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https://www.stonksmememan.com/2020/01/consume-thy-crumbs.html
Snared between the teeth of love, and in them torn apart.
Inspired by the strange story of Guinefort—the greyhound who became a saint.
The SIDH - Iridium (Official Video) Pubblicato il 10 Luglio 2015 ©&(P) Artis Records. “Si ringrazia l’Amministrazione comunale di Zovencedo per aver messo a ...
19th-century Wardian Case
For the last time, necromancy is the art of communing with the spirits of the hereafter. You need to have a skeleton on hand in order to “summon” a skeleton because what you’re conjuring is the malign intelligence that animates the bones. Conjuring the bones themselves isn’t an exercise of necromancy, it’s an exercise of taxidermy.
I feel like the problem ppl have when constructing redemption arcs is people make 'the character realizes what they've done is wrong' the end step instead of like...one of the earliest ones. a satisfying redemption arc doesn't resolve when the character first feels sorry, it resolves when a character has really journeyed towards atonement and made enough change in themselves to achieve some kind of symbolic victory over who they used to be
like any wildlife center we have some animal parts for education purposes but bc they’re irreplaceable we take them home at night and I love walking home along the sea with a seal pelt in my backpack like this isn’t weird I am a Normal Human Person I carry a seal coat by the ocean for Human Not-Transformation Reasons
Okay, obscure pet peeve time, since a lot of stories I’ve read – both professional and fan-written – get this one wrong:
A sanitary sewer is where stuff you pour down the sink or flush down the toilet goes. It has predictable, constant flow, a closed structure, and is typically not human-accessible without excavation unless it’s combined with or routed through a storm sewer (see below).
A storm sewer is where stuff that goes down the drains and gutters in the streets ends up. It has irregular flow (to the point that it may be completely dry for portions of the year, depending on the climate), a non-closed structure that may incorporate open watercourses (e.g., creeks and streams) as portions of its network, and – owing to the need to provide adequate surge capacity during periods of high precipitation – may have main tunnels that are large enough to walk upright in.
In most cities with well-developed infrastructure, these two sewer networks are entirely separate. The pipes that comprise the sanitary sewer may be routed through portions of the tunnels that comprise the storm sewer for ease of access, and breakages or overflow in the sanitary sewer network may result in waste being periodically dumped into the storm sewer, but in general, the kind of sewer you can walk in will have you wading through rainwater, not waste.
Certainly, this doesn’t mean storm sewers are clean – you’ve seen the sorts of things people dump in the streets! – but it does mean your protagonists aren’t necessarily going to get covered in shit just from walking through a sewer.
It’s kind of mind-boggling how much of a free pass the Ancient Greeks and Romans get on the credibility front when it comes to popular histories.
As long as the source is Greek or Roman, we’ll quite happily treat a claim about the ancient world as unimpeachable fact on the basis that one specific guy who was routinely criticised even in his own time for making shit up once off-handedly mentioned having heard it from an unnamed third party.
Meanwhile, we’ll look at detailed first-hand accounts extensively corroborated by multiple unconnected sources who happen not to have been Greek or Roman and go “yes, but what if literally everyone involved was lying about everything all the time?”.
Now that I think about it, The Rise of Skywalker isn’t the only recent big-budget sci fi vehicle that’s suffered from Nonexistent Trilogy Syndrome, is it? The 2018 adaptation of A Wrinkle in Time has the same problem, except in the middle of the film rather than the beginning: it basically gives us the first twenty minutes of film #1, and the last twenty minutes of film #3, and the hour in the middle is a highlight reel of SFX shots from the whole rest of notional trilogy!
@scrapyardnecromancer replied:
Could you please elaborate on nonexistent trilogy syndrome? It sounds right, but I’d like to know more.
It’s when a screenwriter writes a trilogy arc in spite of having only one film to work with, so a large chunk of that one film ends up consisting of a super-fast-paced barrage of dramatic payoff scenes with no setup, resolution, or linking material whatsoever, sketching out what the “missing” two films would have looked like if they actually existed.
People also said this about Jupiter Ascending and the Fantastic Beasts movies. The trend in SFF right now is faster, denser movies that stand up to more rewatching and unpacking. It’s just my impression but it seems like younger kids/teens (who’ve grown up with faster, denser movies and tv) follow these movies fine and don’t have trouble with the pacing.
Denser movies that require more unpacking may be the trend, but that’s really not what we’re looking at here. Some filmmakers may think that’s what they’re producing, but if so, they’re confusing being fast paced with being densely plotted, when the former doesn’t necessarily imply the latter. Indeed, the problem with many such films is that they’re the opposite of densely plotted: rather than being tightly packed, the film’s connective tissue is simply absent, leaving the audience with a series of isolated vignettes and obliging them to play connect-the-dots themselves. The result is a sort of worst of both worlds where a film is at once breathlessly paced and sparsely plotted. It’s the cinematic equivalent of a bullet-pointed outline.
(One frequent symptom of this confusion of fast pacing for dense plotting is the tendency to try and make dramatic callbacks that don’t really work because the thing that’s being recalled is still too fresh in the audience’s mind. The Rise of Skywalker is a great example of this: count how many times a character stops, strikes a pose, and dramatically quotes something a different character said scarcely ten minutes earlier!)
Concept: a multi-stage JRPG-style boss fight, but instead of the villain transforming, their mom shows up.
Okay but it’s multi-stage, not just two stages. Does this mean after you beat the mom, their grandmother shows up and it just keeps going on, possibly with each further mom being more monstrous? Phase 7 you fight an eldrich old woman with 13 wings and 99 eyes while the original boss is like “great great great grandma, you’re embarrassing me”.
You could take it that way, though if you’re going comedic I’d be inclined to go with increasingly obscure maternal-line relatives instead – like by phase four you’re fighting the original boss’ second cousin thrice removed or whatever.
My quickly sketched answer to an ancient and deep question: “What if a t’rex and an ape switched their evolutionary places?”
Came up something not too dissimilar from the first once
This is one of the best additions to a post I’ve gotten. The world requires more theropod apes/post-humans.
Mine ended up just being the world’s weirdest baboon
what about lesser apes and lesser theropods
Cretaceous Ape
Feed Fruit.
The Silver Scrolls: inscribed with the Priestly Blessing in Paleo-Hebrew, they contain the oldest surviving texts from the Hebrew Bible, dated to the First Temple Period around the late 7th Century BCE. [864x581]
Source: https://reddit.com/r/ArtefactPorn/comments/dkuh6t/the_silver_scrolls_inscribed_with_the_priestly/
minions 2 the movie