Henri Cartier-Bresson, Italy, Sicily, Palermo, Town Hall, 1971
PUT YOUR BEARD IN MY MOUTH

#extradirty
Cosimo Galluzzi
wallacepolsom
"I'm Dorothy Gale from Kansas"
ojovivo
trying on a metaphor
occasionally subtle
will byers stan first human second
Today's Document

⁂
taylor price
No title available
No title available
Claire Keane
Peter Solarz

No title available

blake kathryn

oozey mess
One Nice Bug Per Day

seen from Malaysia
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from Brazil
seen from United States

seen from Türkiye

seen from Türkiye
seen from Azerbaijan
seen from United States
seen from T1
seen from United States

seen from Germany
seen from Japan
@dystopialand
Henri Cartier-Bresson, Italy, Sicily, Palermo, Town Hall, 1971
FROM WOMANIZER BY BRIANNA CAPOZZI (2026)
Brianna Capozzi, Chloë Sevigny, Edgewater, NJ, 2014
Igor Shcherbakov - Lovers. Two On The Bridge
filthy, filthy read
Irving Penn. Perú. 1948
Irving Penn, Summer Sleep, 1949
Dye transfer print
Pace Gallery
Tennis in Positano
Thelonious Monk performing at the Newport, New York, 1975. Photo Burt Glinn.
“I wanted to lick so I did.”
— A Japanese policeman has been arrested for licking a woman’s hair - Herald Sun
““You will be interested to hear, Hilary, that it [the drug] had a most remarkable effect — even on Selena after a very modest quantity. She cast off all conventional restraints and devoted herself without shame to the pleasure of the moment.“ I asked for particulars of this uncharacteristic conduct. “She took from her handbag a paperback edition of Pride and Prejudice and sat on the sofa reading it, declining all offers of conversation.””
— The Shortest Way to Hades, Sarah Caudwell
Bathroom floor is a mini pool.
Happy 100th, David Attenborough.
In 1955 with his son Robert and a coatimundi.
The Mermaid Fountain in Urayasu, Japan
these are the mermaids in the slytherin common room in hogwarts legacy
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.