Studio200

[drawingstudio200]

Cyprien Gaillard, Morris Louis - From Wings to Fins - London – Sprüth Magers

Cyprien Gaillard, Morris LouisFrom Wings to FinsOctober 15–November 16, 2013London

[drawingstudio200]

Salient, 1954, 74 1/2 x 99 1/4 in. (189.2 x 252.1 cm), Acrylic resin (Magna) on canvas, Inscribed, l.r.: M Louis 54

[drawingstudio200]

Glenn Ligon. Condition Report, 2000. Diptych: Iris prints with silkscreen ink on paper, 31 7/8 × 22 5/8 in | 81 × 57.5 cm

[drawingstudio200]

Self-portrait and Self-identity in the Works of Samuel Fosso — HASTA

by James Rodgers In the catalogue for the exhibition Snap Judgements: New Positions in Contemporary African Photography from 2006, Okwui Enwezor highlights the concept of “Afro-Pessimism”, the visual construction and consumption of “Africa” by the Western media (especially in n

[thinkingimages]

Gabriel Orozco: Chicotes

September 28 2013 – April 20 2014

2010 Tire, aluminium Dimensions vary with installation

Collection Faurschou Foundation

The title ‘Chicotes’ refers to the word used in Mexican popular speech to describe parts of old exploded car tyres. Thus the title refers directly to the material of the work - that is, tyres that Orozco has gathered along the roadsides in Mexico. Because of the explosions the many parts are torn and ragged and look like roots, bark or seaweed. Orozco has arranged the various parts in a neat order, transforming and ‘fusing’ them into new totalities.

[inevitablefragments]

Hitoshi Kuriyama - ∴0=1-expansion (2010)

[installationarts]

Felix Gonzalez-Torres

Untitled(A Corner of Baci)

1990

Baci chocolates individually wrapped in silver foil (endless supply)

Dimensions vary with installation

[blue-voids]

Damien Hirst - Dead Ends Died Out, Examined, 1993

[kondralexis]

Mark Dion

New England Digs

2002

[lafilleblanc]

Nico Kok

“50 Sandline bricks and a wooden plank 3”

[art-documents]

Damian Hirst

[fathyelsherif]

Bernd and Hilla Becher

[christopherbettiglikesthings]

TARA DONOVAN

Makes a lot of really complex installations where she repeatedly uses common small objects to build larger pieces. Very beautiful, delicate but massive work. You can watch a tv story about her installations here.

[pacegallery]

Reblog of the day!  You can see her work on view now at the Milwaukee Art Museum.

[pictografica]

Ann Hamilton. Between taxonomy and communion 1990. Steel table, iron oxide powder, and approximately 14,000 human and animal teeth.

[drawingstudio200]

Allan McCollum in

Describing his aesthetic motivation with the paradox of “wanting to try to work in quantities…and make things that are singular and unique at the same time,” the viewer travels with the artist and his team of studio assistants to the 28th São Paolo Bienal for an installation of 1,800 hand-stenciled, graphite pencil works. McCollum describes devising “a system that would produce a shape for everybody on the planet.”

[drawingstudio200]

Ai Weiwei – Sunflower Seeds | Artist Interview | Tate

Artist Ai Weiwei’s Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. However realistic they may seem, th...

[studio450]

Gerhard Richter

Verschiedene Motive Various Motifs

1978/1984/1988 51.7 cm x 66.7 cm Atlas Sheet: 445