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jessica - 1992 - USA / mediocre people do exceptional things all the time

[emblematik]

this is literally me writing my summary & tags on ao3

[damndorothea]

i saw this somewhere else but reply / tag what you did today so everyone can see that we all did something different today

[wovi]

[ourquietman]

Last fall, David Ellison, the chairman and CEO of CBS’s parent company, Paramount Skydance, purchased Bari Weiss’s pro-Trump website, the Free Press, for $150 million. As part of the deal he put Weiss in charge of CBS News, where she quickly went to work making the division’s products more friendly to Donald Trump. We don’t need to recapitulate the entire history here; it is enough to note that, as a business matter, Weiss’s tenure has been an abject failure. Ratings are down across CBS News properties. But as a corporate matter, Weiss has been a success. First, as a way of greasing the skids of Ellison’s purchase of Paramount, he publicly signaled that he would give Weiss a prominent role at CBS News long before he bought her. Then, once she was put in charge and started breaking things, she made Ellison’s purchase of Warner Bros. Discovery all the more politically appealing to Trump. Trump publicly praised Weiss, and when Ellison and Netflix got into a bidding war for Warner-Discovery, the president stepped in to thumb the scales and make sure everyone knew that he would approve a sale to Ellison but not to Netflix. So under Weiss, CBS News has been a failure, both in terms of product and business. The journalism at CBS News is getting worse and the audience is leaving. But the particular manner in which CBS News has failed—by broadcasting its obeisance to Trump—has enabled tremendous success by the division’s corporate parent. This is what happens in a command economy when the head of the government picks winners and losers. CBS News no longer exists as a unit whose purpose is to create journalism that attracts an audience and drives revenue. Its purpose is to keep the president happy so that Ellison’s other businesses prosper. It’s not quite right to say that CBS News under Weiss is a charity. It’s more like an ongoing bribe.

Jonathan V. Last via Substack

[bobbole]

Keith Haring, Altarpiece: The Life of Christ

[rocketbirdie]

odd sensation

[funstealer]

Phone booth on 6th Ave near Radio City Hall, NYC, 1970s. Photo by Ernst Haas

[svn-47380]

Annecy

[adelaiiu]

[radioactive-yuri]

me when the character has a uniquely fucked mindset. me when the character's fundamental views of how the world works lead to them being hurt and/or hurting others and not seeing the problem with this. me when the character is a little freak who does weird shit because their beliefs, inspired entirely by their environment, are fuckeddddd

[radioactive-yuri]

[said with so much adoration in my heart it physically hurts] why would they say that. what do they mean by that. why would they do this❤️ [also said while knowing exactly why they'd do this and, in fact, having done hours of analysis into why they'd do this]

[a-quiet-green-agreement]

On the Great American Plains, the summer nights are not silent. The fields sing the summer songs of insects—not individual sounds, but a high-pitched drone of locusts, crickets, cicadas, small chirping things for which I have no names. You drive along the superhighway and that sound blends with the sound of wind rushing through your opened windows, hiding the thrum of the automobile, conveying the impression of incredible velocity. Wheels vibrate, tires beat against the pavement, the steering wheel shudders, alive in your hands, droning insects alive in your ears. Reflecting posts at the roadside leap from the darkness with metronomic regularity, glowing amber in the headlights, only to vanish abruptly into the ready night when you pass. You lose track of time, how long you have been on the road, where you are going. The fields scream in your ears like a thousand lost, mechanical souls, and you press your foot to the accelerator, hurrying away.

– John Kessel, from “The Pure Product,” Meeting in Infinity: Allegories and Extrapolations (Arkham House, 1992)

[rocketbirdie]

anomalous enemy encounter

[havingapoemwithyou]

After many springs by Langston Hughes

[annabelle--cane]

the first law of tragedies: the end is already written and inevitable. the second law of tragedies: your actions are all your own and you can choose to get off this ride whenever you want. the third law of tragedies: we both know that you are never going to do that.

[hazard-symbols-that-fuck-hard]

[hazen-here]

Tell me your secrets

[antlered-vixen]

I am so tired of short-attention-span, trim-the-fat culture. All writing advice these days is for how to write like Chuck Palahniuk. "Cut 'think', cut 'feel', cut 'wonder' - only action, only pushing forward, show and move and move and move." What if I could emulate this style, and still don't want to? What if I want to write like Henry James, with three paragraphs of introspective musings between each dialogue line? The music advice is, "make it shortform, make it Tik-Tok compatible, make it punchy, hit the refrain as soon as possible." What if I want that 10-minute prog rock piece? What if I want that symphony? What if I want it slow and luxurious and lazy? Movies. Series. Poetry. Bodies. Everything is "trimmed trimmed trimmed trimmed, stripped bare, you have three seconds to win me over, make it airport chic." I don't want to win you over, then, I guess. I want the fat left it. I want the pleasure and the indolence and the indulgence. Fuck this art-advice that's always "your art needs Ozempic."