…As shifting forms become clarified through studious and critical practice, the viewer is left with a summary of the inaccuracies of existence.
The high white walls of a defunct factory make the small, black-and-white description shrink into an idiotic footnote to a piece of art that, in reality, constitutes a mess of swirling colors that does not in fact become clarified through studious and critical practice. She skims some more text on the ephemeral nature of the human condition being represented in the conflict between red and blue. Dominant and passive forever in conflict. Jealousy being the sublimation of sexual desire (Although that one seemed legit, she had heard about it in Psych 101. Or maybe an English class. Somewhere reputable anyway).
She turned around. A thoroughly nondescript man stood. Was there something in the curl of his lip? She couldn’t remember now. For now, let’s say he stood. Simply that. She doesn’t look at him.
“Come on. You think something. Everybody does.”
He moved a few steps to her side. He looks up at her. She’s not that tall.
“I think the description’s interesting.”
“Don’t look at the description. Everybody does.”
She looks. It’s red and blue. And probably bullshit.
“It combines emerging sexuality and UFO sightings.”
“That’s where you’re going?”
She looks again for the cruciform. All she sees is a beam of light and a confusion of squiggles.
“You don’t know. No body does.”
Who is this guy? “Who are you?”
“Come to lunch with me. The café has good sandwiches. We’ll get coffee.”
“Does this ever work for you?”
“Because I got you to look at the art. And you seem nice. And life is short.”
“And I’m an idiot.” He finishes.
She does not go to lunch with him. This is probably smart. There was definitely something in his eye. At least there was in the newspaper the next morning. He slashed a cross in bright green into “Subliminal, Extraterrestrial, Crystallization”