the thing about phone in bed is that it's so awesome. almost makes you feel like betraying & destroying yourself for nothing isn't all so bad
hello vonnie
Cosmic Funnies
wallacepolsom
let's talk about Bridgerton tea, my ask is open
Keni
noise dept.

JBB: An Artblog!

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trying on a metaphor

Kaledo Art

blake kathryn
One Nice Bug Per Day
YOU ARE THE REASON
he wasn't even looking at me and he found me
we're not kids anymore.
Three Goblin Art
occasionally subtle
Sade Olutola
Monterey Bay Aquarium

Andulka

seen from Netherlands

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@ellewluvr
the thing about phone in bed is that it's so awesome. almost makes you feel like betraying & destroying yourself for nothing isn't all so bad
if your circle isnt discussing clavicular and woah vicky….Get real
Dude... allow me to add to your trove.
I have a folder of these on my phone... I'm not sure what that says about me!
It's interesting to think about the intersection of these two facts:
Films reflect the time period in which they were made.
Our most popular films right now are all reboots, sequels, and reused IPs.
On one hand, you could make the case that our generation is being deprived of its place on cultural timeline, because (as far as the mainstream goes) all we're being given is rehashed ideas from other time periods. Seems rather boring to analyze.
But on the other hand, I think future film historians will find that this era is culturally fascinating. Not because of the "nostalgia bait" itself, but because it represents the emergence of independent cinema and streaming.
When TV was invented, people could watch filmed media at home. You no longer had to go to a theatre just to watch cartoons or comedies.
So the studios responded with a wave of epics in the 1950s. They said "Okay, you can get Dick Van Dyke at home, but you can't get Ben-Hur." Television couldn't compete with the budget, big name stars, or visual tech that film studios could offer. They were financially incentivized to blow your socks off with visuals and big name stars.
But with the emergence of streaming and independent film, that's no longer the case. A-listers are happy to take TV roles, and TV offers Hollywood-level visuals. You don't need to mess with the theatre system at all. It's easier than ever to make good-looking movies and share them with the masses with no major studio backing.
So what's the one thing that studios still have going for them? What's the one thing that Disney can give you that an independent filmmaker can't? Yoda. The Little Mermaid. Iron Man. Fucking brands. That's all they have, so that's all they sell.
We aren't being sold reboot after reboot because it's what the people want to see, or because our current culture is somehow more boring and lifeless than ever before. It's because it's the last stranglehold that these soulless studios have over the industry. They will shove your own childhood down your throat because their domination over previous generations is the one thing they have left to sell to this one.
plany off time is a dangerous thing for a woman like me to have
my favorite doctor
callout posts in 2014: this user is sending mean messages to people! please be warned!
callout posts in 2015: this user is stealing bones from cemeteries for witch rituals!
callout posts in 2016: this user Actually A Nazi
callout posts in 2017: this user watches an anime I don’t like
callout posts in 2018: i went through this user’s youtube like history and found a video from JonTron that they liked in 2012, proving that they’re a bad person
callout posts in 2019: this user plays E-Rated Video Games, which are meant for children, which seems pretty sus to me idk :/
callout posts in 2020: this user stole 5 gallons of purified water from the New DC Resistance Camp and was last seen headed towards Sunken Brooklyn
what I REALLY don’t like is this post was made in 2017
My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite. | Romeo & Juliet
rpf actually stands for red pepper flakes
just messing around
I’m getting threatening scam emails from author john green
crossfaded on what no longer is and what remains to be seen
sometimes a woman hurts every man who enters her life because she's awesome
“ableist ageist James Wilson flexing his youthful gait” lighting study
i ship other things but there is something to be said about Mel not understanding Santos' sarcasm so frequently that she just gives up and starts being genuine and honest with Mel to communicate & thereby suddenly bonds with her in ways she hadn't been able to with many other people
you remind me of the unpleasant rice weevil the way youre always sucking up motes of dust with your horrible proboscis and whatnot