in-between space.
My point here is that Yuji having access to this space has been hinted at since the start of this manga and that it was inherited it by blood. (Totally Not Kenjaku showing up with Takaba Mr. Reality Warping CT in JJK 270 supports my case too I think.)
What does this mean for JJK 268–270?
The battle ended in JJK 268. Of that I'm certain. What I no longer know is if anyone survived.
A common complaint about Sukuna's death is his lack of an afterlife scene. Everything ended so abruptly. And then Megumi wakes up.
It's so jarring in out of place. ...But that's how all scenes involving the space between dreams and reality begin. Sasaki Setsuko "wakes up" once and then again. Most of us have experienced those kind of dreams right? (They made a whole movie about it called Inception which is based on the movie Paprika.)
There's one other thing I need to draw attention to. Yuji's Domain shattered after Sukuna cast Domain Expansion (DE).
When a sorcerer withdraws their domain voluntarily, it does not shatter. Gojo has demonstrated this for us in quite clearly.
When a domain is broken by force, it will shatter and shards will scatter. When a domain is withdrawn, no shards are left behind. Yuta uses these facts as a part of his plan. In JJK 252, it's revealed by Kusakabe that Yuta shatters his own domain on purpose to trick Sukuna into thinking he won.
What this means is that some kind of violent action needs to be taken to shatter a domain. Yuji's domain is massive and his attacks only targeted Sukuna. What could've shattered his domain all at once? He's not had the time to practice shattering parts of it like Yuta.
Gojo has shown us what a uniform domain shattering looks like—it happens when Malevolent Shrine activates. (Please note that the sfx used for Sukuna breaking Gojo's domain is カシャア. It's the same one used for Yuji's domain shattering.)
I'm proposing that we've been in unreality since the end of JJK 266. Sukuna and Yuji are both severely injured, on the verge of death, and have a connection with each other. These are all conditions that trigger the space between dreams and reality.
And I must remind you that Yuji first triggers this event with Todo after a severe head injury. Right before Sukuna casts his domain, they do this to each other.
Everything that has come after has been perfect for Yuji to a unbelievable degree. Everyone whose death was uncertain is alive and the living are getting exactly what they wanted. The effort behind it and the logistics are all missing. And yes a rushed ending can explain that, but that too can be part of the ruse.
Another massive complaint is that mourning has not occurred. Not for Gojo or Choso despite how much Yuji cherished them. It's like they're being willfully forgotten by the cast despite being crucial to their success in Shinjuku. It feels out of character, especially since Yuji is of the few that showed concern for them no matter what.
But if this is a delusion on the brink of death designed to bring happiness, why would Yuji think of the dead? He's always been so avoidant with it. When his grandpa is dying and trying to talk about his parents, Yuji tells him to shut up. When Nanami dies, he thinks of him then and then never again directly leading up to his talk with Sukuna. When Megumi tries to discuss Nobara's fate, Yuji ends the conversation as quickly as possible.
The only people in this world are the ones who may or may not be dead. He saw Yuta in Gojo's corpse. The only way that can happen is if Gojo is dead. Yuji has no choice but to believe it. Choso burned away before his eyes. Yuji has no choice but to believe it. He went through some of Megumi's memories and saw Tsumiki's corpse. Yuji has no choice but to believe it.
And since Tsumiki is the only person Yuji wasn't close with, she's the only death that has been outright acknowledged. But not for too long! That would make Megumi sad.
Another complaint is that Sukuna really didn't kill anyone in the final battle outside of those two and Kashimo. The dudebros call it Disney Kaisen. But the fairytale-like idea that everyone is ok? Todo was the one who put that idea in Yuji's head.
And Yuji has always been one to fall to story-like logic when things look like they're finally wrapping up.
"And then everything will be just fine." (Yuji before the worst possible outcome for both him and Megumi happens.)
This is similar to the line Gakuganji uses in JJK 270. "Everything is fine." This line is the whole reason I sat down and wrote this all out without stopping. I know Gakuganji. He'd never say that. This man has been in a state of worry over Jujutsu Society since his first appearance. He doesn't even fully believe in Gojo's cause as someone who values tradition. He's a stickler for details and will do everything in his power to ensure stability. For him to toss Sukuna and Tengen's remains in a shrine and call it a day? Who is that? He's changed but not that much.
And so I compared the raws.
It is very much the same 大丈夫 (Daijoubu). These are Yuji's words.
What I'm proposing is that JJK 267–270 are Yuji's delusions of the happiest possible ending. It's a picture perfect little end where all the trauma and death has no effect on the living and people move on like nothing happened. I don't know if this means he's dead or if Megumi's dead or if they're all dead. But what I'm seeing now? I don't think it's real.
Reexamining JJK 269
CW: Brief discussion of suicide.
Even if this turns out to be a part of the smokescreen, I'm always going to hate JJK 269. But I do want to give it some grace under the assumption this chapter titled Examination (which can also be translated as Reflection) is about Yuji's guilt. Both him and Megumi's tbh. I think their feelings for each other and their situations are driving these delusions. That's one thing about this space that's real—the feelings behind them.
Yuji has a lot of guilt surrounding his existence after ingesting Sukuna, Megumi does too. Straight up Yuji has been seeking death over it since JJK 9.
He struggles to forgive himself for being the centerpiece to violence he had little to no control over. The only thing that upsets him more than that is knowing that his death will break Megumi's heart. He doesn't want Megumi to feel any guilt for it whatsoever.
The kicker is, Megumi already knows Yuji is planning to die. And he wants to do everything to rid him of that guilt. Up until they connect inside of Yuji's domain, they were unaware they shared the same goal for each other.
And that's what JJK 269 is. It's a very cold and harsh breakdown that allows them to forgive themselves. Blame is passed around and ultimately pinned on a combination of Gojo and Kenjaku. (It's really weird Sukuna isn't blamed either, but that's not the point of this for now.)
Kusakabe's comment is especially harsh. Telling Yuji point blank he should've died and that both sides on the issue were valid? He may have believed that to an extent, but he made a point of not telling it to his face. Why have a whole chapter discussing how kind he is only to turn around and do this?
If this is all a delusion, a manifestation of Yuji's guilt and trying to absolve himself of it for Megumi's sake, that makes sense. This version of Kusakabe is what Yuji feels guilt over the most—Everyone's lives being better if he died.
In the same breath Kusakabe tells them to solely blame the adults. It's very reminiscent of Nanami telling Yuji that being a child is not a sin.
It should also be noted that every single time Megumi tries to apologize for being possessed, he's stopped. Maki tears into Yuta without checking in on him, but she asks if Megumi is ok and tells him to not blame himself. JJK 270 is full of this too. He tries to apologize to Tsumiki at her grave and Shoko tells him not to sweat it. He tries to apologize to Hana and she hits on him instead.
This delusion is crafted out of love. It allows Megumi to live in a world where he can move on from the guilt surrounding his possession and saving Yuji. It's all Yuji has ever wanted for him. And now that Yuji knows Megumi wants him to forgive himself, he has no choice but to do that too.
It's a perfect ending for Megumi that's too good to be true.
It must be a dream...
There's another thing I can't reconcile about JJK 269 unless it's a delusion—Todo's explanation for Yuta's plan. It's another one of those glaring contradictions.
In JJK 269 Todo claims Boogie Woogie can't target Maki. But in JJK 259? Todo makes plans with Mei Mei knowing that it works with her.
Either Todo lied...or Yuji never fully knew the plan and that Boogie Woogie could target Maki. Otherwise she would be dead. Her surviving Sukuna's flames would be impossible.
I've already talked about how Yuji believing those who may or may not be dead are alive is Todo's doing. He's always been the one to save Yuji from his breakdowns. But let's talk about his speech in Shibuya.
"Looking for meaning or logic in death...can at times defile the memories of those we've lost!"
Everyone who has read these past 3 chapters has really felt the defiling of Gojo's memory. And it was all in service to a strange logic that helped them cope with all this death. Acknowledging how massive Gojo's sacrifice was would riddle both Yuji and Megumi with immense guilt, so it's best to ignore it for Megumi's sake. (And perhaps that's why Yuji replaces Gojo in that memory.)
"What have you been entrusted with? You don't need to answer right now. However... Until you find your answer, never stop moving."
In a way, JJK 269 is an answer to the question Todo proposed. Yuji was entrusted with saving Megumi. Saving Megumi requires Megumi and Yuji forgiving themselves. And Yuji won't stop moving until it's done. All these time jumps and rushed developments are Yuji moving Megumi forward. He's getting that happy ending even if it's to the detriment of everything else.
What about Sukuna?
When Sukuna respects his opponents and they have a connection, he gives others these dreams before they pass. He's been very impressed by Megumi since JJK 9. It's not out of the ballpark for him to allow Megumi to die satisfied in the way Gojo did. Yuji also seems to understand that Sukuna was manipulated by others just as much as he was. I think that's why Sukuna is spared of the blame for the most part.
I don't think Sukuna won. He's probably dead. But he did warn Yuji not to underestimate him. I think the worst absolute last fudge you to Yuji he could give is this happy ending dream before ripping it all away as he dies.
In Conclusion...
I'm not sure that we're going to get that happy ending. Reggie Star warned us not too long ago.
"...it all comes down to a sorcerer's lies."
Reggie is a lot like Sukuna here, outwitted by modern sorcerers and dying to someone he loathes. Sukuna is good at tricking people. He let Gojo think he won before tearing it all away. Yuta did the exact same thing to him. Or did he?
"Can you do me a favor? After all, you've killed me. Let fate toy with you, become a clown, then die."
If the last 3 chapters are delusions...Megumi will be playing the part of a clown.
Gege said the manga would end with either 1/4 or 3/4 of Yuji, Megumi, Nobara, and Gojo surviving. This of course, could be changed throughout its development, but Gege said the manga is ending in its original vision. There's a real chance that it's only Yuji or Nobara surviving.
Remember, Gege is a troll first and foremost. Somehow Gojo was revived, but in the worst way possible (Yujo). Somehow Gojo did tell Megumi about Toji, but in the worst way possible (dead man's final letter).
Gege also said this about the final chapter:
"I am working hard to create a final chapter that will (hopefully) satisfy as many people as possible who have supported Jujutsu Kaisen. So everyone, please bear with me!"
I can't think of a better way to appease everyone than by making the last 3 chapters nothing more than dream.
an analysis of wolfwood’s characterization in trigun stampede as well as his connection to vash (+ why i believe he’s likely much older than we think)
okay i’ve been thinking abt this since eps 10 or 11 were released (this show became my special interest the second it dropped if i'm being completely honest) but its been scratching at my brain ever since i read the sakuracon radio interview and since i haven’t seen anyone talking abt this yet i figured i may as well because it’s clear they really did pull very extensively from the manga and i really am loving how they adapted his character. also i occasionally keep seeing the “tristamp wolfwood is a kid/is 14-15” takes which i need to at least try to help put to rest bc they make no sense given his other iterations and would actively make the story worse.
a quick tldr of my main points before i get on my very long winded soapbox:
wolfwood in trigun stampede has been used as an undying, unkillable soldier by the eye of michael for decades.
rollo as a character, as opposed to monev the gale, was designed specifically as a metaphor for wolfwood’s backstory.
wolfwood and vash are written to be literal complements to one another.
I literally don’t think I have the space to talk abt all my thoughts, and ofc these are all my personal thoughts so any and all of what i’m saying could be wrong, but direct analysis of eps 4-7 (as I think they’re the most important) and discussion of his trajectory in general under the cut (obvious spoilers for the show but also the manga as well as tw: discussions of suicide/suicidal ideation as well as the general tw list for the show's graphic content):
Starting first with a side point that Wolfwood was never a child at any point he was with Vash during thecourse of the story, including the manga. He has always been a man in his 20s, with trimax ww having the appearance of being in his 30s or 40s. It is absolutely crucial to his and Vash’s characterizations, as well as their entire dynamic together, that Wolfwood is an adult. Could make an entire separate post about this, but I feel like starting here is important.
Onto the sakuracon japan radio interview. The team gave a LOT of interesting insight into the development of the show, but one specific point stood out to me:
This is important, because I definitely missed it during the show’s initial run, but I think it’s REALLY obvious once you know what you’re looking for, and is a big factor in why I think he’s likely older than we realized.
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EP 4: These are the very first lines that are said about him in the show, and the very first time we see him, he is absolutely exhausted:
We know that at this point, Wolfwood is likely on his way to Jeneora Rock to meet up with Vash to fulfill his contract...until Vash and co. quite literally slam into him (and his life) unexpectedly, nearly killing him with their van. He probably should’ve died except… he’s on his feet almost instantly, able to walk perfectly fine and being a jackass as though he didn’t get launched halfway across the desert by a moving vehicle. Which is… odd, naturally.
When they try to find help and instead find the dead couple, he specifically mentions that he isn't a priest like he's been in other iterations. He's now an undertaker, someone meant to guide others through their deaths:
His personality is hard to tap down. He's goofy and childish and downright unlikeable, and there's a hint of something lurking deeper, something menacing and potentially dangerous. So much so that Roberto is on edge the entire time their group is together after being swallowed by the Grand Worm, and flat out tells Vash that Wolfwood is untrustworthy and likely an assassin, "a man who can kill with a smile on his face". And Vash’s response is… really fucking weird, given how long the two have known each other:
not to mention he's wearing sunglasses Wolfwood is rightfully very ??? in response because, what the fuck is he talking about, and why is he so genuine about it, they just met???
Fast forward to a bit later, when Wolfwood is like "hey man, you really shouldn't be so trusting. I could've shot you in the back several times now." To which Vash is like "but you didn't, though." And Wolfwood is even more confused because is this guy stupid???
And then it's time for the final act: Wolfwood reveals his Punisher, destroying the Grand Worm while giving the illusion of taking out Zazie as well. Meryl was informed by someone that Wolfwood had been the one to save them all, but when she tries to thank him, he immediately shifts the subject, being annoying and arguably completely unlikeable. Roberto points out that Wolfwood had lied about who he was, trying to get Vash to realize that he still can't be trusted, and again Vash shoots it down: "We're alive because of him."
Wolfwood showed his role as the Punisher without hesitation, and not only was Vash not really phased by it, but he actually seemed to be inspired by him, stopping his self-destructive tendencies and even repeating his own words back to him. And that's the moment we finally learn his name in the show:
But then, almost immediately, we have a complete reversal of his scene with Vash in the Worm. It’s also of note that Zazie always specifically says human lives:
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EP 5: One of the most important episodes in this discussion, and it starts with the name alone, "Child of Blessing". Here’s a very general summary:
A young boy in a much less than ideal living situation is chosen to be 'a blessing upon the world through his sacrifice', which turns out to secretly be mutilative experimentation on children in search of a subject compatible with a mysterious medicine that can heal any injury. The meds warp him, morph him into something that doesn't even appear to be human. He tries to return home, but his mother, the only family he knows and loves, is terrified of him. She calls him a monster, and the boy finds himself struggling to articulate who he is. Then, he wanders alone alone without purpose in that unchanging altered body, a body that can withstand lethal amounts of damage directly because of the meds, for at least 20 years. All he has is a single name: Vash the Stampede, the person who promised to save him, and the one person who managed to bring back his consciousness in the end, if only for a moment.
The moment Nicholas sees Rollo regenerate is the second the switch flips. He instantly demands to know what the fuck is up with him, and when Vash responds telling him that he was too late to give him the medicine he needed, Wolfwood shuts down, because he recognizes himself. From this moment until the rest of the episode, we are no longer seeing Nicholas D. Wolfwood; we're seeing Nicholas the Punisher.
Vash continues to push Rollo to remember who he is, while Nicholas continuously says that there's no way to save him, that he's already a monster now. In the final moments, Nicholas inevitably feels tasked with Rollo's death like the undertaker he is, and when Vash angrily demands to know why he took the shot, his response is:
When discussing Rollo's killer, Elendira refers to Nicholas by name, but Conrad specifically states that no, he is the Punisher.
In vol 10 of the manga, Vash thinks to himself: “I met a strange man. Just as I thought we had come to an understanding, I found that our core beliefs were opposed to each other. I was used to such situations, but I wonder how he felt.”
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EP 6: This episode builds directly upon the foundations set by the episode prior. Child of Blessing ended with Rollo being referred to repeatedly as a monster, and this episode begins with Nicholas in the middle of completing a kill. Right before he does, his victim gets one final glance at his assailant, an inhuman looking executioner, and calls him a monster… directly because he will not die. He’s also been shown knocking back meds like tequila shots in tristamp, which we all know was NOT possible in the manga. During the flashback scene, Nicholas is literally called the Child of Blessing.
We see a very similar sequence with Nicholas that we saw with Rollo; the horrific torture, the bodily mutilation (during which Conrad specifically mentions that the drug will heal all damage done the body, as well as rebuild and strengthen the cells), and the attempt to return home:
Something different happens with Nicholas, though. Nicholas can't go home; he’s literally yanked away from his chance at freedom by Legato. Nicholas can’t go home, likely ever again in his mind, because Hopeland Orphanage and the Eye of Michael represent two fundamentally different ideals.
Hopeland (and thus Livio) is exactly like its name for Nicholas: it is is land of hope, the only place in the world where Wolfwood was allowed to exist freely. When Nicholas was taken by EoM, Wolfwood began to die.
The entirety of the EoM is shrouded in imagery of death and rebirth, specifically in regards to humanity. Humanity in this case has a dual meaning: humanity as a species, and humanity as a concept. Their philosophy is that the end justifies the means in that humans in this form will be preserved and would likely live exceedingly longer lives but, as repeatedly mentioned, there are side effects.
Aging and death are integral parts of the human experience, the two aspects of life that we ALL experience regardless of circumstance. Can you be human without humanity?
The message behind these two episodes is to show that the process of becoming part of the EoM is a metaphorical crucifixion symbolizing the death of one’s humanity. And Nicholas is interesting, because he’s almost the perfect specimen in their eyes and is treated as such. Almost. The only thing holding him back are the two strands of humanity he has left, both which are nearly destroyed in the very next episode.
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EP 7: In the previous episode, during the animated flashback of Nicholas and Livio, we see a few scattered scenes of other people living at the orphanage. Interestingly, while almost all of the children are seen with very sparse detail (or even none really at all), there is one person, the caretaker, whose face we get a pretty clear picture of. At the very beginning of this episode, we have the first and only shot of the inside of the orphanage in the usual style. While none of the children are familiar and actually aren’t incredibly distinguishable from one another, there is one figure in the room with recognizable hair, but looks considerably older than in the flashback:
During the majority of their interactions, you don’t see Nicholas and Livio interacting with any of the other children. They are simply a background, a set piece to the story and a representation of just how other they were forced to become.
This episode features them fighting each other, dealing each other what should be mortal wounds, but somehow remain standing, as though they’re perfectly fine. As if on cue, the soldiers stationed call them both monsters and run away in fear.
But Vash doesn’t run from the danger. He runs towards it.
Nicholas tries to stop him, and all he gets in return is “he’s important to you, isn’t he?” as though that’s enough. But it is enough for Vash. And Nicholas doesn’t know what to do with that.
Nicholas comes dangerously close to giving up, to giving into his role as the Punisher and killing the last bit of Wolfwood to do so, but it’s Vash who stops him. He diverts his shot and, instead of hurting Livio, literally frees Nicholas from Legato and Zazie’s trap. Vash tells him to make him remember, and Nicholas thinks it’s bullshit… until he doesn’t.
And when he finally relents, when he tries to emulate what the silly blonde idiot keeps screaming at him about… It works. For a moment, but Livio does wake up for a moment. Nicholas hadn’t been able to see Rollo, but he did see this. And he really doesn’t know what to do about it.
To drive the point home, Livio drives a bullet into his own head and falls to the ground in a scene very reminiscent of Rollo’s death… but is implied to still be alive. With him saved, now it’s time for Hopeland. And this is when the narrative really turns a focus to the balance between Nicholas and Vash.
The group is half convinced that they’re about to die snd that the town will be destroyed when, all of a sudden, it’s Nicholas who’s yelling that they have to do something. Because despite all the noise Nicholas makes about self-sacrifice and calling Vash a weirdo, he’s directly inspired by his energy, which is proven correct when Vash is the first one to side with him.
Then, somehow despite the odds, the two of them manage to work together to stop the ion cannon. Which should have been impossible. And because of this, Nicholas is finally willing to give Vash the chance to take the lead on things.
When Vash and Wolfwood discuss their plan to save Hopeland, and after they argue about which method is the correct one, the conversation they have is probably the clearest depiction of Nicholas’ inner struggle:
Nicholas: Have it your way. Just for today. I do owe you one… but if the orphanage doesn’t survive this, I’ll hurt you so bad you’ll wish you were dead before I kill you.
Vash: Wolfwood…
Nicholas: Shut up! I’m the Punisher! I’m not like you… I’m Nicholas the Punisher…
He murmurs the last line as though he’s trying to convince himself. He uses his persona as the Punisher almost like a mask, like a cat puffing up and hissing to deter predators. It’s a defense mechanism, and a trauma response. Except.. it still doesn’t work, because the entire time Vash is simply not listening. Regardless of what Nicholas says, Vash does not stop fighting Nicholas on the title that was forced on him by the EoM and, in fact, blatantly rejects it. And the moment Nicholas finishes speaking, when he declares himself to be the Punisher, the episode’s title card finally appears: Wolfwood.
It's a direct representation of this panel of Nicholas' inner monologue from the manga:
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Nicholas and Vash’s roles as each other’s complements is emphasized very deliberately when the two work to stop the sand steamer from smashing into Hopeland. These screenshots occur one directly after the other:
Another detail the team mentioned often during the interview was attention to use of color. In color theory, blue and orange are complementary colors: hues that are opposite each other on the color wheel but, when used together, come together to create harmony and balance. Additionally, Vash is the character typically associated with warm hues, while Nicholas is paired with colder ones; with the colors flipped, it’s almost as if they are literally mirror images of each other.
The two are in the same position, in the middle of similar actions, both drawing strength from that which makes them “other” in order to work together to protect a common goal. And once again, miraculously, they succeed, able to do together what neither could ever have done together.
This mirror motif is even clearer when comparing these respective scenes from each of their respective backstory episodes:
For Nicholas and Vash, on top of sharing such a crucial common thread in their backstories, often in the show they are seen together, either side by side or back to back. Often they’re shown doing the same thing at the same time, almost as though they’re moving as one. And they consistently save each other over and over again, with Nicholas acting to save Vash physically, and Vash working to protect Nicholas’ psyche. Vash refuses to let anyone continue to see themselves as a monster, as lesser than, in much the same way Nicholas refuses to let anyone else be used as one.
They are a pair, a unit working together to create a force that is stronger than the sum of its parts.
They are both “other”, they are both different, and they both seek to protect the things they love and care about despite the excruciating pain it can put them through.
Nicholas and Vash’s entite dynamic is basically “I don’t understand you, but I recognize you. I recognize myself in you. And somehow, that’s enough for me to trust you.”
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So with all this in mind, here is how I’ve come to understand Nicholas’ arc throughout tristamp:
When we first meet Nicholas D. Wolfwood we meet a weary man longing for death to save him, longing to be free from the purposelessness of his life but knowing the hope is futile. He works for the Eye of Michael as an assassin against his will and has for God knows how long. Not only is he no longer a priest, but he’s no longer religious at all, having no belief in God at all and a particular disdain for the false promises and hopes of salvation that are portrayed by it. He doesn’t care about the clothes he wears, whether he looks messy, whether it’s suited for the desert, because he literally doesn’t care about anything, really. He has no home, and can never go back to the orphanage— there’s likely no one left there that he knows anyway, and even of there were, they wouldn’t recognize the monster he’s become. Nicholas is tired, he’s angry, he’s potentially depressed. He fights impractically, sometimes leaving himself open to attacks he could probably block with his Punisher, but he just doesn’t care. He’s just here to do his job, which is to escort his piece of shit CEO’s assumedly equally piece of shit brother to him so they can destroy the world together and he can hopefully die off in peace.
Until he actually meets Vash, and he’s… really fucking weird. He’s dumb and naive and acts like he knows Nicholas on some deep level after they’ve just met, but… he’s not a bad guy. Just another crybaby who doesn’t understand the world. He can see the Punisher and not be frightened by it. That means something, means enough that he feels that he can introduce himself now. He still doesn’t know how to handle kindness, so he deflects whenever it’s shown to him, making irreverent jokes and being annoying in order push people away. But then he meets Rollo and has a flashback to himself. He learns that Vash is no stranger to false promises, has sold the same thing to the kid who ended up just like him, and yeah, Vash is no better than the EoM. He talks a big game but doesn’t actually know anything. Nicholas kills Rollo out of mercy because it’s what he wishes could be done to him; every day of living his life is torture.
But then his hometown and childhood best friend are suddenly in danger. He’d completely forgotten what it felt like to have something to lose, to protect. And without planning for it, Vash also becomes something to protect, because even if he doesn’t act like it, Nicholas desperately wants to believe in him. He doesn’t want the EoM to be right. But the feeling of having something to protect is terrifying, because it means you have something to lose. Nicholas gets incredibly stressed out by this, because it’s been so long that he doesn’t even remember what it feels like. But it’s enough to get him, for likely the first time in a very long time, to hope. And it’s Vash who helps him so that he’s able to hang on to that hope for a little while longer.
He still can’t get too excited, because he hasn’t actually finished his job yet. Before he does, though, he sees Vash’s scars (which was a deliberate choice, as in both the manga AND the og anime this scene went to the girls) and wow, if it weren’t for the regenerative properties of the drug, he would likely look the same. He drops Vash off with Knives and knows that Vash will likely be killed, but he’s also expecting to die himself in the fallout, so it doesn’t matter, really. Except for some reason, it does a bit. And then, yet again, Vash miraculously doesn’t die, and in fact changes the game and actually looks like he might stand a chance against Knives, and is clearly willing to die to do it.
And then July is destroyed. But, miraculously, Nicholas isn’t dead. He still finished the contract, but now… now what?
The show began with Nicholas at his lowest, and ends with Vash at his lowest point. And Nicholas owes him one.
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INCREDIBLY long story short, it really is clear that they weren’t kidding, the team really drew SO MUCH inspiration from the themes trimax it’s unbelievable and I really really think we’re in for something incredible during the second phase. I also think it’s gonna hurt like a bitch.
this is such a beautiful and detailed analysis. op you did such a tremendous work. i feel slighted whenever people say stampede is good and I simply respond that they don't have enough media scaling skills to understand the HUGE EFFORTS Orange put into Stampede. It's literally a love letter to trimax!!!
And this post gives suchna good relation into Vashwood and their relationship.
How does it feel knowing your brother is all alone? You left him. If he goes back to botfighting, he won't have anyone at his back. As a member of big hero 6 he'll constantly be in life-threatening situations.
surprise bitch i bet you thought you’d seen the last of me
