underrated videogame girl of the year
Sweet Seals For You, Always
NASA
No title available
RMH
hello vonnie
we're not kids anymore.
macklin celebrini has autism
Cosimo Galluzzi
I'd rather be in outer space 🛸

Discoholic 🪩
Fai_Ryy

Origami Around

Kiana Khansmith
EXPECTATIONS

Product Placement
cherry valley forever
let's talk about Bridgerton tea, my ask is open
The Bowery Presents

❣ Chile in a Photography ❣

JVL

seen from Saudi Arabia

seen from China
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seen from Netherlands

seen from Russia

seen from United Kingdom

seen from Germany

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@fable7122
underrated videogame girl of the year
Various Noelle doodles. Noodles, if you will
"Whimsy" is truly a wretched term. What maketh thee so carefree?
thy mother
Art thou for fucking real
Absolutely incredible things happening over at the Deltarune wiki.
i love sending people my totaled car as a reaction image it’s so funny
Image rating: Cute!
Cars only show their bellies when they are feeling safe and comfortable. This car really trusts you!
Morgan and Serra are foils in that both are drawn to violence and capable of it, but stopped by different things.
Morgan seems to crave violence in a very real and urgent way, and the only thing ever really restricting her is the threat of legal repercussions. However, she's learned how to circumvent these restrictions. By becoming intimately familiar with the way the surveillance state operates, and finding the flaws in the system, she's able to open small opportunities to enact the violence she desires. The threat of punishment isn't enough to stop her. Going by what we see of the way she thinks, it seems Morgan will pretty much *always* enact violence if she thinks she can get away with it. Now contrast this with Serra.
Serra has super strength and a love of martial arts. She's expressed an interest in fighting many times, and is fascinated when she hears about Sosuke fighting and killing. She romanticizes violence because she was raised on action movies and videogames. She also has super-advanced hacking capabilities, so she could probably easily create holes in the surveillance system if she really wanted to enact violence on others. However, despite having the ability and being very interested in the topic, Serra has yet to ever hurt anyone. Unlike Morgan, it's not legal repercussions that stop her, but a sense of morality. For Serra, it's not a question of whether she could, but whether she would. And in every situation we've seen her in so far, it's abundantly clear that Serra wouldn't.
So the question of course becomes.... what kind of situation would it take?
wonder if it's one of the lower ward joints
image id: A POV of Serra getting texts from Morgan while standing across from Emma. The texts read "hi" "kill her" "kill her the girl across from u" "kill her now"
Morgan the aura farming serial killer is hot of course but Morgan the exhausted single mom of a teenage android girl is infinitely hotter to me for some reason. I imagine myself working at a nearby convenience store and The Red Hair Lady comes in but suddenly her usual purchases (cigarettes and alcohol) also have little treats and a bottle of orange juice mixed in. and I watch her leave and outside she meets a little green girl and throws a rice krispy in her face and I get heart eyes. Serra I'm in your mom's cupboards
booth babe
awesome list of inspirations for a protagonist (girl)
def real spoilers for ep3 my dad works at noble electronics and he said that was true
The more time passes, the more I'm compelled by Creek. Because he's actually a foil to Sato, of all characters.
Yumi Sato is our example of a thriving trans person in the world of 2086. She's a successful coroner with a strong personal style and plenty of profitable work to do, who gets to enjoy all of the technological progress that's been made between current year and 2086. In her little bonus scene it's strongly implied that she's a trans woman, and that advances in modding have made it easier than ever to alter her body to her needs. Indeed, she passes flawlessly, and nobody in the cast ever misgenders her, or likely even suspects she might be trans. She then laments how trans people are less visible than ever, and posits the question of whether that's a good or a bad thing, but leaves it open to interpretation. By all accounts it's a very hopeful vision for trans people in this world, a stark bright spot in what's otherwise a very cynical piece of cyberpunk.
But then, in episode 2, we go down to the lower wards. After spending most of episode 1 palling around with the rich and powerful, the opening scene of episode 2 draws a stark contrast by showing us the people this gleaming future leaves behind. And Creek stands out for one thing: the "pronouns: any" in their bio.
Lakers "Creek" Kristoff is, by all accounts, poor. He lives in the lower wards, is the leader of her own little gang, and desperately wants more money, so they can gain greater influence in the larger criminal organization she belongs to. And notably, only two sets of pronouns are ever used for Creek. People who don't know them assume from Creek's appearance that she is a man, and use he/him, while those few characters who knew them personally or are written to be more progressive will use "they/them." The glaring omission here, of course, is "she/her." A lot of characters in the episode have access to Creek's profile, which lists her pronouns. But in the entire script, not a single time, is Lakers "Creek" "pronouns: any" Kristoff EVER referred to as a "she." And I do think that's intentional.
Transmisogyny is alive and well in 2086. All those advances in transition care, that bright spot in the darkness, they only go to those who can afford them. The divide between those who can transition and those who can't is wider than it's ever been, both sides now invisible. It doesn't matter that you can mold flesh like clay if it's still prohibitively expensive and doesn't reach the poor and disenfranchised. Not when a masculine-looking person is still defaulted to as he/him. MAYBE they get a they/them from those who are woke enough. But never a she/her.
I'm sorry, Creek. I saw your pronouns.