Il futuro è passato e non ce ne siamo nemmeno accorti. Ettore Scola, C'eravamo tanto amati.
PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always

pixel skylines
Lint Roller? I Barely Know Her
trying on a metaphor

PR's Tumblrdome
$LAYYYTER

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⁂
Claire Keane
occasionally subtle

#extradirty
Mike Driver
Keni
he wasn't even looking at me and he found me
Aqua Utopia|海の底で記憶を紡ぐ

★
I'd rather be in outer space 🛸
No title available
DEAR READER
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seen from Germany

seen from Türkiye
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seen from United States

seen from Germany

seen from United States
seen from Tunisia
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@ew-perthro
Il futuro è passato e non ce ne siamo nemmeno accorti. Ettore Scola, C'eravamo tanto amati.
Il cielo sopra Berlino (1987)
Tracey Emin, Mother, 2017
L'art gothique ou le Moyen-Age, 1852, Paul Delaroche
In a new article for The Sunday Times (UK), Ezra talks about Vampire Weekend’s new album ‘Father of the Bride’, supporting Bernie Sanders, and dealing with the state of the world.
“Everyone’s identity defines how they think about life. So I don’t get frustrated when someone doesn’t like Vampire Weekend because they don’t like my voice, or harpsichords. The only thing that’s bothered me is when people look at us through the lens of identity, but not through the lens of my very particular identity, as a Jewish American, born in New York, raised in New Jersey. It’s a big door to open. Clearly, the relationship between Jewish identity, anti-semitism and Zionism is complex, but if even the world of politics is having a hard time figuring out how to talk about it, there’s part of me that’s, like, I don’t need to encourage music journalists to do that!”
Read the full text under the jump:
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fifth week on hormones feels like:
Sofia with Wes Anderson
direct my life
It had to be made and you know it.
A SIMONE - Alda Merini
(dedicata a Simone Cristicchi)
Non piangere mai
su chi ha abbandonato la sua vita nei manicomi
L’hanno fatto spontaneamente
per non essere molestati
E’ gente che ha un’anima sola
e se perde quella muore
Voi uomini avete più anime
e molte maschere sul vostro viso
Giocate in enormi teatri
e in enormi teatri del non senso
Ma noi eravamo felici
di andare verso la morte
tragica soluzione di una vita
che non volevamo
*Alda Merini scrisse questa poesia per Simone Cristicchi. Aveva chiesto di poterlo incontrare, dopo aver ascoltato la canzone “Ti regalerò una rosa”.
do you ever feel like dropping everything and moving to iceland
Night, 1890, Ferdinand Hodler
Medium: oil,canvas
https://www.wikiart.org/en/ferdinand-hodler/night-1890
Edie Sedgwick
Debbie Harry
An Eloquent Silence (details) by Lawrence Alma-Tadema, 1890.
Gustave Doré - Eros with a gun on a pile of skulls.