Moonlight (2016) Dir. Barry Jenkins
almost home

roma★
Sweet Seals For You, Always

Love Begins
taylor price

bliss lane
noise dept.
Noah Kahan
Lint Roller? I Barely Know Her
TVSTRANGERTHINGS

if i look back, i am lost
untitled
2025 on Tumblr: Trends That Defined the Year
Cosimo Galluzzi
Today's Document

Origami Around
Stranger Things

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@dvd-special-features
Moonlight (2016) Dir. Barry Jenkins
Romy Schneider L'Enfer | Inferno [unfinished] 1964 | Henri-Georges Clouzot
adèle exarchopoulos photographed by luka spaziani-booth for GQ, 2024
Adèle Exarchopoulos during the 2025 Cannes Film Festival // Joe Pesci at LAX in 1998
Carmen Ejogo as Maya Alston in Roman J Israel Esq (2017). Carmen was born in London, and has 50 acting credits from Absolute Beginners (1986) to four episodes of a 2023 series.
Her other notable credits include Lackawanna Blues, Selma (as Coretta Scott King), Fantastic Beasts and Where to Find Them, Alien: Covenant, Fantastic Beasts: The Crimes of Grindelwald, and eight episodes of True Detective.
Denzel Washington between takes as Roman J Israel Esq, (2017). This is Denzel's third honorable mention, after The Bone Collector and American Gangsters.
I went to see Gillian Anderson at Filmfest Munich yesterday. Here’s what I learned.
So I met up with a friend in Munich to see Gillian and it was more than I could have wished for. She was in a very good mood, friendly, good natured and excited about everything. What a blast for all of us.
She seemed genuinely touched and overwhelmed.
When Film Festivals try to get big stars to attend, they … lure them there with an award (in this case, the Cinemerit Award, which is Filmfest Munich‘s equivalent of a Lifetime Achivement Award). It is a quid pro quo deal, the Film Festival gets glam and International flair, the actor gets publicity for their new film (the screening was also the German Premiere of “The Salt Path“).
However, Gillian seemed not to have expected the afternoon to be meaningful. Which was until the Emcee, a journalist and very obvious Scully fangirl, said “I talked to so many people outside and one cannot stress enough the role you played for the queer and lesbian community and for the nerds“.
And the crowd, nearly exclusively consisting of queer and lesbian nerds, screamed their heads off.
Then followed a very cute, three minute long compilation of Gillian‘s work, all roles eliciting cheers and applause from the audience (Scully being a favorite). When Gillian finally came on stage, she joked about the Award being surprizingly beautiful so she “might actually put it up“ - and then her voice broke because she was so overwhelmed by both the speech and the audience. It felt extremely real and was incredibly moving.
(Here‘s a video of this scene):
(Video credit: Mine)
She acknowledged and embraced Scully‘s legacy, something that you hadn’t heard from her in a while.
When asked whether time has changed how she looks on characters she’s played - a question that I felt was directly hinting at Scully - Gillian replied:
“It has, I think particularly for Scully, because it was such a whirlwind for me. It felt like too big of a responsibility to take ownership of at the time. Hearing firsthand from people the impact that she had on their lives, and also the impact on the STEM community and also on the gay and lesbian community… it’s easier to celebrate something in retrospect. The demographic range that she has impacted, and continues to impact still, is real.”
Also, she somehow spoke with more of an American accent as the show progressed? Scully‘s impact still IS real!
Two of her next projects (book and film) will feature characters that embodies Scully‘s legacy:
“There are a few things that I’m working on that feel like they have aspects of Scully. Not in terms of character necessarily, but in terms of her lineage, [which] is built within them. One’s a film and one’s a book and they make sense because of her. And so, she continues. She continues to impact my life.” (I did not film this part, thankfully deadline.com had the complete quote)
She took a lot of time to give autographs and take selfies with fans
After the screening there were about 200 people still waiting outside and she went out of her way that everyone got their autograph. I talked to the organizers later and they told me her group had wanted to leave and she had insisted on staying and going back out to the fans (the temperature was about 32C, which is about 91F).
The atmosphere was kind and supportive and people who were in the back would hand over their stuff to fans in the front row, who would pass them to Gillian. They made sure everyone got their autographs. There was no excessive screaming, no pushing whatsoever.
The Phile community is still going strong
Many had brought their copies of “Want“ to sign, but there was a surprisingly big number of opaque X-Files memorabilia.
She laughed out loud at the Maine T-Shirt someone handed her to sign (if the person with the shirt reads this: girl, that was a hilarious move, you‘re my kind of person!). When I handed her a Scully trading card from 1995 to sign, she seemed surprised to see one and exclaimed at the sight of Baby Scully “Oh, look at her!“
The majority of fans were women, both cis and trans, from their early 20s to their late 50s. Awesome energy 🏳️🌈
I also got a good look at a number of excellent X-Files related tattoos. Will draw some inspiration!
Do you think Michael Crichton had a deep-seated hatred of theme parks because he was too tall for all the rides?
Yes.
[tumblr] is a flat circle.
Damn, it sure is huh
We should do this more on this website.
Person 1: -posts-
Person 2: -pulls out the historical documents-
I have been brought before the scriptures and my heresies found canonical.
I accept the judgement "unoriginal" and "should have looked it up first" but, in my inadequate defence, Tumblr's search function does fucking suck.
Defense found perfectly cromulent. Let Baddywronglegs free, and let no mark be against said blog.
"I have been brought before the scriptures and my heresies found canonical" is an all-time banger line.
This is the closest thing to a smile I've ever seen this man do for media
Back in 2018 when I saw Roma by Cuarón
The Holdovers (2023) by Alexander Payne
Movie Review: The Holdovers
Alexander Payne is truly the master of combining comedy and tragedy! His first few films Citizen Ruth, Election, and About Schmidt truly announced him with smart comedies that often times challenged the viewer. What really blew me away was his 2004 film Sideways. The comedy about two middle-aged friends in the Wine Country for a week before one gets married was such a LOL funny comedy one minute, sad about their mid-life trajectory the next. But in the end, it was about accepting where you are in life, not where you aren't. I out and out loved it! His next film 2011's The Descendants was a very multi-layered family drama set in Hawaii. I included it in my 10 Best Movies of the 2010s. I liked his 2013 father-son road movie Nebraska, but there was some pushback from audiences. God forbid a director tries to make a black and white slow burn! But I appreciated the ensemble cast and what he was going for. 2017's Downsizing was a misstep for Payne. I was all for him trying something different and stepping into wild Michel Gondry-territory, but the story was a little uneven. Now Payne has made a serious return to form with The Holdovers, which was actually filmed in Massachusetts last Winter, and reunites Payne with Sideways star Paul Giamatti. I got to attend a special IFFBoston Post-Fall Focus screening at Somerville Theatre and Payne himself attended for an intro and Q&A. There was actually a scene that was filmed at the Somerville Theatre and now the finished film was playing there!?!
movie poster
Set in Barton Academy, a private boarding school for boys, in 1970 New England just before Christmas break, Giamatti plays Paul Hunham, an unpopular curmudgeonly teacher. He gets stuck supervising students who are unable to go home for the holidays. Hence the name The Holdovers. Also there during the break is lunch lady Mary (played by Da'Vine Joy Randolph, a scene-stealer from Dolemite Is My Name and the High Fidelity TV series). After all of the other students go away with one of the student's rich father, an unpopular student Angus Tully (played by newcomer Dominic Sessa) is left with Mr. Hunham and the two form an unlikely friendship.
This is easily one of the best movies of the year and one I'm sure is going to become better and better with each viewing during the holiday season. There is a serious early 70s influence, most prominently from Hal Ashby (Payne was among the interviewees in the 2018 documentary Hal about Ashby). But beyond the influences, this truly feels like the kind of movie that would have been released in the early 70s: the look, the feel, the sound, and the way the characters carry themselves. But like all of Payne's films, this balances comedy and tragedy. Without getting into spoilers, there is a sense of loss for these characters that is heightened by being alone during a holiday break. But that connection that is made is truly special. Sessa is a revelation. Payne has a knack for casting newcomers who swing it out of the park and Sessa is going places. Randolph is exceptional as a grieving mother. But it is definitely Giamatti's show. He's been consistently good in countless films since Sideways, but this is a part tailor-made for him. Someone who is highly intelligent, yet so antisocial. Payne isn't known for working with actors more than once, but we can only hope this is the start of more collaborations. All hail Payne!
For info on The Holdovers
4.5 out of 5 stars
Intro and Q&A:
The screening I attended, Payne gave an intro. He noted that this was the first screening on 35mm. After the film, critic Ty Burr (a friend and colleague of mine) moderated a Q&A. Here are some of the takeaways:
Burr and Payne at the Somerville Theatre
Local Crew: He had tons of positive things to say about the Massachusetts based crew that worked on the film. He mentioned of all the films he made outside of the state of Nebraska (i.e. The Descendants in Hawaii and Downsizing in Toronto), this is the one that has stayed in touch the most. In the audience at this screening were a ton of local crew members. You could hear cheering during certain scenes, locales and cast members. Payne mentioned that he didn't know New England, beyond visiting Dartmouth and some Ivy League colleges as a teen.
Somerville Theatre: in addition to being a location, Payne mentioned that they screened some 70s films for the crew in the cinema. He also added that the film had played festivals and had opened in NY and LA but this was the first screening on 35mm.
He talked about what he's been doing since Downsizing. He apparently flirted with directing The Menu and The Burial.
Screenplay: Five years ago he received a TV pilot from David Hemingson that was set in a boarding school in New England. Payne called him and said he didn't want to do the pilot but wanted him to write a screenplay in the same universe. This marked the first time he had directed a screenwriter as opposed to writing with a co-writer or getting a completed screenplay from a writer.
Casting: After not finding the right actor from a casting call, they began searching private boarding schools in Massachusetts. That's how Sessa was cast.
This event was a part of IFFBoston. For more info go here.
happy the holdovers season
The Holdovers
one of my favorite 10 movies in 2024🍿
Anatomie d'une chute
one of my favorite 10 movies in 2024🍿
christmas is over but never forget.