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@eightofswords-blog
Blade Runner Concept Art Syd Mead
Well that’s darned purdy.
This survey is for my upcoming nonfiction book about the history of the word "witch" in European/American culture through three eras: 1300-1800 CE, 1800-1900 CE and our modern era.This survey asks questions about your own personal experiences and viewpoints on the word, and whether you feel it applies to you, both as an external label and one that you may have applied yourself. For the intents of this survey, the term "witch" is meant to be gender inclusive.
Thanks!
Flash fiction: Because It Was There
“Thanks.” George Mallory stared into the teacup the Sherpa handed him. He would have no more chances to climb Everest. He was already too old to try, but he determined to do it anyway.
He stood in the small tent and thought for a moment of walking out and pacing for a while to wear off the jitters. But it would take up too much oxygen, and they had used enough of it in the day’s climb. Twenty one thousand feet above sea level and there were still eight thousand feet to go. Oxygen. All he could think about was oxygen.
Sitting back down again, he took a sip of the warm yak butter tea the Sherpas all drank. They called it “goor goor” and told him it was good for him. His gloved hands dwarfed the little teacup as he raised it to his mouth.
“Now, Mallory, really.” Irvine pushed aside the tent flap, already talking. He was always talking, always wasting oxygen. “You really should reconsider. Finch used it, after all.”
“But it’s completely unsportsmanlike.” Mallory drained the teacup and set it aside, wincing as the hot, buttery liquid settled in his throat like a hot lump. He swallowed. “We can’t use oxygen. Not like that.”
“Then, for heaven’s sake, why did we bring it with us?” Irvine stomped the snow from his boots and rubbed his arm.
“For an emergency.” Mallory said. “Only for emergencies.”
“Well I’d say this is a bloody emergency.” Irvine said. “Look, I’ve made adjustments to the tanks; they’re going to work just fine now.”
“They were fine earlier.” Glancing at the Sherpas who watched them with lidded eyes, Mallory bit back the resentment in his voice. It wasn’t fair to Irvine to snap at him like this. They would only have one chance to get up the mountain before the season ended, before they went back to England and he would be too old to try again. “Look. The climber does best to rely on his natural abilities, which warn him whether he is overstepping the bounds of his strength. With artificial aids, he exposes himself to the possibility of sudden collapse if the apparatus fails.”
“But they won’t. They’re even better now.” Irvine smiled.
“Look, I appreciate your concern, Irvine, but this is going a little too far.”
“Shouldn’t we though? We’ve tried everything else.”
***
Mallory looked at the mountain, shimmering in the brilliant sun. He wore tinted goggles to prevent him from becoming snow blind, but still the sight dazzled him. The mountain that had confounded so many tantalized him. He had to get to the peak, he just had to. And he had to do it now. He was getting too old for this business.
When he had left England, he had promised that he would surmount the biggest obstacle in the world. He still meant to. But the air… he took a deep breath, feeling the cold as tiny icicles in his lungs. There was so little oxygen.
Turning back to the camp, he trudged to his tent. Irvine was there, holding an oxygen canister in his hands. “Look, Mallory, didn’t I tell you?”
“Yes, Irvine.” Mallory sighed, feeling the oxygen leave his lungs, precious oxygen. It was all he had left, that and his pride.
***
Mallory struck his pick into another snow bank, taking a breath of oxygen from the tank. Precious oxygen. It saturated his lungs, made him giddy. He glanced back at Irvine and frowned. The man lagged behind, his mask pressed to his face.
They had made progress in the past hour, climbing higher and further than any had in the past. He pulled out his altimeter and glanced at it. They had made it past the furthest height ever traveled by man. Despite the freezing wind that tried to pull him from the side of the mountain, despite the oxygen he needed to breathe so desperately, a small flare of accomplishment warmed him.
He turned again to look back at Irvine and saw that the man had disappeared. The rope between them tugged sharply. Panic arced through him like lightning. Bracing against a rock, he stood from his crouched position and peered down the incline.
Irvine lay on a cliff several hundred feet below Mallory’s position, bleeding from his head. He tried pulling on the rope between them, but he couldn’t get purchase on the side of the mountain.
He should go back to the base camp, get some help. If they approached it from another angle, they would be able to retrieve the body, at least.
And yet… he glanced up at the summit. He knew distances were deceiving at these heights, but it looked so close… so close.
Mallory staggered to his feet and picked up his pickaxe. The summit was so close. He could make it. If he just made it, then Irvine wouldn’t have died in vain. They would be famous, together. The first men to reach the summit.
He cut the rope and began climbing.
His oxygen tank lay in the snow.
A woman struggles with her transformation into a werewolf, a man is plagued by a beeping that just won't stop, and one woman fights to survive in a post-apocalyptic world. People look for love, are torn from love, and sometimes learn to leave love behind. The world is reshaped and remade in four hundred words or less, reflecting the plights and triumphs of people throughout every genre. Handwritten is comprised of one hundred and twenty three stories previously published as part of a years-long blogging endeavor by the author. Each story was handwritten first in a diary, and then typed for her blog. Comprised of flash fiction and vignettes, these stories range from science fiction to fantasy and everything in between.
Hello tumblr peeps! It's finally here! A collection of the best flash fiction from this blog for the past year. So if you want a copy of your own, get 'em while they're hot!
The world of tea is varied and filled with history and tradition. But this doesn't mean that tea has to be intimidating or overly complex. Rather, it can be a wonderful diversion, a lifelong occupation, and a comforting ritual. Drink the Tea is a guide to the basics of tea history, tradition and enjoyment as well as a tea journal to guide your journey into the world of tea. Will you drink the tea?
My new nonfiction book is now out, and available for sale!
Spread the word! Charity Anthology
Strength From Within: Stories of Recovery to Fund Ashbury House
Recovery from addiction requires strength, and through strength can come recovery. But not all strengths are the same, nor are all addictions. Strength From Within aims to examine addiction and recovery through the lens of fantasy. With fifteen stories of bravery, strength and resilience in the face of addiction and recovery, this anthology showcases established authors as well as up and coming talent.
All profits are to go to Ashbury House. The support from this project will go to give Asbury House a home in Fort Collins, CO and give dozens of women the space to learn their strengths and build on them to recover.
“The mission of Asbury House is to provide a safe, holistic, and healthy physical environment where women are empowered to collaboratively develop their healing process keeping in mind their relationships with their families, communities, and environments, so that they are able to make more meaningful choices and achieve successful relationships, life goals, and economic productivity on their chosen paths.”
With your help, this project can bring hope and help to women who truly need it.
Original material, no reprints will be accepted. Do not use non-original characters and/or copyrighted characters. Romance is fine, erotica is inappropriate for the anthology. No rape, no excessive violence.
Word count 2-6K, query for longer.
Payment is a flat $25 per story.
Submissions open from July 27th through October 31st.
This will be funded through a project on Indiegogo, more information to follow.
To submit, email your submissions to strengthfromwithinanthology [@] gmail [dot] com. Questions and queries may also be directed to this email.
For published pieces we take First Print and/or Electronic Publishing Rights. Bear in mind that most publications will not publish pieces that have been published in print, eBook, or on the web, so for all intents and purposes after your work is published by us it can only be marketed as a reprint, which severely limits the number of markets that will accept it, and drastically reduces the pay rate it can receive. It is up to you, the author, to decide if publishing your work in print and eBook, giving up your First Publishing Right for a token payment, is really what you want to do.
Feed the Readerfish, or, Doing it Right
For those of your who read my post yesterday, here's an update.
Infuriated by my treatment at the state university, I nevertheless decided I was going to look elsewhere. Surely, I told myself, not all colleges could be like this. Surely there must be someplace where speculative fiction is taught and embraced? I had heard of such mythical places, but most of them were beyond my reach.
Until I went to look at Regis University.
Now, I had gone here for my undergraduate and loved it. But for some reason I had gotten it in my head that their College for Professional Studies didn't have a MA for creative writing.
However, I saw, to my delight, that their online/adult learning MAs had a listing for creative writing. Further, I saw that they not only had practical classes on the nuts and bolts of writing, they also required classes on ethical topics and offered a multitude of other classes pertinent to my writing interests (among which: Jungian Dreamwork... perfect for fantasy writers).
Nevertheless, it was with some trepidation that I called them. I had, after all, just been sneered at quite vociferously by a state college. Perhaps a private college wouldn't be any better?
When the woman picked up the phone and asked me how she could help me. I told her that I was looking into getting a Masters in creative writing and that I was a published speculative fiction author. Her response? "We'd love to have you, how about I get you in touch with a professor who can answer all of your questions?"
Holy Moly.
And she wasn't kidding. She put me in touch, via email, with a professor in charge of the program. His response was (and I paraphrase and translate into internet speak) "ZOMGS! You're awesome! Let's do this!"
Now that's what I'm talking about.
See, here's the thing. Students are customers of Universities and Regis has it right. They are concerned with teaching and providing an excellent learning experience for the student, not with high-level elitism that speaks only to a petty mind and loss of vision.
Regis' classes are focused on getting you writing, getting you thinking and (shock!) getting you marketing.
Heck yeah.
So I know where I'll be going.
(also, to Depthlessperception and Punderwall, thank you for your lovely comments as well as your support and encouragement. You guys are the reason I keep wriitng. Seriously. You're awesome.)
Feed the Readerfish, or, You're Doing it Wrong
So for those of you who missed it, I called up the MFA program at a local state college today to ask a couple simple questions about whether they accepted genre fiction for the submission as well as to find out what they required as part of the thesis.
Big mistake.
Even greater was my mistake in believing that they would teach me something worthwhile about the process of being a writer, marketing, and writing well. And all of this was summed up in one phrase, said in the most condescending way possible, "You /do/ know what literary fiction is, don't you?"
Well.
Apparently I don't. Or perhaps I just don't get the point. Because I thought that any sort of fiction was meant to be, you know, read. By readers. Who like reading. What's the point of a degree in creative writing if you don't use it to learn new ways to reach readers?
Growing up, all I wanted to do was write. I wanted to make stories that people would enjoy reading because they were entertaining and, I hoped, would make them think. That's one of the reasons why I chose speculative fiction. Due to its nature, it demands that there be answers to the question of "What If?" Speculative fiction allows us to find other ways to look at our current problems and, perhaps, even come up with solutions in our own lives. There is hope and promise and life and love in speculative fiction, and I would never give it up for a minute.
That being said, there is also a place for literary fiction. It allows us to experience all the joys, the sorrows, the meanings in everyday life. It gives is new perspectives on what it is to be someone else, to live in another person's shoes and see what it's like to be like them. Literary fiction allows us to relate to each other by opening our minds to the reality of other peoples' existence. It is a brilliant and gorgeous and wonderful thing.
But it isn't better, by any means.
The assumption that speculative fiction is worthless is also a horrible, close-minded practice that all but demands a response from those who love it. Not only writers, but also readers. Who read. Who like reading.
Did I mention that there exist these strange creatures called readers? Fiction, I have been told, feeds them and makes them happy. Elitism? Not so much.
Getting published is one of the major ways to feed the reader, because publishing houses and self-publishing outlets provide a means to get our work out there. What I had hoped for was to learn some of the business side of creative writing too. How to improve my cover letters, how to look into getting a LLC, how to manage contracts and look for agents.
Turns out their curriculum doesn't have any of that. And I have a strong suspicion that asking about that would get me sneered at as well.
'Cause here's the problem. Any program that allows only one style of fiction means that they are teaching a way that will only reach one kind of reader. It's like a college of business teaching only hotel management and refusing to even consider any other sort of business endeavor.
I was also told that they concentrate on characterization more than plot. That's great, but for an entire MFA? That's like only eating the cheese on a sandwich. Writing is about all of its elements; that's what makes great writing great, it has a plot that catches the readerfish, characters that make them care, settings that engage them, and themes that make them think. You know, the rest of the sandwich.
As Quincy Allen put it so recently, this is immensely discouraging to writers. Academia should enlighten, encourage, and foster creativity and courage. It shouldn't beat the student down and tell them that they're worthless. We writers have enough of that going on as it is. We don't need to pay someone to do it for us.
Which brings me to a final point. If I were to continue on and apply to this program, what would I be paying for? Someone to tell me that what I've already had published is worthless? That I am not a writer because I write speculative fiction? That I'm not "good enough" because I don't write "real" fiction.
Bullshit. I'll take my money and go elsewhere, thank you. There's plenty of writers groups that foster creativity and growth for free. There's mentors who rejoice in seeing a new generation of writers come to the table. There are conferences and conventions where not only are people like me accepted, but we're welcomed.
And yes, I will be writing speculative fiction, thank you very much. And there will be space aliens, and GLBTQ characters, and dragons, and love and hate and most of all, "What if?'
All right Tumblrfolks, I'm back, but maybe not for long.
I first of all, want to apologize for not posting for so long. A lot of big and complex stuff has come up and to be honest, I just haven't had it in me to work on this project.
Right now I'm working on another couple novels and I might not have time in the future for more flash fiction. I will, from time to time, be posting links to my other work as it appears, so if you do enjoy reading my work, those will probably be the place to go. If you haven't yet, feel free to look at my bibliography where I've posted my currently published work.
In the future, I might be able to begin posting again, either with flash fiction, or maybe a longer novella cut into bite-sized bits. I haven't decided yet.
But for now, I wanted to let you folks know what was going on and to say thank you thank you thank you for liking my writing.
Regards,
Vivian Caethe.
My first book is up and ready for readin! I hope you all enjoy it. :)
No posts for the next couple days, taking a break. :) Be back on Friday!
The miniature leather saddle was the perfect size for a child's imagination. I crouched in the booth of the flea market, putting myself on eye level with the saddle. Nestled between an antique brooch and the crystal chandelier of a dollhouse, it sat awkwardly without a horse to form it, missing its purpose.
Someone had put time and effort into it. The tiny stitches lined up perfectly around the pommel and down to the stirrups. The leather had been worn to make it easy to put on toy horses, used over years of play.
And now it was here, in a flea market, in a generation where toys were rapidly being moved to virtual environments. Part of me wanted to smile fondly and move on. What would my niece do with it, anyway? It didn't have a USB port or wifi.
But there was something about it that stuck with me, reminding me of her. Maybe it was because we played horsie when she was younger, though that seemed too pat for the déjà vu that rocked me back on my heels.
Reaching out, I touched it. The world twisted and wavered.
I blinked, on my back, with the world warped. Everything stretched far away from me; the ceiling reached impossibly high. I tried to get up, but my legs wouldn’t respond. I fell, landing next to the saddle that was now big enough for me to ride.
Immense footsteps beat against the floor like an earthquake, a voice sounded like the roll of thunder. I looked up to see a man reach down for me. His immense smile stretched across his face as he picked me up. His words, when I deciphered them, chilled me. "One more for the collection."
"What's in the box?" Susan asked, rubbing her arms and looking around the empty basement. James pulled the sole, small battered cardboard box from the otherwise bereft shelves.
"I…well, it's hard to explain." James looked down at the box, refusing to meet her eyes. "I just…"
"Is this one of those things like in the movies? Do you have a collection of human thumbs in there?"
"What? No. Gross." He wrinkled his nose. "What's wrong with you?"
"You're the one being all mysterious with the box."
"Do you remember when we first met?" James sat on the stairs and put the box next to him.
"We should get back upstairs." She looked back toward the basement door and the party she could only vaguely hear. "We don't want Simon thinking I've run off with you, do you?"
"Do you remember?" He opened the worn cardboard flaps.
"Of course I remember." Susan folded and unfolded her arms. The cold moldy smell of the basement made the back of her throat ache.
"It was January." He reached into the box, then paused to look at her. "You had snowflakes caught on your eyelashes."
"I said I remembered." She rubbed her arms. Simon would come down the stairs any moment now to see what they were up to. Usually he refused to let her out of his sight. "Is this some sort of game?"
"No, it's very serious." He pulled another box out of the cardboard box. Paua shell inlaid the teak panels of the second box, shining under the bare light bulb. He cast aside the cardboard box and faced her, holding out the teak box like an offering. "Here, take this."
"Why ever for?" Susan folded her hands behind her back. The box glimmered slimily in his hands. If she touched it, she knew it would stick to her hands. Her skin crawled.
"Because I asked you to." He looked at her, "Are you all right? You're acting weird today."
"I'm acting weird? You're the one who dragged me down into the basement, away from the party, to look at a box."
"My grandfather brought this box back from the north pole." James said, sliding the top of the box to the side. Frost rimmed his eyelashes, glittering behind his glasses. He put the top to the side as fog poured forth from it. It had to be dry ice.
His eyes reflected the colors of the box, the hues swirling in his icy blue gaze. She backed up toward the stairs, averting her eyes from the light. The basement's increasing cold shivered down her spine. This had to be a joke, some sort of un-funny post-Halloween thing.
Singing came from somewhere, high pitched hums and guttural rumbles. Susan put her hand to her throat; the sound was coming from her.
Panicked, her lizard brain left her consciousness behind like a useless tail. She took the stairs two at a time. Run fast, run far, run away, run away, run run run.
Grasping the doorknob, she tried to turn it. When had he locked it? How had she not noticed? She rattled the knob, her heart thumping through her palms to the stoic brass. The beat reverberated through the door, through the walls. Dizzy, she braced herself between the door and the rail.
Holding the box like an offering, James ascended the stairs. Strange shapes moved in the box and it was suddenly too small for whatever it held. Her throat sang again, and she understood the words. Oh Frozen One, oh Majestic One, oh Mighty One. Her soul recognized them, reverberated with them. She refused to accept them.
James bowed before her. "Awaken, oh Majestic One. Awaken and rule your servants."
The door behind her opened and Simon stood there. Susan turned to him, her eyes pleading, not trusting her voice. He bowed as well. "Oh Frozen One. Bless your servants with your visage."
The fog roiled around her feet, freezing her with its touch. She knew she would have to look in the box. Any moment now she would look and when she looked she would be lost. This thing in her soul, this thing in her throat, would take over.
"What's in the box?" Susan whispered.
The itch grew unbearable as he paced back and forth between the armchair and the window. He needed to check on it. He knew he should, for his sanity, to make sure they hadn't found it yet.
He sat down in the armchair his hands on his knees, forcibly holding himself in the chair to keep from standing up and checking the window again. He'd seen the shows, he knew that they would be watching him, waiting for him to lead them to the evidence. All he had to do now was to sit and do nothing, to wait them out, then he would get the money. Then he would be free to do as he pleased.
It was an accident, at first. But as he had struck again and again, his determination had solidified. He would be free of the incessant nagging, the sullen looks, the sheer onus of it all. He would be free to do as he pleased, to meet whomever he pleased, to do whomever he pleased.
He told her he wasn't able to have children, but he had gotten a vasectomy a year into their marriage. He had known even then that he didn't want to be tied to her any more than he already was. There was being legally tied, and then there was genetically tied.
It had been a relief, a bloodletting like the ancients had once used to get rid of the vile humors. He had freed himself of the vile woman and none were the wiser.
But he had to check, he had to be sure.
He stood again and paced. The police would know. He knew that he shouldn't. But what if they had found her?
It was one of those ideas that seemed like a good idea at first, but devolved rapidly into something quite unlike the original plan. Or at least, sweltering in this little tunnel, with a face full of Helen's posterior, it had gone terribly, terribly wrong.
"I think I'm stuck." The cascade of sand between us muffled her voice as she wiggled backward. Frantically, I scuttled back as well. We were close, but not that close.
I made it back five feet before the claustrophobia hit again. It had been off and on all morning, coming in waves as we dug our way under the city streets. It had been an infallible plan, the sort of inspiration that comes after a night at the bar, the two am brilliance of a plan not very well thought out.
Our grand plan had been to try to tunnel under a bank and see if we could get us some of that money we had heard so much about. We figured that no one had done it in so long that the banks wouldn't be prepared for it. It was incredibly clever of us.
The problem lay in the fact that we had no idea how to dig a tunnel. Our initial effort collapsed on us, leaving us dirty and dejected. But we had committed to it and neither one of us was going to flinch first.
But I definitely felt like flinching now. I felt like curling up in a ball and waiting for the police to find us. I felt like trying to turn around and crawling back home with nothing to show for my day but a scraped elbow and dirt in my hair.
As I caught my breath, Helen had extricated herself and was industriously digging again. Her shovel thumped into something hard. "I think we're here."
"We are?" I inched forward to look past her.
"I think we are." Breathless with excitement, I could barely hear her. Maybe it would be worth it after all.
"How do we get through the concrete?" She asked.
My enthusiasm deflated. We didn't think of it that far. I curled up and waited for the police to arrive.
Anxiety twisted in his esophagus, draining down into his stomach with an almost palpable drip drip drip. He sat in his living room, nestled as deep as he could get in his comfiest armchair. It was easier to sit here, to not think about it.
They'd found the orbs in the basement of an ancient temple, and so of course he had to take one home. He had smuggled it in his luggage, and none of the border patrol had been the wiser. They had been looking too hard for drugs.
And now here he was, with it. It sat on the coffee table in the center of the room, on one of his grandmother's antique plates. He had inherited it, and at the time it had seemed like a good place to put the orb.
But now he couldn't get away from it.
It had started singing the minute he had taken it from the satchel where he had stuffed it. It wasn't a loud noise, but it was persistent. He had been listening to it for a day now, unable to sleep.
The orb glowed now, with a pulsing light that strobed in his eyes when he closed them. The song haunted him; he knew it would follow him even when he went to work. Especially when he went to work. His coworkers would see the guilt in his eyes, would know that he had stolen a priceless archaeological artifact.
He could say that he had done it to study it. To do research on his own. They would understand that, they could forgive that. But the truth was that he had had to have it out of sheer avarice.
He shouldn't have, he knew. But now, now he would find out what had killed the ancient people, what had driven them from their homes. It was the orb, driving him from his home.
It was driving him crazy.
I saw him between the aisles, a flicker of motion out of the corner of my eye that brought the same old anxiety. Was it him? Had I finally found him?
The day is still burnt into the back of my retinas. I see it every time I close my eyes. I see the man drag Jason into his van. I feel the helpless rage of chasing after the man who stole my son, of losing him. I hadn't seen the license plate, and the van was like any other van in the city. The police had shook their heads and said it was a shame, but there was really nothing they could do with so little information.
I glanced at the man again as I paced the aisles. I imagined myself as a hunter. A hunter who sought the evil, the malicious, the perverted. I was righteousness to their sickness.
The torn photograph in my wallet itched in my memory. If I looked at it, I would know it was him Or I would be disappointed again.
Passing the toy aisle, I saw a partially deflated basketball. It was a sign. There had been one there that day too. I had tripped over it, my feet crushing its floppy resistance. I had fallen, chipping a tooth, losing sight of the van.
This was my chance for redemption.
I turned my cart across the space between the aisles, running it into his. "Sorry."
I met his eye and saw no flicker of recognition, no sign of guilt. He extricated his cart from mine with a shrug. "No worries."
As he walked off, the question died on my lips. What have you done with my son? It wasn't him. It never had been.
I sighed and my shoulders slumped. What did I think I was? I was just a tired old man, looking for ghosts.
I glanced up and saw that he had looked back at me. I had seen that expression before. It was him.
I pushed my cart after him, as fast as I could go.