30 days. No more family but what I make
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The Bowery Presents

shark vs the universe

#extradirty

Origami Around
h

blake kathryn
almost home

Game Changer & Make Some Noise
noise dept.

gracie abrams

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ
Lint Roller? I Barely Know Her
Sade Olutola
macklin celebrini has autism

Product Placement
todays bird

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@falsetto-minuet
30 days. No more family but what I make
I swear that song has played like 5 times since I last talked about it
home really isn't a place.
existence do just be hard sometimes
you showed me a song. Now I hear it everywhere.
I was never able to answer this before, but yes, you do show up in my dreams, even if I don't fully remember it
what if it just. started posting thoughts here again
Laura: “You want any more of this? [bursts into a vibrant rendition of Maureen’s verse of Take Me or Leave Me from Rent] Oh, we dropped some!”
This is the best description I’ve heard for this method, I always thought it was bullshit because I never heard a description that actually explained how to do this other than “tap your head 20 times”.
I have anxiety-induced hissing, which sounds/feels different from sound-induced tinnitus (which I have also experience). Sound-based tinnitus actually sounds like you’re “hearing” something in your ears, whilst the hissing I have feels like it’s “inside my head”, if that makes sense. But this technique still helps!!
NASA playing God.
Holy shit
one of the millions of things i liked about spider-verse was that not only did all the female characters look different from each other, they gave mary jane her classic dimples and square chin, which might not seem like a big deal but you’d be surprised how much tiny details like those can make women in comic books look distinct
also seriously it feels like some animated films are pushing it to have two female characters who look even slightly different so i appreciate that spider-verse made sure every woman in it looked distinct from each other
Is there fucking anything Spiderverse didn’t get right??
I love love love LOVE how Miles has his own moments of echoing his universe’s Peter once he comes into himself. Not only is there this moment which is amazing, but when he’s in the collider at the end and does that hella cool move grabbing onto the rotating bits to get up onto the ceiling to get the goober plugged in?
It’s more or less the same route that Peter took when he was trying to plug in the goober at the start.
“Did we teach him that?” “I didn’t teach him that. And you definitely didn’t teach him that.”
No, they didn’t. But a spider-man did. And the little ways that Miles’s way of being Spider-Man reflect back his own versions of the Spider-Man he saw die is just amazing to me. He’s continuing a legacy. Not a general spider-person legacy. Not Peter B’s legacy. But his Spider-Man’s legacy.
Peter died but he was not completely absent from the film, and he maybe couldn’t actually get with Miles and actively show him the ropes, but between everything Miles could witness, and what he’d done and prepared for that Miles could take advantage of, the legacy he left through May that could be passed to Miles, he still helped shape Miles. Not the way he would’ve preferred, but not completely absent either.
And damn I love that.
I really like how they’re doing the same thing here, but in their own way. Peter doesn’t waste any energy anywhere, and has the effortlessness of someone who has done this for years. He trusts his body to do exactly what he wants. Then you have Miles–he’s smaller, leaner, and still growing. He doesn’t yet have the grace part down yet, since lbr, even with super powers knobbly kneed teenagers tend to be too gangly for that. But if you watch, you can practically see that instead of letting his body do whatever, he’s actually making a bunch of micro decisions.
Peter is focused on his objective, and is letting his body go on autopilot. Miles is making a thousand decisions a second, and is actively making choices to get there as fast as he can. It means he might start jumping over the car a little later, but he uses momentum and strength to actively propel himself forward. His cartoon panel is less a style switch and more a chance to show the iconic pose.
Even just the way their hands touch the car– Peter doesn’t waste a single movement, and just lets his body do what it’s been trained to do best. Miles slams it down on the hood, thrusting himself higher than necessary and using that to give himself the extra momentum to really push off of the next car
Idk man, it’s subtle, but I really love how this film doesn’t have every character move the same way, even with the same powers (don’t even get me started on Gwen’s style, yesssss).
The beauty of contrast
that is one long-ass elevator ride
My son saw a bug on the ceiling for the first time