The first two days of my internship at Contact Amsterdam
By Jennifer Rombouts
Intro
Today, on thursday 11th of january 2018, I started the first day of my internship at Contact Amsterdam. It was only in october last year that I first visited the creative workspace to talk about the idea of creating a vertical indoor garden. The 2nd of december we finished the garden, which now grows well. The great atmosphere at Contact and the good connection with Alex Schaub, combined with my drive to create, brought me to do an internship.
A few years ago I used to design en build decor for festivals with friends that followed a creative study. Ive always been eager to draw, design and create but ive always used analog methodes. Until today I have not used digital fabrication methodes or 3d designing programmes. So I am eager to learn new methods to develop my way of thinking, ideas and creations.
Goal
During my internship at Contact I will first focus on the basics of digital fabrication methods. After the basics I will switch on my own two research directions: eco-design and decor. With as main idea: to incorperate and enlarge biological structures (micro/macro level).
First assignment: Rhino and 3D-printing
The first simple assignment Alex gave me on Thursday morning was to design a 3d flowervase in Rhino. He quickly explained me some of the basic functions of the programme, showing me which steps to take and what options to use, while I took notes. One of the most important things to start with is that the 3D printers can only print in max. printing seize, which is 200mm x 200mm, so designs can’t be bigger than that. That’s why it is smart to always start designing in Rhino within a rectangle of max. or half of the printing seize (depends on what perspective you use).
I started with designing a crossection of the vase, by drawing a curve from reverence points within the rectangle. Then reflected the crossection to create a 2D image which could be converted into a 3D image with a few clicks (see notes). Options like structure (mesh), solid or hollow … could now be alterd. After checking the final design for flaws, I uploaded the Rhinofile tot the SD cart. No it was ready to print.
Sander showed me how the 3D printers work and which steps to take before printing or changing material/filament (see notes). He also pointed out that the different materials, PLA or PET, have different melting temperatures (210/250). During the first to tries with PET, I had to remove a lot of excess plastic and the prints where messy or came loose from the baseplate.
When I used PLA instead, the print became better but still had too much floating face. Adding a supportive structure around the base, that could be removed after printing, solved all problems. And on Friday, 15 hours later, my vase was done. Removing the supportive structure (and a lit that was accidently printed) was harder than I though and did leave some marks. After using sandpaper and some oil it did look a bit better but the marks did not totally dissapear and the sandpaper left traces as well.
Second assignment: Illustrator and lasercutting
The second assigment was to design and create a case for tablet that we want to hang on the pallet garden wall. The tablet contains the presentation about the wall, information about watering plantcare and a logbook.
For the standart design of a case with fingerjoints, we used the online programme: makerscase. With the exact (inside measurements) of the tablet and the right thickness of the material used: popular wood, we created basic caseplans that could be imported into illustrator. Because we want to display the tablet a bit sideways on the wall (more easy to read/type), the caseplans had to be alterd in Illustrator (see notes).
Altering the caseplans wasn’t easy for me in the beginning. Illustrator seemed more difficult than Rhino and there where many smartkeys and shortcuts that I didn’t know about yet. After a couple of tries I got slightly better. Visualizing the case in 3D while working in Illustrator helped me a lot. Alex gave me the advice to always export illustrator files with lasercutting plans to Rhino first. Because then you can build your model in 3D and check everything for flaws.
Now the design was ready for lasering and converted in ai.file format. Before starting, Alex gave me an extensive explantion about the lasercutter; function, process and saftey. I took notes again. Soon I will have to assist people with lasercutting as well so I will need to study these notes and lasercut or engrave a few more designs to be totally sure of myself and feel at ease with this fabrication technique.
We checked suctions, turned on the lasercutter and optimized all settings. Cutting the material went really fast. Alex warned me to never leave the lasercutter while it is working. There is always a small chance that the material might catch fire.
The case fitted pretty well but did need some extra glue. I finished the case by removing excess glue and brown lasercutting edges with the beltsander.
Next week wensday I will focus on milling a frame of azobe wood. When this is done the case with the tablet is ready to be put up on our pallet garden wall.





