A young noble lady steals her brother's identity and his ship to find love and adventure, and to write a book about the fascinating life cyc
it's a new page of Tigers!! Let's see what they up to...
Fai_Ryy
hello vonnie
ojovivo
Misplaced Lens Cap
macklin celebrini has autism
almost home
Lint Roller? I Barely Know Her

bliss lane

JVL
wallacepolsom
2025 on Tumblr: Trends That Defined the Year
Sade Olutola

Kiana Khansmith
RMH
Mike Driver

oozey mess

Andulka
š
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titsay
seen from Netherlands
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@skullchicken
A young noble lady steals her brother's identity and his ship to find love and adventure, and to write a book about the fascinating life cyc
it's a new page of Tigers!! Let's see what they up to...
July illustration for my 2027 Calendar. š (Also available as prints!)
I am cordially inviting all of you to post this in the comments/reblogs of any and every Al post you come across, on any platform. Especially useful for accounts who āteachā people how to use Al.
We were so enthralled by this leaf on our walk back from dinner last night
Nintendo should give Peach a economy simulator game series where she manages the politics of the mushroom kingdom.
Hear me out: If Peach has a Jump and Run adventure like Mario, then that begs the question why she canāt just do the saving herself - or why Bowser doesnāt just kidnap Mario. (If Mario has ever been kidnapped, do tell me)
If Peach has a game series where she manages the happiness of her Kingdom, she finally has more of a spotlight outside of Mario Games or ensemble games and it would even give more urgency to Marios quests: Heās not only saving his love interest, but an important political leader.Ā
learn from my mistakes young ones.Ā
when agreeing on a fixed price for a commission DONāT sayĀ āup to 5 corrections are included in the fixed priceā, because one day there will be a client who will send you half a Din A4 page of corrections 5 times and you will rapidly see your hourly rate approach 10 euro and you will weep.
WEEP.
go forĀ ā5/ 10/ 15 minutes of revisions* (depending on how complex and big the commission is) included maximum for free, everything after that is billed at my usual rateā it gives your client breathing space to mess up without leading into exploitation.
and if you happen to finish a lot faster and feel bad for taking so much money for the commission, you can always give a discount to the client (and this is important)Ā for being pleasant to work with. Donāt even say that you got it done faster than expected, it only raises expectations for the next time they commission you.Ā
* = revisions donāt meanĀ āI the artist made a mistake and need to correct it and Iām billing the client for itā butĀ āthe client decided otherwise after seeing the finished product or was too vague the first time around when describing and now they make me go back and change itā.Ā If YOU mess up and take longer to draw the picture than expected, then that of course is your responsibility.
Two-Spirit
Two-Spirit is a term created by Indigenous peoples of North America in 1990 to bring together the diverse gender identities and sexualities that exist within their cultures.
It is not a single gender. Each nation has its own traditions, names, and ways of understanding these experiences.
For many communities, Two-Spirit people held important social, cultural, and spiritual roles before European colonization.
The term should not be used by non-Indigenous people, as it is specifically connected to the cultures and experiences of the Indigenous peoples of North America.
Irawhiti (MÄori)
Irawhiti is a MÄori-language term used by some people to describe transgender or gender-diverse experiences.
The term is part of the contemporary revitalization of MÄori language and culture, allowing Indigenous people to describe their identities through their own cultural frameworks.
Although it may be translated as "transgender" in some contexts, Irawhiti carries meanings connected to MÄori cultural realities and should not be understood simply as a copy of Western gender categories. ( Flag design by IrauĆ on Tumblr. ) @irawhiti
takatÄpui (MÄori)
TakatÄpui is a MÄori term used by Indigenous LGBTQIA+ people in New Zealand.
Historically, the word referred to an intimate relationship between people of the same sex.
Today, many MÄori people use the term to express both their Indigenous identity and their gender or sexual diversity.
More than a specific sexual orientation or gender identity, TakatÄpui connects a person to their culture, ancestry, and community.
The term is part of the MÄori cultural revitalization movement and demonstrates that gender and sexual diversity can be understood through Indigenous perspectives, not only through Western categories. ( Flag design by IrauĆ on Tumblr. ) @irawhiti
MÄhÅ« (Kanaka MaÅli)
MÄhÅ« is a traditional Hawaiian cultural identity associated with people who embody both masculine and feminine qualities.
Historically, mÄhÅ« people held important roles as educators, keepers of knowledge, healers, and transmitters of cultural traditions.
The arrival of colonization and Christian missions attempted to erase these identities, but many Native Hawaiians continue to preserve and revitalize the mÄhÅ« identity today.
MÄhÅ« is not simply the Hawaiian equivalent of "transgender" or "nonbinary." It is a distinct cultural identity deeply connected to Hawaiian history, culture, and spirituality.
Tibira/ Tybyra
Tibira is a historical figure documented during the colonial period.
According to interpretations by Indigenous researchers and collectives, Tibira may be understood as a man who had relationships with other men, or as a person who lived with a feminine gender identity or expression, challenging the norms imposed by colonizers.
Their story is remembered as an example that gender and sexual diversity already existed among Indigenous peoples long before colonization. ( Made by me )
Ćacoaimbeguiras
Accounts of the TupinambƔ people mention the Ƨacoaimbeguiras.
According to interpretations by Indigenous researchers and collectives, they may be understood as women who had relationships with other women, or as people who lived with a masculine gender identity or expression outside the norms imposed by colonization.
Their existence shows that diverse ways of experiencing gender and sexuality were already part of Indigenous societies long before the imposition of European models. ( Made by me )
I am reading an interview with a historian that set out to weave the type of textiles that was sold to plantations for use by enslaved people using period appropriate looms.
But because I knew nothing about weaving, everything had to be explained to me, down to the most basic tacit knowledge: things that an eight-year-old girl in 1828 would have known, because when she was not winding yarn around a quill to help her mother, she was working on the familyās loom herself...
The great challenge of our work as scholarsāat least, those who are interested in historical reconstruction or the histories of any craft traditionāis that almost none of what we want to know is written downābecause it didnāt have to be and it didnāt need to be articulated. So to be in a situation where expert weavers had to talk to me like I was a child was one of the best things that happened to me in the course of my research for this book.
āBut I had found a set of instructions in the archives of one of New England's leading manufacturers of low-end woollen cloth for enslaved w
For my textile, weaving, historic textile, history enthusiasts
The interviewer is also a weaver!
SW: ... Thatās really awesome. Youāve taught this class now for two semesters. What have you learned from your students?
SR: Their expertise as makers has clued me into historical experiences most scholars have glossed right over. A 1930s Federal Writers Project interview with a formerly enslaved octogenarian might reference a grandmotherās sewing prowess, but then a student will say, No, you canāt just skim over by that! Do you know how many hand stitches it takes to do the seam of a dress? If youāve never handsewn a skirt (and I havenāt), you might need to be reminded of the labor involved. One student reproduced a 19th-century skirt as her final project, and it was all about the stitches. Their reading of primary sources picked up on things that I missed.
And this took me in new directions in my own research. You might remember a discussion of sewing labor in the final chapter of Plantation Goods and the implication of a clothās width for a womanās work routine. If you know how to cut the pieces for a shirt from a 32-inch-wide piece of fabric, it is going to mess everything up when youāre given a bolt of 28-inch-wide cloth. I had seen letters from slaveholders in the 1830s and 1840s complaining about the narrowness of the cloth and how enslaved women didnāt āunderstandā these fabrics. This wasnāt transparent to me as a historian. Only with students talking about the expertise involved in cutting cloth into the components of a garment did I realize what a difference it made when, say, a New England weaver was haphazard and turned out fabric four inches narrower than the usual variety. That error would reverberate in the lives of people 1,000 miles away who might face extreme forms of violence because they couldnāt meet their daily production quotas. Or they might experience other kinds of privationāa lack of rags for postpartum women, for exampleābecause a wider fabric left scraps while a narrower one did not.
fuckkkk my sacrificial lamb has started hanging out with the scapegoat
You know, when I've remarked that a lot of the responses to my posts feel like people are just plucking out keywords they think they recognise based on the shape of them and replying to what they imagine the post says based on that, the possibility never occurred to me that this is actually how many American schools are currently teaching kids to read.
Like, my assumption this whole time has been that when folks go "I misunderstood this post that says [thing] as saying [unrelated thing] because I mistook [word] for [completely different word that happens to start with the same letter]", that was a bit. What do you mean they're teaching kids a reading method that's tailored to produce this exact error?
Three cueing. Once you learn about it, a whole lot of very frustrating online discourse with US Americans makes so much sense š
For decades, schools have taught children the strategies of struggling readers, using a theory about reading that cognitive scientists have
If you were taught to read with the three cueing method, and now struggle to read fluently, you can still learn to read properly!
-> Phonics For Adults <-
If you're a teenager, you can still use this resource.
Having been Very Online in the mid 1990s is rough because half of your formative influences are like "yeah, this Flash video engages in pop culture deconstruction that's strikingly topical even thirty years later and did things to my vocabulary that persist to this day, and I can literally never recommend it to anyone because its core premise is a level of homophobic ordinarily observed only under laboratory conditions".
Them: Hey, you were around for the first wave of real webcomics. Which one was your favourite?
Me:
#thank god homestar runner aged well (via @shibascarf)
Homestar Runner is the way that it is in large part because it's a response to the 90s edgelord bullshit I'm talking about; while the characters had earlier appeared in print, the Flash animated version that everybody remembers didn't debut until January of 2000. That it's aged well isn't an accident ā it's a product of its authors looking at the state of 1990s Internet culture and making a conscious decision to be Not That.
You'd think "don't use a fictional creature as an allegory for oppressed minorities and as a horde of vile automatons that it's always okay to kill in the same work at the same time" would be a no brainer, but roughly 70% of all works featuring goblins and/or robots demonstrate otherwise.
Look, this is my litmus test: I pretend I am the original Earl of Sandwich. I have asked for non-bread foods to be brought to me inside bread, that I might more easily consume them one-handed while gambling.
This does not enable my wretched regency habits. This is not what I asked for. I do not deign to grace it with the name of my house.
This is the most important addition to the sandwich discourse I have ever read.
Check out this new album
Baptiste, by popular request āŗļø