Devastated that rbs were turned off. I need this on my blog.
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@ekko-419-modest
Devastated that rbs were turned off. I need this on my blog.
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
im fuckin crine he DID IT!!!! 😭
So anyways the Pokecology book is really good you guys
Some more highlights :)
Happy make a terrible comic day to all
legalize copyright infringement
to be clear this is a fully sincere political belief that I have. I am pro copyright infringement and in fact anti "asking for permission to make derivative art"
So anyways the Pokecology book is really good you guys
Fuck moon’s taking poison damage
Two World Cup finalists from opposing teams in this fucking picture, this sport isn't real
Context for anyone who is wondering: Lamine Yamal's parents won an UNICEF raffle for a charity photoshoot in which Barça players posed with kids, and 5 month old Lamine happened to get 20yo Messi. Which is like. Literally insane
All these dudes on here have “Dom” in their bio, but there’s no way all these motherfuckers are named Dominic. That name is not that common. You’ve gotta be shitting me. Come on now.
out of touch thursday, but I synced everything.
healthcare professional 🫡
Companies in the 2000s: You wouldn't download a car! Digital copies are still stealing, even if the original copy remains with us.
Companies in the 2020s: That digital copy, which you have paid for, doesn't really belong to you. We're removing it from your library now.
Companies deleting media you've literally purchased is 1000x more realistically "stealing" than digital piracy, you cannot change my mind
people wonder why i want sex work decriminalized. because when an adult consents to sex in exchange for currency, i deserve to be protected if im assaulted. if i agree to set terms and a client violates me, they should be prosecuted without me or other sex workers fearing for our own freedom
now i cant do anything. i just have to block his number, keep doing survival sex work and pray i dont get hurt anymore.
please support your local sex workers. protect us. help spread our voices.