you can just tell love, simon (2018) dir. greg berlanti was directed by a gay man and the half of it (2020) dir. alice wu was directed by a lesbian woman, see when you let LGBT people create LGBT stories legendary things happen

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Sweet Seals For You, Always
trying on a metaphor
Cosimo Galluzzi
dirt enthusiast

Kaledo Art

oozey mess
Three Goblin Art

★
almost home

Andulka
Not today Justin
sheepfilms
Sade Olutola

shark vs the universe
h

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styofa doing anything

pixel skylines
"I'm Dorothy Gale from Kansas"

seen from Netherlands
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@earth-to-echoo
you can just tell love, simon (2018) dir. greg berlanti was directed by a gay man and the half of it (2020) dir. alice wu was directed by a lesbian woman, see when you let LGBT people create LGBT stories legendary things happen
hey can someone please shoot me in the head
Honestly, being a lesbian is the best thing that has ever happened to me like... imagine Not Being a Lesbian... devastating
I woke up at 2 am, made this and fell back asleep
sex education season 2, episode 4
Jed portrayed the shapeshifting alien taking the form of a Norwegian dog in John Carpenter’s The Thing (1982). Jed was half-wolf, half Canadian malamute, and according to Carpenter, was an excellent animal actor—after becoming familiar with the cast and crew, he would not look at the camera, crew, or dolly during scenes. Jed’s quiet manner perfectly reflected the alien’s unsettling nature. Jed would go on to act in a few other movies, and lived on his trainer Clint Rowe’s animal sanctuary until his death at age eighteen—quite old for a dog of his breed.
literally where is his oscar
Character on tv show: *gets ribbed for not having sex*
Me, knowing that this will be treated as a character flaw and they will inevitably be in a sex scene to show “character development”:
I have waited ALL FUCKING YEAR TO POST THIS
Santa is coming tonight.
@alltheshit-althetime
THE ONLY CHRISTMAS POST I DON’T BLOCK
dancer is my life
YES HERE IT IS, JUST IN THE SAINT NICK OF TIME
someone: hey how are u?
me, in the same exact tone and rythmn as the penguins of madagascar: tired and gay, boys. tired and gay
GUYS LISTEN I THOUGHT OF A NEW AU
we are already living in the cyberpunk future and i know this because within a span of 3 days we went from this tweet:
to thousands of people making phony images and replying to them with their passionate desire to have them as a tshirt to overload the bots with nonsense and junk and send out warnings to shoppers like this:
and now we even have people replying to pictures of baby yoda with “i want this on a tshirt” knowing how ravenous disney is being with copyright in hopes to get the stores taken down altogether
i dont know what it is about stuff like this and the whole turn mei into a symbol of hk protesters thing but, its really reassuring for some reason
And the next step…
https://teezyli.com/
Holy shit y’all look at the front page of the site right now
Oh my god
Anyway, I just emailed [email protected] to report the site for very evilly stealing Disney’s IP! Because obviously that is very evil and bad and shit.
I’ve never seen such a perfect example of fighting fire with fire.
Holy fucking shit
Incredible.
90% OF THE SHIRTS UP ON THE FRONT PAGE ARE LIKE THIS, THIS IS AMAZING
how i sleep knowing i will pirate every single thing released on disney plus
how y’all gonna sleep after your computers are infected with a bazillion viruses and the feds gon’ bust your asses
how i sleep when I'm pirating disney with a vpn and anti-virus protection.
How I sleep after pirating everything from D+ while using an antivirus, VPN or proxy, and a cantenna to rip off the free wifi at Downtown Disney. If you can’t get wifi directly from the house of mouse McDonald’s will do.
How I sleep knowing I’m pissing off all the Disney bootlickers by pirating:
Oh no! What a terrible thing to do, this information should't be spread by reblogging it, that's for sure.
Okay, I have to admit, using Disney's own wifi to pirate Disney Plus shows is a stroke of absolute GENIUS
water signs sense the slightest shift in your energy even through text and are like “vibe check failed, explain now”
Animals With Unusual Color Mutations ❤️
ʙɪᴄᴏʟᴏʀᴇᴅ ᴘᴇᴀᴄᴏᴄᴋ
ᴋɪɴɢ ᴄʜᴇᴇᴛᴀʜ
sᴘᴏᴛʟᴇss ᴄʜᴇᴇᴛᴀʜ
ᴘɪᴇʙᴀʟᴅ ᴄʀᴏᴡ
ʙʀᴏᴡɴ ᴢᴇʙʀᴀ
sᴘᴏᴛᴛᴇᴅ ᴢᴇʙʀᴀ
ɢᴏʟᴅᴇɴ ᴢᴇʙʀᴀ
ɢᴏʟᴅᴇɴ ᴛᴀʙʙʏ ᴛɪɢᴇʀ (sᴛʀᴀᴡʙᴇʀʀʏ ᴛɪɢᴇʀ)
ʙɪᴄᴏʟᴏʀᴇᴅ ᴄᴀʀᴅɪɴᴀʟ
ʙʀᴏᴡɴ ᴘᴀɴᴅᴀ
ʙʟᴏɴᴅᴇ ᴇʟᴋ
ɢᴏʟᴅᴇɴ ᴍᴏɴɢᴏᴏsᴇ
ᴇʀʏᴛʜʀɪsᴛɪᴄ ʙᴀᴅɢᴇʀ
ᴇʀʏᴛʜʀɪsᴛɪᴄ ʀᴀᴄᴏᴏɴ
ᴏʀᴀɴɢᴇ ᴀʟɪɢᴀᴛᴏʀ
ᴘɪᴇʙᴀʟᴅ ᴍᴏᴏsᴇ
ᴘɪɴᴋ ᴅᴏʟᴘʜɪɴ
ᴘɪᴇʙᴀʟᴅ sǫᴜɪʀʀᴇʟ
ᴘɪᴇʙᴀʟᴅ ᴅᴇᴇʀ
sᴛʀᴀᴡʙᴇʀʀʏ ʟᴇᴏᴘᴀʀᴅ
ᴇʀʏᴛʜʀɪsᴛɪᴄ ʙʟᴀᴄᴋ ʙᴀᴄᴋᴇᴅ ᴊᴀᴄᴋᴀʟ
Shiny Pokemon
it’s kind of incredible how much pixar has backpedaled over the last couple of years, from the standpoint of character design
these were the kind of characters designs they had when they did their first movie with humans as their main cast
despite being cg all of the characters are visually distinct from each other and they look like 2d figures translated into a 3d environment
now it’s just???
all their human characters kind of lack that visual distinction and they’re all just? cute?
Alright, I wasn’t gonna comment b/c it’s kind of a waste of time, but I see a lotta folks tryin to pass off “Incredibles” designs as ‘an attempt to avoid Uncanny Valley with primitive tech’ or ‘resembling comic book art’, and a lot of other…. un-design-savvy comments.
Brad Bird had come from a background in traditional animation, he’s the guy behind this
So Lasseter (Pixar) rings up Bird like “Hey you wanna make a CG movie with us” and Bird’s like “Yeah, lemme bring my guys”, artists like Lou Romano, Teddy Newton, Tony Fucile, and Albert Lozano, who worked with Bird previously.
This may have been Pixar’s first production to feature an entirely human cast, but I think mostly what the excellence in designs boils down to is simply good artists with good taste.
And then have the fantastic designs in “Ratatouille”, also by Bird and his boys
We’ve also got the film “Up”, directed by Pete Doctor. Animated films rely on several artists for the designs of characters, set, props, ect, but it often leans towards one artist’s work. Putting other artists in charge gives “Up” a distinctive visual difference in style to Bird’s films.
You could place the blame on all these newer movies featuring mostly children characters, but I mean…..
Come on. Way to drop the ball on the chance to play with evolution in a fictional, animated setting. The issue isn’t what the tech was or wasn’t, is or isn’t capable of. This comes down to the artistic choices.
Anyway, I wish I could get more in-depth with this, but it’s difficult to find the information I need online in a timely manner, and I don’t have my books here with me.
If you’re interested in the designs/work that goes into animated films, check out the “Art Of __” books. The older ones I mean, that have actual raw concept art done for production and not just a bunch of cutsie drawings of characters b/c that’s what sells.
The difference between then and now is simply that Pixar was bought out by Disney, and is now one of Disney’s biggest money-spinners. They make superhero movies focus-grouped for boys, princess movies focus-grouped for girls, and since Pixar movies are supposed to appeal to both those genders equally you get, well, that. A neutered, generically cute art style that lends itself to big-eyed dolls with brushable hair and cute animal plush toys that make noises when you squeeze them. I’ve said it before and I’ve said it again; Disney (and by extension, Pixar) don’t make art any more. With a few scant exceptions they haven’t made art for decades. What they make is money. What they’re selling is a brand. Their last few passion projects spent years in development hell, hemorrhaging money the entire time, so what would eventually become Tangled, Frozen, and The Good Dinosaur ended up as bland and generic simply to recoup some of that enormous loss. And by being bland and generic, they ended up turning a massive profit, so you can expect that trend to continue. A corporation that sells everything from kid-friendly cruise holidays to mickey-themed wedding packages is not going to make art. A studio that’s so creatively bankrupt that it’s now rebooting every good movie it’s ever made is not going to make art. If you want art, look to smaller studios (Laika, Reel FX), smaller, lower-budget projects (Captain Underpants), and anything that Hollywood considers ‘risky’. Expecting Disney (and Pixar) to make anything that doesn’t blandly appeal to everyone at this point is like expecting blood to come out of a stone.
#reblogging this makes me feel like a boomer complaining that everything used to be better when i was young
Nah, there’s more good content, real art coming out now than ever before, it’s just not coming out of Disney.
it's dark cold time again , y'all know what that means!! my brain has to ration its 3 serotonines over the span of half a year!! yay