[clonist]

something I very much needed to read today

[e-n-d-a-s-h]

Liz Toohey-Wiese, 2024.

"A sign installed in the largest wildfire burn I’ve ever seen, along the BC/YK border. Borrowing the aesthetics of BC Recreation Site signs, once again pointing to the overlaps of outdoor recreation, resource extraction, and the consequences of the climate crisis. Most recreation sites in BC exist along previously built logging and mining roads.

“Forced into a great and difficult transformation” was a line I heard in a lecture on Buddhist philosophy I was listening to on my drive up north. But it became another mantra I thought about while living in a place that’s been utterly transformed by resource extraction over the past century, and as I thought about the burnt landscapes I drove through."

More here.

[supersonic-slicer]

type xi

[weepingwidar]

Daniel Santangelo (Ethiopian-Eritrean-Italian, 2004) - Beher & Ashtar (2023)

[miamaimania]

“Reflective Color Play” (1979) ~ An exploration of light and texture on crumpled foil

[omnia-mors-aequat-nstrwa]

Joseph Plateau — Phenakistoscope art (1887)

[beguines]

Catherine Pierce

[wovi]

[weepingwidar]

Natalia Kleszczewska (Polish, 1999) - Obsydianowa Żaba (Obsidian Frog) (2024)

[huariqueje]

Índex blau - Antonio Barahona , 2026.

Spanish , b. 1984 -

Oil on wood , 120 x 180 cm.

[smsomah]

House of the Habott family, Mauritania. Scanned from the book Sahara; Jean-Loïc Le Quellec; 2004; photos by Tiziana & Gianni Baldizzone

[modelsof-color]

Naomi Apajok by Txema Yeste for Número France Magazine Summer 2023

[earthlyblur]

a simple 2 tone sunset 💜

[redlipstickresurrected]

Gillian Carnegie (British, b. 1971, Suffolk, England, based London, England) - Clement, 2022, Paintings: Oil on Canvas

[centuriespast]

GIOTTO St Francis Points to Death c. 1320 Fresco North transept, Lower Church, San Francesco, Assisi

[folklorespring]

Mirror Fence by Alyson Shotz

[atrusovaartist]

Acrylic on canvas 60*50 cm „The Lighhouse Between Sunset Sparks“ 2025