edited 1/24/26:

if i look back, i am lost

JVL

gracie abrams
we're not kids anymore.

#extradirty

Love Begins
trying on a metaphor
Keni

No title available

bliss lane
Today's Document

tannertan36
I'd rather be in outer space 🛸
wallacepolsom
Cosimo Galluzzi
noise dept.
No title available
tumblr dot com
let's talk about Bridgerton tea, my ask is open
Sade Olutola
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from Mexico
seen from United States
seen from United States
seen from Australia
seen from United Kingdom
seen from United States
seen from United States
seen from United States
seen from T1

seen from United States
seen from United States
seen from United States
@emo--ocean
edited 1/24/26:
greetings from alexa's haus :^)
very good bumper sticker
Millard Owen Sheets (American, 1907-1989)
The Night Herd, n.d.
Watercolor, charcoal and ink on paperboard
22 x 30 in. (55.9 x 76.2 cm.)
Private collection
Playing the Piano Upstairs, Sayuri Ichida
ғʀᴀɴᴄɪs ʙᴀᴄᴏɴ Figure in Movement. 1978. Oil and pastel on canvas: 198 × 147 cm (78 × 58 in).
Last light, Mary Mattingly
Max Ernst, Sea and Moon
"Everything Appears as it is: Infinite" by Alex Dodge
via The Spencer Museum of Art at the University of Kansas:
Material/technique: brail texture; six-color UV screen print Dimensions (Height x Width): 512 x 815 mm / 20 3/16 x 32 1/16 in Artist Alex Dodge made this print with a computer program that builds virtual spaces. The artist wanted to point out the contrast between the geometric human-made tiles and the wavy organic shapes made by the water. The geometric shapes (tiles) were formed by using angle measurements. The organic shapes (waves) were made by taking photographs of waves. Dodge used the computer program to blend the shapes together.
“But beyond self-care and the ability to (really) listen, the practice of doing nothing has something broader to offer us: an antidote to the rhetoric of growth. In the context of health and ecology, things that grow unchecked are often considered parasitic or cancerous. Yet we inhabit a culture that privileges novelty and growth over the cyclical and the regenerative. Our very idea of productivity is premised on the idea of producing something new, whereas we do not tend to see maintenance and care as productive in the same way.”
— Jenny Odell, How to Do Nothing: Resisting the Attention Economy
if i was in an alien movie i'd be luring the xenomorph into a hot wok and adding chili, garlic, ginger, shaoxin wine, scallions, white pepper and sesame oil
serial experiments lio
Summer storms in New Orleans are so wickedly beautiful
Marian Bantjes, sugar poems, 2007