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@eightbithannah
A dog can be your best friend, but a cat will never tell the cops where you’re hiding your pot.
im her
Me too
Marsha speaking for us all
Amanda Seyfried by Sebastian Faena for Elle UK, July 2018
i identify as a bottle of red wine smashed on the tile floor of a grocery store
Don’t mind me, just trying to look cool on the internet ✌🏼 (at Oxford, Mississippi)
me snapping out of a depressive episode, trying to clean up the mess
Literally me rn
omg
OH MY GOD
You’re so sweet I hope you know how much I love you
Can we talk about how the Deadpool movie, which the media has largely referred to (in so many words) as a fuckboy’s wetdream, not only gives a female sex worker an empathetic role, but treats her and her work more respectfully than about 99% of so called feminist media?
.
At no point does the movie imply that Vanessa is tainted because she is a sex worker. At no point does the movie imply that Vanessa is unworthy of love because she is a sex worker.
At no point is Vanessa portrayed as “broken.”
At no point does the movie imply that being a sex worker makes Vanessa a bad girlfriend. At no point does Deadpool ask or expect Vanessa to sacrifice her job for their relationship.
At no point is Vanessa slut-shamed for her job, by either protagonists or villains.
Think about that.
Denigrating sex workers is so taboo within the Deadpool movieverse that even the villains won’t do it.
We know that Vanessa experienced sexual abuse, and that it’s shaped the person she’s become and influenced the choices she’s made. The movie clearly acknowledges that sexual abuse is real, and that it is damaging, and that people who experience sexual abuse struggle to lead “normal” lives and get “normal” jobs.
But the movie never hands sexual abusers the mic.
There is no sexual abuse porn in this movie. There are no voyeuristic rape flashbacks. There are no misogynist monologues. The audience learns about Vanessa’s abusive past from Vanessa, on Vanessa’s terms, through Vanessa’s own words.
This seems like the bare minimum of dignity any female character should be granted, yet so much media fails to meet this extremely low bar.
The movie makes it very clear that Vanessa has a life outside of sex work. She does not live on a stripper pole. Sex work is something Vanessa does. Sex work is not who Vanessa is. She has an apartment. She wears pajamas. What other fictional universe can say the same? I can think of one tv show, but that’s about it, and that show’s viewership is nothing compared to Deadpool’s.
Now on the one hand, I’m not necessarily happy that Vanessa’s character arc revolves almost entirely around her romantic relationship with the lead male protagonist. But on the other hand, I find it very refreshing to see a sex worker in the media whose character arc does not revolve entirely around the fact that she is a sex worker. Hate to say it, but for sex workers in the media, being relegated to the role of love interest is actually a step up.
Most feminist media would rather pretend sex workers don’t exist than write storylines of any kind for them.
This.
And the people who call Deadpool a fuckboy’s wet dream sure as heck didn’t watch the same movie I did.
The movie has:
A very funny moment in which the joke is on those who assume that sex workers have abusive pasts, not on the sex worker. (The comparing abuse thing gets ridiculous enough that they’re both clearly lying).
The male lead repeatedly posed in female come-on positions. This one is my favorite:
He’s even on a bearskin rug in front of a fire. The humor in this pose is “Haha, isn’t it silly to pose a character like that.” It’s designed explicitly to make people think about how commonly female characters are shown in these kinds of ridiculous poses. Going to tell me that’s not a feminist visual joke?
An under-age female character who is never sexualized. Yeah, this girl
Look at that. A practical costume, her breasts are minimized rather than emphasized. We only see Negasonic Teenage Warhead as badass, not “cute.” And she’s treated like a teenager, not a child or an adult.
Oh, and Deadpool doesn’t rescue Vanessa in the end. He throws her a weapon so she can rescue herself. Which she does, because she’s badass.
I’d actually call Deadpool a feminist movie, and an important one. Why?
Because they probably tricked an entire bunch of fuckboys into watching a feminist movie ;).
So, why was it so feminist?
Two words: Ryan and Reynolds.
Ryan Reynolds wanted to do this movie. He wanted to do this movie for years. Reynolds is basically a Deadpool cosplayer who managed to convince a movie studio to pay him a lot of money to be a Deadpool cosplayer.
Guess what Ryan Reynolds also is?
A feminist. He says he’s going to push for even more badass ladies in the sequel. (I think we’re going to see Vanessa with superpowers. They had her long enough to expose her to the agent, if not to activate it).
I’d love to see Vanessa with superpowers, and I enjoyed the hell out of Deadpool.
I forgot one, and an important one.
When we are shown the strip club Vanessa works at, it is not filmed the way movies always film strip clubs.
It’s filmed as if we were going to an office. It’s just “this is where Vanessa happens to work.” No low shot angles to show off women’s bodies, no soft porn music.
Just very…matter of fact.
Can we also bring up that Deadpool does NOT shame Negasonic’s name choice? It screams OC but he’s still supportive of it.
Of course he’s not gonna shame it, it’s the best fucking thing he’s ever heard in his life and he’s pissed at himself that he didn’t think of it first.
*british person voice* haha did you Americans know you’re using the word biscuit wrong? you guys really drink cold sweet tea? you Americans are so strange *eats something completely inedible*