ErinFlight

Let me recommend you a book. 

[escuerzoresucitado]

[jawlivari]

dlaine

[srrrokka-art]

Not in the Void nor in the mortal world but somewhere in between...

[imastoryteller]

20 Compelling Positive-Negative Trait Pairs

Here are 20 positive and negative trait pairs that can create compelling character dynamics in storytelling:

1. Bravery - Recklessness: A character is courageous in the face of danger but often takes unnecessary risks.

2. Intelligence - Arrogance: A character is exceptionally smart but looks down on others.

3. Compassion - Naivety: A character is deeply caring but easily deceived due to their trusting nature.

4. Determination - Stubbornness: A character is persistent in their goals but unwilling to adapt or compromise.

5. Charisma - Manipulativeness: A character is charming and persuasive but often uses these traits to exploit others.

6. Resourcefulness - Opportunism: A character is adept at finding solutions but is also quick to exploit situations for personal gain.

7. Loyalty - Blind Obedience: A character is fiercely loyal but follows orders without question, even when they're wrong.

8. Optimism - Denial: A character remains hopeful in difficult times but often ignores harsh realities.

9. Humor - Inappropriateness: A character lightens the mood with jokes but often crosses the line with their humor.

10. Generosity - Lack of Boundaries: A character is giving and selfless but often neglects their own needs and well-being.

11. Patience - Passivity: A character is calm and tolerant but sometimes fails to take action when needed.

12. Wisdom - Cynicism: A character has deep understanding and insight but is often pessimistic about the world.

13. Confidence - Overconfidence: A character believes in their abilities but sometimes underestimates challenges.

14. Honesty - Bluntness: A character is truthful and straightforward but often insensitive in their delivery.

15. Self-discipline - Rigidity: A character maintains strong control over their actions but is inflexible and resistant to change.

16. Adventurousness - Impulsiveness: A character loves exploring and trying new things but often acts without thinking.

17. Empathy - Overwhelm: A character deeply understands and feels others' emotions but can become overwhelmed by them.

18. Ambition - Ruthlessness: A character is driven to achieve great things but willing to do anything, even unethical, to succeed.

19. Resilience - Emotional Detachment: A character can endure hardships without breaking but often seems emotionally distant.

20. Strategic - Calculative: A character excels at planning and foresight but can be cold and overly pragmatic in their decisions.

These pairs create complex, multi-dimensional characters that can drive rich, dynamic storytelling.

[madcat-world]

Monstercat Recaps 62-67 (4 of 6) - Kez Laczin

[layaart]

sabriel // another bookish sticker design !

[layaart]

The Space Between Worlds by Micaiah Johnson is one of my favourite books I read this year! (also, I have a timelapse of this on twitter/instagram!)

[layaart]

Katrina from Light From Uncommon Stars ✨

[alexadelphia-official]

Choose a superpower

teleport but it takes as much time to "charge" as it does to walk that distance

time travel but the further you go, the further you end up from your location

read minds but only if their inner voice sounds like yours

telekinesis but only with objects you can physically lift with your hands

mind control but you have to give all instructions verbally

speak in any language, except only the ancient version of it

talk to animals but you have to perfectly mimic their sounds

fly but only when you lie down in a prone position

materialise any object only if you can visualise its functional insides

you can breathe underwater but must have a limb out of water at any time

you can shapeshift into any animal but it has to take on your human form

you can see the future but only after your lifetime

Voting ended onJul 2, 2024

[tanadrin]

Mind control with verbal instructions is probably enough to make you incredibly rich and powerful; sure, you have to speak to someone face to face, but all you have to do is walk into a government building and start saying “take me to your boss” over and over again.

Frankly “speak the ancient version of any language” isn’t even a downside for me. Do I get Sanskrit and all the Prakrit for free if I choose Hindustani? What if the ancient version isn’t attested? Can I instantly learn Proto-Semitic?

Also the “materialize objects” one is still pretty useful. Sure, complicated stuff like computers would be out. But I can visualize the inside of a gold brick just fine.

Still I think I pick the mind control option. It would take some time to eventually get a face-to-face meeting with all the right people, but I could do it.

[steampunktendencies]

Gothic Butterfly Brass by Otar Bezhanov

[thestuffedalligator]

The wizards said the orangutan would be able to lead them back to the dungeon in a couple days.

What a sentence, Chilchuck thought. It seemed to him that he’d been saying a lot of things with full sincerity that weeks ago would’ve been total gibbering nonsense.

The others had wandered off into the city like tourists. Laios was spending the day in some kind of pet shelter for dragons. Senshi had mentioned bringing Izutsumi to check out the local dwarven cooking. Rats were apparently involved, to his total lack of surprise.

He had decided to hole up in the nearest bar that would accept a fistful of foreign coins. He was at the stage of buzz that felt as though someone was wrapping a woollen blanket around his head, and it was loosening his tongue.

“And he’s a good kid,” he was saying. “He’s a good kid, he’s even a good fighter, but he’s got all the social skills of a dead donkey. This is a guy who hears that he has to eat part of his sister, and the first thing he says is-”

THE EGG IS PLACED ON TOP OF THE BACON?

He paused mid-ramble and blinked stickily at the stranger seated next to him. “Sorry?”

WHAT STRUCTURAL SUPPORT DOES THE BACON OFFER THE EGG?

He blinked again. “It’s for,” he tried. “You know. So you can eat the egg and bacon at the same time.”

INSTEAD OF CONSUMING THE ELEMENTS OF THE BREAKFAST SEPARATELY.

“Right.”

BUT IN THIS EXERCISE, YOU WISH TO REMOVE THE EGG FROM THE BACON.

“Right — right! The idea is if we take away the half of Falin that’s a dragon, we can resurrect the human half of her.”

THUS UNFRYING THE EGG.

He screwed an eye shut and tried to make out the face of the stranger through the three images swirling in the hot, lightheaded haze. It looked like a very skinny face.

“I’m starting to lose the food metaphor,” he mumbled. “My point is, the further we go to fix this problem, the worse it gets. And it’s not that i have a problem with resurrection — have you ever been resurrected?”

NO, BUT I HAVE BEEN WITNESS TO PART OF IT.

“Some people are weird about it. Senshi’s weird about it too, but he’s the one who suggested it. Anyways, it’s not that I have a problem with resurrection, I just don’t like the idea of eating an old coworker.”

Another sentence that would have been nonsense barely a week ago. He tried to shrug and missed. “I guess they say, ‘Eat to live, don’t live to eat.’”

A STRANGE THING TO SAY. A PARADOX OF SOME KIND, I’M SURE.

He was beginning to feel a slight headache. “No, it means, like — treat food as a fuel, a necessity, don’t get fussy about the experience of eating it.”

THEY ARE NOT MUTUALLY EXCLUSIVE. The stranger plucked a paper umbrella out of their drink. They twirled it thoughtfully between very skinny fingers. I WOULD RECOMMEND A CURRY, they said. I’VE ALWAYS BEEN FOND OF A CURRY.

[thestuffedalligator]

YOUR FRIEND HAS MANY IDEAS ABOUT THE ARCHITECTURE OF BACON, Death said.

“Uh,” said Marcille — wizards on the Discworld always see what’s really there. This is true even when they’re tourists.

I HAD HOPED TO SPEAK TO HIM ABOUT THE DUNGEON. I HAVE AN INTEREST IN PLACES WHERE ME AND MINE ARE NOT ALLOWED.

“Uh.”

THERE IS A TOWER FILLED WITH TEETH.

“Uh.”

I SUSPECT THIS DUNGEON IS SIMILAR.

Death handed over the recumbent bundle of Chilchuck he had been cradling. MY GRANDDAUGHTER IS ON GOOD TERMS WITH THE OH GOD OF HANGOVERS, he said. I WILL PUT IN A WORD FOR HIS SAKE.

[shpepyao]

[kvothbloodless]

A incredibly weird problem I see in a good portion of fantasy stories these days is something Ive been calling "Inferna delenda est", and which my less pretentious friends (all of them) call "the hell problem". Its sort of something that, because its a genre convention, is almost always ignored, but once you see it, it cant be unseen.

I admittedly only started seeing this after reading UNSONG, which is literally About this problem. But now that its been pointed out, I cant unsee it elsewhere, and any media which runs into it but doesnt address it becomes almost entirely ruined for me.

The issue of Inferna delenda est is present in any setting which 1. Has real, proven afterlifes where most people literally go when they die and 2. Has one of those afterlifes be at all comparable to Hell, i.e. any place where a significant number of sapient creatures are tortured for all eternity.

If those two criteria are met, almost any plot becomes pointless and trivial. What does it matter that a hero saves a city from destruction when beneath their feet millions of people are burning, and many of those saved will join them? Who cares whether the ruler of a country is corrupt or not? The evil that would be stopped by replacing them with even a perfectly competent and benevolent ruler is staggeringly inconsequential compared to that of an eternity of torment.

Like, im not being vague or making an analogy here. Im just saying that its incredibly difficult to care about a plot to stop a war or kill an evil wizard when the story offhandedly mentions the fact that millions of people are 100% being tortured for eternity in a real place and no one is doing anything about it.

And even further, it makes it Really hard to view the heroes as...actual heroes. The degree of callousness required to keep the existance of hell in the background (from an in-universe perspective) is just ridiculous. Like, if youve got your high fantasy hero saving an entire continent from an evil demigod or whatever, the fact that theyre Not constantly thinking about hell is just... if you have that kinda power, and you literally know for a fact that Hell is a place, then you should be fucked up about it!

Like I can understand that growing up in that setting youd be resigned to it, not much a random soldier or whatever can do about it. But once they become super powerful? And they never even Mention Hell? That much callousness automatically moves you down a few notches from hero.

Obviously in a lot of settings hell just sorta Exists, and soul sorting is vague, but even then like. Break into Hell! Rescue people or at least relieve their pain! Its just so insane that the worst thing literally imaginable as a physical place (maximum pain that lasts literally forever with no hope of relief) is a staple of lots of fantasy settings and so many authors just do not in any way address that.

And like I said, its not that theyre writing Poorly because of this. Its a genre staple, and if you dont give it too much thought it doesnt seem to be an issue, especially given [gestures vaguely in the direction of christianity and its popularization of the concept of hell]. But god now that its been pointed out it drives me Nuts.

Anyways idk where i was going with this. Read unsong, i guess?

[st-just]

ive seeeen you mention listening to history podcasts before, are there any that youd recommend? I have looked at whats out there but a lot of the popular ones I saw seemed to be rather dubious if you get me

So an assortment off the top of my head

Mike Duncan's stuff is both generally very good and also the inspiration of 90% of the history podcasts I listen to, so useful for cultural literacy if nothing else. (He podcasted his way into being a bona fide public intellectual for a moment there!) History of Rome is exactly what it sounds like, a narrative history from the mythical foundation of the city to the fall of the Western Empire (getting much more detailed and in depth as it gets into the imperial era). Revolutions is an anthology on what can be called the great revolutions of the modern western world, with series on the English, American, French, Haitian, Spanish American, German/Italian/French again (1848), French round three (Paris commune), Mexican and Russian (also includes a semester-length intellectual history of 19th C europepan leftism) revolutions. First two series are fine but it really gets good with the French Revolution and the Haiti series is some of the best pop history I've listened to or read. Also doubles as just a decent history of the long 19th century in Europe.

Tides of History is the only one of this list that feels like it has an actual production budget and more than one person working on it as part of their actual job. The host is the other guy whose podcasted himself into being a bit of a public intellectual (would rec his substack!) The downside of having a budget is most of the older stuff being locked behind a paywall, which is a shame because the early seasons are some of the best approachable history on the late medieval and early early modern period in Europe I've heard or seen. The current season is about the late bronze age world, and continues to be excellent.

History of Byzantium is explicitly an attempt to pick off where Duncan left off and follow the Eastern Roman empire from the fall of the west to 1452 (it's still in progress, now well into the 13th century). Also much like History of Rome, it starts off fairly general and vague but gets much more detailed as it goes. The general narrative history is intercut with semi-regular interviews with academic historians about the subject of their expertise for more in depth and probably rigorous discussion.

Speaking of Byzantium and Friends is hosted by one of the more prominent working byzantinists and consists of absolutely nothing but that. Much, much more academic - there's a level of assumed background knowledge to get much of anything out of the episodes, and and a level of academic inside baseball, but accurcy-wise this is the podcast I trust most out of all of them.

History of Japan is, again, what it sounds like. One of many podcasts begun by a grad student probably procrastinating working on his thesis that has lasted long enough for him to graduate, get married, and settle into a full time job. Vast majority of episodes are 20-30-minute mini-histories on, say, the biography of a particular political figure or part of a mini-series on the spread of Buddhism or something (plus a few much, much longer series on e.g. the Meiji Restoration). Currently in the middle of remaking/expanding a series that's a general high-level survey of Japanese history to celebrate hitting episode 500.

Criminal Records shares a host with it, but is (intentionally) less rigorous and much more bantery (having two hosts helps, them being married presumably good for the chemistry), also technically a true crime podcast - specifically about weird crimes and legal cases throughout history. My favorite episode is the one on the oldest surviving court case in the record from ancient Sumeria.

The History of the Crusades and it's sequel Reconquista continue the trend of admirably self-explaining names. They're nearly-entirely narrative and political histories, so if you're not interested in crowns, marriages and wars probably give them a pass, but very granular and detailed as they go. Crusades finished after the fall of Jerusalem and then a follow-up about the Albigensian Crusade, Reconquista currently still ongoing (in the 11th century at the moment, I believe).

Pax Brittancia is the one I just finished binging as depression-ameliorating background noise and what I've been posting about recently. Another begun by a grad student avoiding their thesis who has since become a doctor (who had previously completed a podcast on the history of witchcraft, which I have not listened to). It's ostensibly a history of the British Empire, beginning with the Stuart Dynasty (and personal union with Scotland) and moving forward with sufficent attention to detail that after five years and change it's objectively just a very in depth history of the Wars of Three Kingdoms (incl. causes and aftermath). Includes many, many interviews with established historians, including a whole series on Covenanter Scotland and whether its rise should be considered a Scottish Revolution. The narrative just reached Cromwell's inauguration as Lord Protector.

[brutish-impulse]

I'm gonna shill History of Egypt again! Exactly what it sounds like, starting from the Old Kingdom and aiming to keep going until Cleopatra. It's currently at the New Kingdom, around Ramses II, so there's tons of backlog to binge already.

[erinflight]

I’m going to add Empire to this list. It’s a history of various empires. It starts with the East India company which is fascinating and horrifying in equal measure.

The podcast had a lot of guest historians too, a lot of which are the authors of interesting books which go more in depth

[layaart]

fungi books 🍄

[layaart]

a lichen creature

[carco5a]

personally i’m a fan of when a story is like. the love was there. unfortunately. this all could have actually gone a lot easier for everyone if the love hadn’t been there but here we are