Dying slowly together
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@diodidathing
Dying slowly together
Req! The four of them playing Uno or some other card game :D Shenanigans are optional.
HELLO THANK YOU FOR THE REQUEST
Before I could finish it college depression hit so I’m sorry if it’s super scuffed lol
Blessed to have you.
with all the Horrors these guys experience on the daily, i think a beach episode is in order.
The reason Ianthe is Like That btw is because the locked tomb is an video game told from the perspective of the NPCs and she’s the Player Character, hope this helps!
Trying to romance every character? ✅
Making the worst possible decisions for no reason other than “unlimited power, and my face on posters”? (That was definitely a multi-choice dialogue option) ✅
Constantly being relevant to the plot and thinking every character in the game loves her even though she has almost exclusively caused misery? ✅
First one to reach the big goal, but not a high enough level for the boss fight, so the NPCs had to step in to remind the game that they are also cool and powerful? ✅
Avatar and clothing change options she keeps using all the time? ✅
Had to level up in friendship with the major NPC of the second arc in order to unlock the legendary item that would boost her weapons damage because she accidentally maxed out on magic in character creation? ✅
Continuing to think about the horror of what happens to John, and the horrors of love...
When Alecto has first been created, she says to him "I picked you to change, and this is how you repay me?" and "What have you done to me?"
They're heartbreaking questions she has every right to ask, but there's something awful and ironic about them too. Because John also might have asked "what have you done to me?"
It's easy to get distracted by the cartoonish awfulness of John's own narration: "talk about police abuse", "come on, love. Guys as careful as me don't have accidents," "love a working tram system." But all of these comments come after moments where John has unwittingly come into proximity with violent death, an experience he repeatedly likens to having drugs forcibly injected into him; an omniscient, dream-like, out of body experience that seems to propel him forward through his basest impulses. The first time this happens, he's brought back from "the verge of something insane" by being shaken violently by P-. Lines like these aren't revealing John's diabolical plotting. They're a man who would rather own atrocities as premeditated than admit that he was losing his grip.
The second is when he encounters the soul of the earth. His human mind makes contact with the incoherent, furious soul of a planet. In any other context, this would be straightforwardly Lovecraftian. And everything he describes after that is full of elipses, jumbled, and detached. His friends are shot by gun-toting cultists and he says it was like a dream.
Hearing the earth screaming, feeling his friends' deaths under his skin like a drug, he might well have asked "what have you done to me?"
Alecto said to him, "I picked you to change, and this is how you repay me?" But as everything collapses, John says:
"I thought you were going to take me, somehow. Purge me. Use me as an instrument. But you didn't say anything...I was babbling, Show me. Come on. I'm ready. You kept screaming and screaming..."
John has spent months becoming something terrifying, an entity with yellow eyes and uncanny powers. He's discovered that death has an overwhelming impact on him that he cannot fully control. Everyone was relying on him to do something. And he did so many things: well-meaning things and stupid things and things that were lashing out in rage and frustration. Hundreds of people have died because of him. His friends have died because of him. Surely, surely there was a point to this. Surely there was meaning. Surely whatever did this to him, made him into this, had a greater plan.
But there is no plan. There is no great revelation. He tries to hurt the earth, to provoke some kind of answer, but the screaming continues. And when P dies, the person who snapped him out of it the last time, John lets go and the whole world dies.
John is kneeling on the grass vomiting up dirt and tearing out his own ribs, saying "there was still too much of me that was just a human being...", trying to swallow the soul of the earth. And by the end, the one shred he has to hold onto is a memory of playing with a doll as a child. That, and his anger...
The earth tried to reach out in the only way it could, amidst its incoherent suffering. And John tried to use the abilities it gave him, but he was only human. Fallible and proud and angry.
She said, "I still love you." And the horror; the horror of love, the horror of this story, is that to begin with they did this to each other.
To be clear: I don't mean to diminish the awfulness or the very specific forms that John's violence against Alecto takes, and continues to take across the story. I don't mean to excuse his own self-mythologisation. I certainly don't think he's blameless for the decisions he made and the agenda he pursued. But if there's one thing that happens over and over again in TLT, it's that the horror of love is not a one-way street.
And I wonder, in light of what we now know about the permeability of the soul, quite where John ends and Alecto begins. And when that blurring began...
A new transliteration of the Rain World scripts
An update to this. I am the original creator of that interpretation, and to be fair I'm a little tired of not getting proper credit for it.
The entirety of this was done by comparing the 'alphabets' to our own, and assigning phonetic values from there. The logographs were interpreted similarly, but with Mandarin 'etymology' instead. I wrote...quite a bit! About it! You can read the individual interpretations for each symbol in the doc below:
Omg Taffi draws canon iterators real
small comfort
some fellas and their dogs (transparents under cut)
Looks to the Mewn
( a reblogs always is appreciates ! )
Little God-killers
I haven't personally verified this as I'm not at a computer, but multiple people in multiple places are saying the same thing. This is fucking insane. First the endless war on UBlock, then the Chromium changes to shut out some blocker functionalities entirely next year, now this?
Something is deeply rotten in recent Google/YouTube policy. I can't imagine that this is legal - how is this not anticompetitive? Google needs to get mega fucked in the press and the courts sooner rather than later.
And I need to switch to Firefox as soon as I get home.
here's a workaround for that for firefox users
www.youtube.com##+js(nano-stb, resolve(1), *, 0.001)
for all yall who want to copy paste instead of write manually <3
The devil works fast but Ublock Origin works faster
if you have an android phone get newpipe
thank me later.
you can click on this button once daily to help palestine and support other causes in the middle east for free. it takes literally 5 seconds and could help save lives so please take the time to click and share this link.
#oh it raises money thru ad revenue and ur click confirms the value to advertisers. neat
ok @mylittleredgirl @sigynpenniman you two are my language friends what the FUCK does this mean
In this case “chat” is as in Twitch Chat, like when streamers talk to their twitch chats directly, like “hey, chat, what’s happening?” Not sure what they mean by 4th person pronoun - I would consider “chat” a 2nd person plural (you all) but I can see the potential for defining it as a completely separate thing due to the nature of “chat” being a undefined person instead of a specific one? Idk it’s fascinating tho
4th person is referring to the hypothetical collective of people beyond the fourth wall. the fourth wall is the invisible barrier between the stage and the seats, the actor and the audience. and actors 'break' the fourth wall when they address the audience directly and acknowledge that they're a person playing a character for entertainment. in some styles of performance this should never be done, like opera or musicals, because it can collapse the weight and momentum of the story. in others, like improv and game shows, audience participation is encouraged because it's explicitly a collaboration.
in the streaming era (in our panopticon culture) the fourth wall is extremely permeable in interesting new ways. streamers aren't just playing to an audience, they're able to read and respond to messages from that audience too. it's a collaborative improv, there's a call and response, the audience knows the streamer relies on them for attention as they rely on him for entertainment.
so, yeah, 'chat' isn't second person, it's fourth. i'm not referring to the 'you' that's here with me on this side of the stage, im referring to the people beyond this situation, watching our funny little problems. all the world is a stage, now. don't forget to like and subscribe.
CROCHET SCUGS!!!!!
hunter and spearmaster!! i'm planning on making all of them eventually :D