We lived in the gaps between the stories

Jess, 23. Sydney. Perhaps my self worth is made up of how other people see me - Celeste Wright

[theauspolchronicles]

Some egg memes for awesome egg teens

[lizardattack]

it’s what she deserves

[henryscavills]

You are Carol Danvers. You were the woman on that black box risking her life to do the right thing. My best friend. Who supported me as a mother and a pilot when no one else did. You were smart, and funny, and a huge pain in the ass. And you were the most powerful person I knew, way before you could shoot fire through your fists. —Captain Marvel (2019)

[blackqueerblog]

straight men really are on something else

[illegitimatetenenbaum]

Does this guy think that…women don’t have knees?

[sodomymcscurvylegs]

[dakotajonson]

Disobedience (2017) Dir. Sebastián Leilo

[deschanels]

we need to talk about miss adams’ oscars after party dress

[awardseason]

AMY ADAMS, CYNTHIA ERIVO 2019 Vanity Fair Oscar Party, Los Angeles | February 24, 2019

[gatabella]

Jane Fonda grocery shopping at Mayfair, 1960s

[briedaily]

Brie Larson arrives at the 2019 Vanity Fair Oscar Party.

[pedrc-pascal-archived]

#what a gentleman

[iwasfeelinepic]

Charlize Theron at the 91st Annual Academy Awards.

[filmgifs]

Take your shot.

The Favourite (2018) dir. Yorgos Lanthimos

[p1onaluv]

TESSA THOMPSON Oscars 2019, Dolby Theatre, Los Ángeles, California

[queenoftherebels-deactivated202]

“Any little girl that’s practicing her speech on the telly, you never know.” Congratulations to the Queen of the Oscars, Olivia Colman!

[rogerdeakinsdp]

Academy Award Winners for Best Cinematography: 2019 — Alfonso Cuarón Roma (2018) Directed by Alfonso Cuarón Aspect Ratio: 2.39 : 1

“Renowned Mexican cinematographer Emmanuel ‘Chivo’ Lubezki AMC ASC, whose previous work with Cuarón includes Y Tu Mamá También (2001), Children Of Men and Gravity, had prepped the first part of the production, but a scheduling conflict resulted in Cuarón taking over the photography on the film.

“In many ways, being my own cinematographer was a shortcut, because there were images springing directly out of my memory,” says Cuarón. “I’ve always been involved with the framing and composition for all of my films. It’s something that I design by the inch and discuss with Chivo. Sometimes when I was framing during the production of Roma, these memory smells would come to me and then I would know that I was going in the right direction!”

Cuarón adopted an observational approach for the camera, as he explains. “It’s like a ghost from the present visiting the past, which was the way I described it to the crew. I tried to avoid any cinematic language that conveyed subjectivity. For instance, there’s not one single dolly in or out. The funny thing with this one is I made use of a framing style that Chivo finds to be flat. The character is framed from the front as opposed to three-quarters.” — [x]

[timeless-love-story]

Emily Blunt | 71st Annual Writers Guild Awards New York ceremony at Edison Ballroom on February 17, 2019 in New York City

[gretagerwisg]

You think I’d let him destroy me and end up happier than ever? No fucking way. He doesn’t get to win.

GONE GIRL (2014) dir. David Fincher