Ulyana Sergeenko SS20 ✦ graphic black eyeliner / beauty editorial
No title available

bliss lane
KIROKAZE
he wasn't even looking at me and he found me
occasionally subtle
NASA

pixel skylines
Stranger Things

No title available

❣ Chile in a Photography ❣
Fai_Ryy

gracie abrams
Aqua Utopia|海の底で記憶を紡ぐ
Xuebing Du

shark vs the universe
hello vonnie

tannertan36
d e v o n
🪼
almost home
seen from United States
seen from United States
seen from Pakistan

seen from Canada
seen from Mexico

seen from Malaysia

seen from Malaysia
seen from Spain
seen from Argentina

seen from Argentina

seen from Argentina
seen from Argentina
seen from Türkiye

seen from Brazil

seen from Vietnam
seen from United States
seen from United States
seen from United States
seen from Italy
seen from United States
@emugod
Ulyana Sergeenko SS20 ✦ graphic black eyeliner / beauty editorial
Jarosław Grulkowski — The Secret Life of Molecules C2 (paper, pastel, charcoal, 2026)
Laura Aguilar is a Los Angeles-based photographer whose work mines the intersection between feminism, body image, queer politics, and latinx identity. Her earliest works depicted latina lesbians in intimate portraits, calling to mind the frankness of Catherine Opie, while her best known series features self-portraits of Aguilar posed nude in the California desert landscape. These photographs are instantly striking, finding in the artist’s body formal elements that echo the landscape itself, as in its doubling here with the giant rock that eludes the frame. Aguilar also forces our gaze onto a body that does not conform to stereotypical images of latinx or feminine identity—a body type that is not so much othered as invisible, despite its ubiquity. The artist originally began to produce these photos as a means of grappling with her own issues with weight and self-acceptance, but quickly came to see them as something more. They offer a profound, ambivalent vision of woman and nature. We see Aguilar dissolve into the landscape in search of anonymity, at the same time that she reclaims the pride and beauty in her body far removed from the society that rejects it.
Laura Aguilar, Grounded #111, 1992
The best movie adaptation of The Odyssey continues to be O Brother, Where Art Thou?
you have destroyed and betrayed yourself for an amazing reason
Cuba in the early 70’s
Walk Like No One Is Driving
seaglass carousel by george tsypin (2015) - nyc
Imagine a bladeless knife with no handle. Now put the handle back. Now put the blade back. Yaaaay! everything okay! Yaaaaaaay!
Fabian Künzel-Zeller
Blossom
It’s Tough Getting Older
holy shit this dude is killing it
Found the comedian, his name is Andy Huggins and here's his NPR interview