Fantastic art
absolutely flabbergasted

roma★
cherry valley forever
$LAYYYTER
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Noah Kahan
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Not today Justin

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@drawaffles-klassy
Fantastic art
absolutely flabbergasted
I would like to apologize to every single one of my wips ever
phm is decently popular in japan and i mostly see this when i check twitter and see accounts posting pictures of handmade rocky plushies that are so fucking round looking it brings a tear to my eye
he keeps me sane
btw, idk if this will be seen by any of the countless people who already have seen and reblogged this post, but heres the original guide posted on how to make the chibi-rocky! the OP also has a separate guide for a more accurate rocky, though obviously less simple of a guide than the little thingy shown off
(im surprised this post gained any attention, haha, if i had known i would have just shared the guides, the more handmade pebbles in the world the better)
Just a short video of my card weaving in progress
What kind of sorcery is this?! I can never turn more than 10 cards in sequence because they just refuse to cooperate and you have like, what, 35? 40?! HOW?!?!
40 in the tree strap above! The most I ever tried was 44 for this ramshorn strap below - that was tough, but also ok because the groups turned separately? I think my hands would murder me if I tried to go any higher on my backstrap setup though ;) I think the trick is maintaining appropriate tension!
Yeah, that one looks real nice. What did you use it for?
@diamondot speaking for myself, i just decided to learn it one day a few years ago (i had a viking phase ok) and simply started with it. It's surprisingly easy since all the info is available on the net. Honestly, i don't remember where i started since it has been so long ago and now i just browse pinterest for patterns alone. Google tablet weaving or card weaving (same thing, different names) patterns and some basic explanations and yt vids for how to turn and weave the stuff. Things like
S and Z threading are there for a reason, so mind your card orientation. Start with some easy pattern like simple wave or diamonds above, 6 - 10 cards are good for your first project. Don't lose hope in initial stage. Streching and threading all that yarn can take anything between 20 minutes and 3 hours depending on how big is the pattern and how skilled you are. Since you need some lenghts to secure ends and to turn cards, use about 40 cm more than wished lenght of your final product. Secure lose ends after threading through cards so you won't end with a bundled mess. Streching/knotting them to something is one way. Taping each card threads together or using weights (check pictures below) is another way (good only for shorter stuff though). Cards could be made out of anything as long as they have smooth edges and rounded corners. Cardboard, thicker plastic sheet, literal cards cut into squares with holes punched through them, whatever. These are mine 2 decks, minus cards i am using atm.
When you start weaving and pattern looks like a total mess, try turning cards in opposite directions. It usualy solves the problem (all that forward/backward can be a bit tricky and mirroring motions/patterns/card orientation can be confusing at first seemingly messing all your work even though you are doing everything right technicaly, just in opposite order/direction). Don't lose your hope. I still manage to mess up like first 5cm of every other work i start. It's not an issue as that start usualy gets cut off anyway (the tension is not right for at least first 4 rows, aka 1 full card rotation, until all threads go up and down at least once no matter what you do. Don't sweat it). You don't need any fancy startup either. Historicaly, people used to weave like this and this and this:
I just strech the thing between 2 chairs myself. Door knobs work as well and so does staircase railing. Wherever you have some space. Long hair clips are your friend, especialy when you are done with weaving for the day and you don't want stuff to tangle
And that's about it. Have fun 😊
Some of my favorite tablet weaving resources are :
This website is where I learned, twenty years ago while u was intending on Sturtevant Wi.
These books are both great, Collingwood is more comprehensive, but harder to just pick up and weave from.
Buy Card Weaving 2Rev Ed by Candace Crockett (ISBN: 9780934026611) from Amazon's Book Store. Everyday low prices and free delivery on eligib
Buy The Techniques of Tablet Weaving by Collingwood, Peter (ISBN: 9781626542143) from Amazon's Book Store. Everyday low prices and free deli
I love when people post things like this, then say, “ah ha ha, it’s not that complicated! 🤗”
It is complicated. You’re just really good at it!
Hi. I may be late to reply but i'm in a weaving mood so here we are.
The thing is that the technique looks complicated due to the fact that there is 100 something and that number alone is scary. But. Actually several buts.
But number 1 - the technique is OLD. Meaning - while being somewhat tedious just like any other textile craft, it has been used and learned for a long long time and there's plenty of resources (check out links above or any youtube video explaining the process) of varying difficulty from complicated af to easy peasy lemon squeezy with closed eyes
But number 2 - there is only one core principle/step you need to understand and that is when some threads go from up to down or from down to up (aka when they cross), you need another thread going in between so they won't simply snap back again. That's it. That's the basic principle behind every weaving ever. What card weaving does compared to standard weave is that instead of a single thread going up and down in the single row, you get 2 or 3 or 4 or 6 or whatever number of threads your pattern calls for in the same row
But number 3 - the number of rows = number of cards. Simple as that. Cards turn around to make a cord like when you are twisting 2 or 4 or whatever numbers of threads to make a rope. If some of those threads have different colours, you get a repeating pattern.
But number 4 - card orientation or S/Z orientation or whatever other fancy name for the twisting direction simply means that if you turn all your card in the same way at the same time, which one of them will make the twisted rope in this / angle and which one will do that in this \ angle. That's it. That's the whole mystery between S/Z threading.
But number 5 - you can start with as little as 4 cards to make a custom set of shoe laces or a key strap or whatever and call yourself a weaver. Because you did that. And it was nice. And it was easy. You just turn and thread and turn and thread and then you keep repeating this while watching a movie or something. There's no need for the math finals level of concentration here.
But number 5 - no one, literally NO ONE starts with a pattern like this
No. Everybody starts with something like this
Keep it simple, keep it easy, make 10cm and be done if you want to. It's perfectly fine.
But number 6 - you don't need any fancy items for starting. No hooks, no needles, no loom, no anything. If you have 2 balls of yarn in different color or some remains of your old cross stitch project or whatever and some card-like stuff you won't be sad for making holes in it, you are all set. Back side of the sketch pad is good. Poker cards cut to squares are good. A sturdy enough sheet of plastic is also good. You remember that old pexeso pairs stack you didn't touch since you were 9? Guess what!
My point is that if this looks like something you may be interested in, then you can absolutely try doing it for literally zero cost other than your time.
i do want to say, if you use AI in any step of your art process i do not want to associate with you. i don’t want to see what you make. you’re dishonest and relying on the stolen works of thousands of real, accomplished artists to fake a skill you do not possess. be ashamed and do the work your damned self like the rest of us
its ok theyre Gods lil helpers
And boy are they clumsy
Hi, these bees are babies! They’re not clumsy at all, this is what is called orientation flights. After birth and before beginning their careers as foragers (as all Honey bees cycle through all the jobs in the Hive throughout their lifespan), Honey bees take short flights back and forth, to and from the Hive, to orient themselves with their wings and their home so they can learn its location and how to get back home after foraging! Everyone has to learn, these are just smol little baby turkeys. Bees use the angle of the sun for location so adults have a better and more direct sense of location than any human
IM SO PLEASED TO LEARN THIS!!!
They are just!!! Student drivers!!! 😭
BONK!
responses after kissing
"why'd you do that?" - "you wouldn't stop talking. had to shut you up some way"
"do that again"
"you do this often?"
"i should've done this so much sooner"
"you call that a real kiss? let me teach you"
"what the hell just happened?"
"did anyone ever tell you you're a real good kisser?"
"oh... umm... wow"
"you owe me another one later"
"i think i might love you"
"how are your lips so damn soft?"
"you have no idea what you're doing to me right now"
"get back here" - "and what if i don't?" - "i'm not asking twice"
"kiss me again, please"
"still think we're just friends?"
"..." - "please say something. i wanna know what you're thinking"
"you're gonna make me come back for more"
"what was that for?"
"wow, you look flushed"
"can we do that again?"
"that was my first ever kiss and i can't believe i just had it with you"
"that was... interesting"
"ugh, that was so short. kiss me again"
"why are you so red? are you okay?"
"don't become obsessed with me because of this, yeah?" - "no promises"
"that's not fair!" - "what's not fair?" - "you can't just do that without warning me!"
"do that again" - "say please. i want to hear it"
"you really think i'm letting you walk away after that?"
"i... shouldn't have done that..."
"did that really just happen?"
"oh my god... you just- you kissed me?"
"you're gonna have to beg for it next time"
"why'd you stop?"
"are you trying to make me fall for you even harder?"
I collected my art tips on hands over the years. It ended up being 54 pages of notes I took and some guides I tried to create for myself. Maybe some of these can be useful to others as well. You can buy the pdf here or join my Patreon to get it for free.
This show is an accurate portrayal of how artists are hopeless dumbasses and we need a producer type to bring us back to earth to get anything meaningful done and I’m here for it
5 Tiny Writing Tips That Aren’t Talked About Enough (but work for me)
These are some lowkey underrated tips I’ve seen floating around writing communities — the kind that don’t get flashy attention but seriously changed how I write.
1. Put “he/she/they” at the start of the sentence less often.
Try switching up your sentence rhythm. Instead of
“She walked to the window,”
try
“The window creaked open under her touch.”
Keeps it fresh and stops the paragraph from sounding like a checklist.
2. Don’t describe everything — describe what matters.
Instead of listing every detail in a room, pick 2–3 objects that say something.
“A half-drunk mug of tea and a knife on the table”
sets a way stronger tone than
“There was a wooden table, two chairs, and a shelf.”
3. Use beats instead of dialogue tags sometimes.
Instead of:
"I'm fine," she said.
Try:
"I'm fine." She wiped her hands on her skirt.
It helps shows emotion, and movement.
4. Write your first draft like no one will ever read it.
No pressure. No perfection. Just vibes. The point of draft one is to exist. Let it be messy and weird — future you will thank you for at least something to edit.
5. When stuck, ask: “What’s the most fun thing that could happen next?”
Not logical. Not realistic. FUN. It doesn’t have to stay — but chasing excitement can blast through writer’s block and give you ideas you actually want to write.
What’s a tip that unexpectedly helped with your writing? Let me know!! 🍒
How to Fix Underwriting
1. Slow down at emotionally important moments.
Big emotions need space to land. If a scene feels rushed, pause the plot briefly to show how the moment affects the character.
2. Add reactions, not explanations.
Instead of explaining what a character feels, show it through physical responses, hesitation, or small actions that reveal emotion naturally.
3. Ground every scene in the senses.
If a scene feels thin, add one or two sensory details—sound, texture, smell, or temperature—to make the moment feel lived-in.
4. Let thoughts interrupt action.
A line of internal thought can deepen a scene without slowing it too much. Thoughts show stakes, fear, longing, or conflict beneath the action.
5. Expand consequences, not events.
You don’t need more things to happen—you need to show what matters. Focus on how events change relationships, decisions, or self-perception.
6. Strengthen setting where emotion peaks.
The environment should echo or contrast the emotion of the scene. Setting is not decoration—it’s emotional reinforcement.
7. Add specific details instead of general ones.
Underwriting often relies on vague language. Swap “they argued” for one sharp line of dialogue or a specific breaking point.
8. Let dialogue breathe.
Short dialogue exchanges without pauses can feel flat. Add beats—silence, gestures, interruptions—to give the conversation weight.
9. Show transitions between scenes.
If scenes jump too quickly, readers feel disoriented. A brief transition helps establish time, mood, and emotional continuity.
10. Clarify stakes early in the scene.
If readers don’t know what can be lost, scenes feel empty. Make sure the character wants something specific and fears losing it.
11. Use the “what are they feeling right now?” check.
After each major beat, ask what emotion is dominant in that moment. If it’s missing on the page, the scene is likely underwritten.
12. Expand scenes that feel “too clean.”
If a scene resolves too neatly or quickly, it probably needs more tension. Messy emotions and unresolved feelings add depth.
What I learned not to do in art school
[ID: comic showing OP. He sits in front of a drawing tablet, frustrated, and says "Ugh, I just don't feel inspired to make anything". A tiny image of a man pops up in the air and OP says, "Woah! A manifestation of my art school illustration professor!?"
The professor says, "When the old masters needed inspiration, some of them would wrap towels around their heads and experience hallucinations from oxygen deprivation." OP frowns and says "...That's terrible advice". End ID]
Fanfiction PSA:
the past tense of lead is led
"Rouge" goes on your face as makeup. A "rogue" is a D&D class, or someone doing something they shouldn't.
"Where" is a place, like where you are. "Were" is the past tense of "to be," like you were reading this list. "We're" is the contraction of "we are."
"Their" is a thing or concept belonging to a person, like their book or their justified anger. "There" is a place.
"To" is a conjunction, or a word used to make other words work. For example, you don't "go the store," you go to the store. "Too" is either an intensifier indicating an excess of something (like "too dark," "too cold," "too long"), or a word meaning "also" (like "I want to go, too"). They are not interchangeable.
--"a couple" is explicitly two. "A few" is three to five (unless you're using it for comedic effect, like describing a horde of ten thousand orcs as "a few").
And finally, a few that don't get discussed all that much these days but they'll make me very happy if you know them:
--"less" is for abstract, "fewer" is for concrete. I get less and less happy when I have fewer and fewer books.
--"can" is for ability, "may" is for permission, and the two have mostly become synonymous BUT if you're writing an old or uptight character, or a period piece, that change is recent enough you should still do it the "right" way.
--"lay" and "lie" are not actually supposed to be interchangeable. Even Merriam-Webster will tell you the rule here is bullshit (or as they more politely put it, "lay and lie have been tripping up English speakers for 700 years"), but if you want to know how to do it to at least try to make your grammar checker stop having a seizure, "lay" is transitive and "lie" is intransitive. In other words, "lay" is when action is happening and "lie" is when it's not. A sleeping dog lies because it's not going anywhere, but you're laying the table for dinner because you're actively putting things on it to lie--ha!--flat. The trick I learned in college was "we laid him to rest, and there he lies."
olive
Art school is so funny
Letsgooo
PERFORMANCE RELIABILITY: 60%