Publicis Groupe SA’s Publicis Worldwide is partnering with Google Inc. and magazine publisher Condé Nast on a new marketing service for luxury goods advertisers, Publicis said Thursday.
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Publicis Groupe SA’s Publicis Worldwide is partnering with Google Inc. and magazine publisher Condé Nast on a new marketing service for luxury goods advertisers, Publicis said Thursday.
Arthur Sulzberger Jr. Unveils NYTimes Native Advertising Strategy in Memo to Staff
“Dear Colleagues,
Early next year we’re going to launch a new digital advertising product at The New York Times. It will be our version of what is sometimes called “native advertising” or “branded content.” It has been developed by our advertising team in close partnership with design and the newsroom, and it will be fully consistent with the values of The Times and the expectations of our readers. We will ensure that there is never a doubt in anyone’s mind about what is Times journalism and what is advertising.
But because native advertising is relatively new and can be controversial, I wanted to take a moment to set out what it is, why we are doing it and how we intend to do it in a way that protects the integrity of The Times.
What is native advertising or branded content? It’s a form of digital advertising that enables advertisers to put extended content in front of readers in the form of information, commentary or “story.”
Why is The Times launching a native advertising product? Because the digital advertising market is changing fast. Although banner advertising will continue to be an important business for us, many advertisers want to find new, more immersive ways of engaging consumers. We expect that native advertising will play a part in helping restore digital advertising revenue to growth – something we need to do to support our investment in the journalism of The New York Times.
Why is native advertising sometimes controversial? There have been occasions where publishers have put native advertising in front of readers in ways that did blur the line between journalism and commercial messaging. We are all determined that this will not happen at The Times, and we believe we have put all necessary safeguards in place to ensure that it doesn’t.
What will native advertising at The Times be like? Our readers will always know that they are looking at a message from an advertiser. There will be a distinctive color bar, the words “Paid Post,” the relevant company logo, a different typeface and other design cues to let readers know exactly what they are looking at. There will be strict separation between the newsroom and the job of creating content for the new native ads. And, we will require advertiser content to adhere to a very high standard of quality.
I believe that our advertising and newsroom teams have arrived at a solution that will provide an attractive new outlet for our advertisers without ever confusing our audience. After launch, Mark, Jill, Andy and I will continue to keep a close eye on these new products, and we will all work to ensure that the collaborative approach that has marked the project so far continues.
As always, I thank you for your commitment to The Times and wish you and your family a very happy holiday.
Arthur”
— Memo from Arthur Salzberger Jr. to New York Times employees on new native advertising strategy via Capital New York
Russell Foster: Why do we sleep? via TED
Stark photos of post-war Paris taken by Ed Clark for Life in 1946 (Source: Time).
Life magazine wrote at the time:
The Paris [of Clark's photos] is the Paris of the Parisians — and of anyone else who will take her. She is unadorned, somber and beautiful. Most of the pictures were taken in mist or rain, when the sharp, clean lines of the city’s spires and the bridges pierce through a curtain of gray. This is the Paris that neither Germans nor GIs could change. Even in the age of the atom bomb, she is as indestructible as the river. (Source: HuffPost)
A possible Thanksgiving greeting card from the NSA?
(Source: Time)
I often think of the fact-checking process as setting off a series of controlled explosions, where it’s much better to have people go off before publication than afterward.
Peter Canby, the head of the fact-checking department at The New Yorker, in The Art of Making Magazines (excerpt: Columbia Journalism Review)
Maxmillian Potter recounts the relationship between the TechCrunch kingmaker and Allen, who later accused him of rape and physical abuse.
This piece on the scandal surrounding TechCrunch Founder Michael Arrington offers an interesting look at--and example of--process journalism: publishing a story on a situation that is still unfolding, and perhaps even helping the situation unfold through the story's publication.
JACK
The Reflektors at the Palladium on Halloween. Incredible show.
You know the feeling: one minute you are naked in public, and the next a piercing racket shatters your dream world, leaving you with baffling shards. It is estimated that we forget 95 per cent of our dreams within five minutes of waking. The founders of a new startup propose to combat sleep amnesia by means of a mobile app, all the while building the world’s largest database of human dreams.
Mathew Ingram speaks with Jim Roberts about Mashable decision, reports that Roberts is "interested in exploring how to use what Mashable does well, including the social web, to expand what journalism means and how it is done."
Jim Roberts on his choice to join Mashable:
Initially at the Times and later at Reuters, I became an insistent, and occasionally nagging, advocate for using interactive tools, social media, video and graphics to augment traditional storytelling techniques. I evangelized the importance of real-time reporting and presentation, and the value that social media and live video could provide. I also recognized the huge power readers and viewers had in helping tell those stories, through words, photos or videos, and how valuable that input could be to the collective journalism. And above all, I learned how important it was for journalists to be active participants in the conversation. Not just to pitch stories and broadcast updates on Twitter or Facebook, but to listen to and talk to the audience. I do it on my own feed, @nycjim, and the journalists I like to follow do it on theirs. In other words, as disruptive as certain technologies have been to the news business, they have created much greater benefits for those of us who make a living as communicators – and for our audience.
Which brings me to Mashable.
Former NYT Executive Editor Bill Keller to Glenn Greenwald:
Pierre Omidyar, your new employer, thinks he has seen the future of journalism, and it looks like you.
This is a heated (yet reasoned) debate between Keller and Greenwald on "objective" vs. opinionated reporting, the role of the press in society, media institutions vs. individual personalities, and whether the new Greenwald/Omidyar venture = the future of news.
Is the Man Who Is Tall Happy?
A mind-twisting, whimsically hand-animated conversation between French filmmaker Michel Gondry (Eternal Sunshine, Science of Sleep) and Noam Chomsky (the "Einstein of modern linguistics," among other things). I saw this last night... it's funny, enlightening and original. A must-see.
Lou Reed in Amsterdam, 1977 and with Andy Warhol in New York, 1978 (via Rolling Stone).
Lou Reed performing in 1970 (via The Guardian).