TVSTRANGERTHINGS
we're not kids anymore.
sheepfilms
祝日 / Permanent Vacation
Kiana Khansmith
taylor price
Andulka
No title available
almost home
tannertan36
⁂
if i look back, i am lost
Peter Solarz
cherry valley forever
❣ Chile in a Photography ❣
RMH
Game of Thrones Daily
Alisa U Zemlji Chuda
pixel skylines
Cosimo Galluzzi
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@dottiesxdreams
i’ve been waiting so long
to be where i’m going
dorothy lynn harris - indie 70’s based oc est. 2019 / revamped 2021 - sunset blvd sweetheart, employee of the month @ sunrise records & proud band-aid
ABOUT // WANTED CONNECTIONS // RULES // OPEN STARTERS // VERSES
penned by evie 23 she/her EST minors dni
Send “Who’s This?” for your muse to pick up a photograph of someone from my muse’s past, and my muse will tell them who they are!
dottiesxdreams:
DOTTIE HARRIS, SHE’S WITH THE BAND
It’s getting near dawn
When lights close their tired eyes
I’ll soon be with you my love
Give you my dawn surprise
70s based independent original character, semi selective // 18+
ask « rules « about « open starters « verses
Guess who’s back...
I’m back... Maybe, possibly.. Having thoughts..
Donna Tartt novels, a summary
AUTHENTICITY OF GIRL WITH A PEARL EARRING OIL PAINTING BY JOHANNES VERMEER (1665) FINAL IMPRESSION: 𝙸𝙽𝙲𝙾𝙽𝚂𝙸𝚂𝚃𝙴𝙽𝚃 / 𝙵𝚁𝙰𝚄𝙳𝚄𝙻𝙴𝙽𝚃
NOTES: 𝚆𝙷𝙸𝙻𝙴 𝙼𝙰𝚃𝙴𝚁𝙸𝙰𝙻𝚂 𝙲𝙾𝙽𝚂𝙸𝚂𝚃𝙴𝙽𝚃, 𝙰 𝙳𝙸𝚂𝚃𝙸𝙽𝙲𝚃 𝚂𝙸𝙶𝙽𝙰𝚃𝚄𝚁𝙴 𝚁𝙴𝙼𝙰𝙸𝙽𝚂 𝙱𝙴𝙽𝙴𝙰𝚃𝙷 𝚃𝙷𝙴 𝚂𝚄𝚁𝙵𝙰𝙲𝙴 𝙿𝙰𝙸𝙽𝚃, 𝚁𝙴𝙰𝙳𝙸𝙽𝙶 “ 𝙱𝙾𝙾 ! ”
# 𝑼𝑵𝑷𝑯𝑨𝑵𝑻𝑨𝑺𝑴𝑨𝑳 independent &. mutually exclusive crime - based original character. a tragic tale written by atlas (he / she / they), 25+ established 2016. quote by alice notley. an exploration of art forgery, the fallen icarus, the body as a haunted house, other ways to become invisible and the art of coming back.
unphantasmal:
“ there’s no sign in here that says i can’t. ”
it was somebody’s office. there was something to be said about private property, but as a rule, he generally favored private places. plus the painting hanging over the desk was an abdul mati klarwein. he wasn’t going to leave.
“ besides i’m waiting for mr. stewart. he told me he’d be back in fifteen. ”
thank god for name plates. plus the family photo on the desk was charming.
“Yeah, but…”
It was only Dorothy’s first time in the office–– she wasn’t typically allowed in for record label meetings, but every once in a while she was graced with permission to tag along and nurse a weak coffee in the waiting room. Surely, if Mr. Stewart was private enough to exclude her, it should be a lot harder for this stranger to waltz inside. Or maybe not. Maybe he was somebody important.
She sunk back into her chair, thumbing through the magazine in her lap idly.
“Yer a music guy too, then?”
@unphantasmal
“I don’t think you’re allowed in there...”
@bornfornothin
“Ahem, sir... D’ya happen to have the time?”
like this post for a one liner starter :) even if we’ve never interacted before, i promise i won’t bite (multis pls specify muse/verse <3)
( … ) 𝒕𝒉𝒆 𝒉𝒐𝒏𝒆𝒚 𝒐𝒇 𝒚𝒐𝒖𝒓 𝒔𝒐𝒖𝒍.
Dorothy wasn’t usually a quitter. But now? Lips pursed, with her arms stubbornly folded over her chest and a large box of band tees at her feet, she had clearly given up. She hadn’t ever been tasked with hauling leftovers back into the van before, a job typically delegated to the brawniest of the bunch–– but it was the final leg of the tour, meaning the vast majority of their small crew had already dispersed, leaving only the band and a few stragglers— Dottie included.
She waved down the nearest person, with little regard for differentiating between concert-goer and crew-member. It was an “all hands on deck” kind of situation, after all. And besides, Bleed War had some pretty jacked fans.
“Hey—! Would’ya mind helpin’ me with this? Darn thing weighs a ton.”
also for yourself
❝ What shall we use to fill the empty spaces? Where we used to talk? How shall I fill the final places? How should I complete 𝐓𝐇𝐄 𝐖𝐀𝐋𝐋 ?
Shall we buy a new guitar? Shall we drive a more powerful car? Shall we work straight through the night? Shall we get into fights? Leave the lights on? Drop bombs? Do tours of the east? Contract diseases? Bury bones? Break up homes? Send flowers by phone? Take to drink? Go to shrinks? Give up meat? Rarely sleep? Keep people as pets? Train dogs? Race rats? Fill the attic with cash? Bury treasure? Store up leisure? But never relax at all
𝐖𝐈𝐓𝐇 𝐎𝐔𝐑 𝐁𝐀𝐂𝐊𝐒 𝐓𝐎 𝐓𝐇𝐄 𝐖𝐀𝐋𝐋 ! ❞
independent & private portrayal of PINK FLOYD from Pink Floyd’s THE WALL ; canon divergent with album + movie influences brought to life by Kel ( 21+ ) minors / personals do not interact
@honeyhcarted asked–– “Good morning, sleeping beauty.”
It was simple moments like these that made Dorothy feel like the luckiest girl in the world. It was the gleam of a late summer sun peeking in through the gaps between her curtains, it was the way the rays illuminated the silhouette of the stirring body beside hers, and it was especially the way his voice, still husky with sleep, rang out to break the silence as soon as she was noticeably awake. “Good morning, sleeping beauty.”
It was still too soon for her to respond verbally. She wasn’t quite ready yet, hardly having shaken the cloudiness that lingered from her slumber. Instead, Dottie acknowledged him with a squinty-eyed grin and an open, extended hand–– it was his to hold until she properly came to.
“G’mornin’ bubba,” she had found her voice, although it came out like a quiet hum, her eyes finally fluttering open to their full beam to greet Sammy warmly.
&. 𝐬𝐨𝐟𝐭 𝐚𝐧𝐝 𝐬𝐰𝐞𝐞𝐭 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.
( various fluffy dialogue prompts so soft, so sweet, just for you! )
❛ i just wanted to make sure you’re okay. ❜
❛ there it is, there’s that smile! ❜
❛ you got me flowers? ❜
❛ i’m not afraid of you. ❜
❛ aw, did you miss me? ❜
❛ you’re lucky that you’re cute. ❜
❛ wait, you think i’m cute? ❜
❛ you’re not alone. you never were. ❜
❛ i don’t think i’ve ever seen you smile. ❜
❛ good morning, sleeping beauty. ❜
❛ it’s better with you here. ❜
❛ don’t worry, i’m staying right here. ❜
❛ you’re welcome to stay, if you want. ❜
❛ don’t be a stranger, okay? ❜
❛ i haven’t laughed like this in a long time. ❜
❛ hold still. this might sting a little. ❜
❛ you can hold my hand, if you want. ❜
❛ i knew you would be here. ❜
❛ i just wanted to say thank you for protecting me. ❜
❛ before you do anything, try this and tell me what you think. ❜
❛ wow i really can’t speak, huh? must be because of how pretty you look. ❜
❛ we can order pizza, watch a movie, whatever you want. ❜
❛ what, am i not allowed to look at you? ❜
❛ i’m not giving up on you. ❜
❛ is that my shirt? ❜
❛ this is a good look for you. ❜
❛ pinky promise? ❜
❛ c’mere, you. ❜
❛ honey, i’m home! ❜
❛ you remembered? ❜
❛ you’re my family too. ❜
❛ let’s go somewhere, just you and me. ❜
❛ i’m here for you. don’t forget that. ❜
❛ you’re the only thing that matters. ❜
❛ was that your first kiss? ❜
❛ i was worried something happened to you. ❜
❛ your heart is beating so fast right now. ❜
❛ relationships are built on trust, and i trust you. ❜
❛ you always see the good in people. even me. ❜
❛ do you think the moon is jealous of how pretty you are? ❜
❛ nope, puppy dog eyes aren’t going to work this time! ❜
❛ thanks to you, i know what it means to love again. ❜
❛ how about a kiss before i go? ❜
❛ i’m just glad you’re okay. ❜
❛ here we are, home sweet home. ❜
❛ thanks for being here with me. ❜
❛ seeing you happy is all that matters. ❜
❛ keep it. it looks better on you. ❜
❛ i couldn’t stop missing you if i tried. ❜
❛ you feel like home to me. ❜
a comprehensive list of scenarios
feel free to combine multiple prompts or add “ + reverse ” to switch roles ! for reference, the one sending in the prompt is the one committing the action.
1. GUEST : for one muse to offer the other a place to stay. 2. STORM : for both muses to find shelter from a severe storm. 3. MEDIC : for one muse to show up at the other’s doorstep injured. 4. SURPRISE : for one muse to come home and find the other already inside. 5. TRIP : for both muses to road trip or travel together. 6. BABYSIT : for one muse to help the other home while they’re drunk. 7. INSOMNIA : for one muse to find the other still awake at 3am. 8. AMBUSH : for both characters to come under attack by the same enemy. 9. DANCE : for one muse to ask the other to dance at a party. 10. STRANDED : for one muse to help the other who’s stranded on the road. 11. SERVICE : for one muse to cover the cost of something for the other. 12. SAFEGUARD : for one muse to save the other from being hit by a vehicle or from some other life-threatening event. 13. DAZE : for one muse to wake somewhere and find the other hovering over them. 14. STOWAWAY : for one muse to find the other hiding on the same ship. 15. TAXI : for both muses to share the same taxi ride. 16. MAKEOVER : for one muse to help the other with a new outfit or hairstyle. 17. LIFEGUARD : for one muse to rescue the other from drowning. 18. DISASTER : for both muses to work together to escape a fire, flood, or other disaster. 19. TRANSIT : for one muse to sit next to the other on a public transport. 20. SPRAIN : for one muse to carry the other after spraining their ankle. 21. EMPLOY : for one muse to be hired as the other’s bodyguard, tutor, assistant, etc. 22. QUEST : for one muse to help the other with a task in exchange for compensation. 23. SOOTHE : for one muse to calm the other during a panic attack. 24. RECOVER : for one muse to return the other’s lost belonging. 25. UMBRELLA : for one muse to share their umbrella with the other on a rainy day. 26. HEAL : for one muse to nurse the other back to health from a sickness or injury. 27. NIGHTMARE : for one muse to comfort the other after a nightmare. 28. REUNION : for one muse to run into the other again after a long time. 29. PRIZE : for one muse to win the other a prize at a carnival. 30. NUDE : for one muse to walk in on the other while they’re changing. 31. BED : for both muses to wake in the same bed, naked or fully clothed. 32. TRAIL : for one muse to notice the other has been following them. 33. EVADE : for one muse to pull the other into an alleyway to escape their pursuer. 34. THIEF : for one muse to confront the other after having something stolen by them. 35. CAUGHT : for one muse to walk in on the other singing / dancing. 36. FESTIVE : for both muses to decorate for a special occasion. 37. PRESENT : for one muse to give the other a (birthday) gift. 38. WEARY : for one muse to wake up after falling asleep on the other. 39. CAPTIVE : for one muse to hold the other against their will. 40. SNAP : for one muse to yell at or push the other out of frustration. 41. SLEEPOVER : for one muse to stay the night at the other’s place. 42. TRESPASS : for one muse to trespass on the other’s property. 43. BREAK-IN : for one muse to discover the other robbing their place. 44. MERCY : for both muses to come across an injured animal. 45. UNKNOWN : for both muses to wake and find themselves in a strange place. 46. ACCOMPLICE : for one muse to assist the other at the scene of a crime. 47. ASTRAY : for both muses to take a detour and lose their way. 48. RELAX : for both muses to share a hot tub or hot spring. 49. MUSE : for one muse to model for the other’s art project. 50. ACCOMPANY : for one muse to give the other an extra ticket to an event. 51. SALVAGE : for one muse to retrieve the other’s belongings from a thief. 52. MEAL : for both muses to prepare and share a meal together. 53. CEMETERY : for one muse to find the other at a gravestone. 54. REFUGE : for one muse to shelter the other from enemies. 55. ARRANGED : for both muses to date or marry out of convenience. 56. FAVOR : for one muse to owe the other a favor. 57. VACATION : for both muses to book the same hotel on vacation. 58. DEFEND : for one muse to save the other from one or multiple assailants. 59. CATCH : for one muse to return the other’s pet that escaped. 60. RESTRICTED : for both muses to sneak into someplace they’re not supposed to be.
