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@fantasyleafe
Free Ornamentation IV. This work is dedicated to the public domain 🐌
I turned them into individual transparent pngs if anyone wants those premade!
(Op lmk if you want me to take this down, I'd totally understand—on the other hand, I'd love to do it for the other public domain pieces you've done if that's ok!)
Happy Pride!
Every pride, you must reblog this. No exceptions
I love that four different people on my feed scheduled this joyous person to reblog by 8am on June 1. I look forward to seeing this a dozen more times today.
Description: [A video of a woman riding a galloping horse bareback while holding a large rainbow flag.]
i felt like these tags really added to the experience, thanks @cynderxdustypaws for your knowledge
This is one of the most powerful images I have ever seen, and I will reblog it every single time because every single time it brings tears to my eyes.
I don’t think we talk enough about how, despite the presence of multiple globes, PotC takes place on a flat earth, ice wall included.
I'm gonna need some elaboration here
They literally sail over the edge of it after passing through a hole in a wall of ice. They fall off. They get back to the other side by passing through the whole ocean.
But also there’s a globe on, like, everyone’s desk.
#it's like lord of the rings#it's only flat for pirates
You get it.
No, but this is actually (sort of) canon.
See, part of the conceit of the PotC trilogy is that all myths are true. Nearly every supernatural element in the franchise has a root in some real world mythology or pirate lore, although some of them are mashed together.
Another thing is that they take place at the end of the Golden Age of Piracy, and the more the map gets filled in, and the more the Royal Navy takes power, there less room there is for the mystical and supernatural in the world. This is explicitly called out in At World's End with the death of the kraken:
Barbossa: The world used to be a bigger place. Jack: The world's still the same. There's just... less in it.
The only way to access the world of the supernatural is through the supernatural itself. You can only get to the Isla de Muerta with Jack's compass that points to whatever you desire, or if you already know where its is. You need Tia Dalma's map to find the edge of the world. To access the supernatural, you need to already be immersed in it.
The pirates world isn't flat, it's round - but because the edge of the world exists in myth, it therefore exists in reality. The pirates are able to find it through supernatural means, but if, say, someone like Norrington just sailed in the same general direction, he wouldn't end up in the same place.
“Pirate” is a mage subclass fueled by word of mouth, rule of cool, The Power of Belief/Love/Friendship, and rum.
If you look at it in a particular way, the Pirates specifically function by FAIRY RULES: obscure codes of law and formality that they are irrevocably bound to abide by...except when you get the wording wrong.
When we go to Tortuga (or any pirate controlled space) we leave behind the sensibilities of the real world and enter this bizarre perpetual revel of debauchery and violence that could never sustain itself in a world bound by sense.
That makes Jack our Puck character, a trickster of tricksters who can invert your fortunes just by letting him talk to you.
It also makes Will into a changeling, born of the fairyworld, adopted by mortals, and fated to return to it in what makes for a doomed love story. Hell, one might say that the reason Will's swords are SO GOOD is because they contain an element of myth about them: they're the IDEA of swords, true to how they would be in myth.
Azune Nayar's breakdown was a calculated play.
He wanted Demodus and Occtis - two vulnerable people perceived by others at the table to be 'just kids' - to go with him as evidence to Einfasen. He knew it would be a hard sell. So, what does he do? He starts with Murray. He starts with the emotion.
I don't doubt that he's really feeling the things he expressed. He's terrified of losing himself, if he hasn't already. He's overwhelmed, drowning in a complicated and deadly scheme, following in Thjazi's footsteps. But I think he pulled that deliberately to the fore in this scene to get what he wanted.
Watch him. There are four phases to that conversation. Phase one - vulnerability. Positioning himself as a child, in need of help. Making himself appear more vulnerable, more in-need than Demodus, so that famed underdog-champion Murray Mag'Nesson is compelled to help him. Then phase two - deliver the request. I need Demodus. He's my evidence. Azune's breathing steadies. He makes eye contact. He's in control.
Request delivered, while Murray's mulling it over, he amps up the emotion again in phase three. Help me, help me. You can't, he says to Murray, but Occtis can. His demeanour changes in a flash. Phase four, and his breathing steadies again. His voice is firm. He's in control.
It's a clever play. The party move to comfort him, but he rejects what he sees as platitudes from Occtis - he's not looking for comfort, he's looking for resources. By positioning himself again as that scared child, he compels the others. He doesn't get Occtis, but he gets the letter. And he gets Demodus - and as a bonus, Murray, to back him up.
I think Azune knew exactly what he wanted. That wasn't a conversation about overwhelm and panic and losing oneself. That was two big requests wrapped in emotional manipulation. And it worked.
btw it's so fucking stupid you can be anxious physically in your body even after you've decided mentally you don't care. I'm supposed to be in charge here
Layered cliffs under clear sky by qing ying
Yes, this is Luo Yi Rong, who absolutely is the same sculptor from that astonishingly inept self-own by an idiot.
in a way john watson is a fantasy (what if you had this brilliant enigmatic friend and what if he liked you in particular and what if he offered you the excitement of youth and adventures and a way out of boring society life and all without having to actually give up your status as a gentleman so you could have the best of both worlds) and in a way sherlock holmes is a fantasy (what if someone never got tired of you despite your various strange habits and mood swings and instead of simply tolerating you they genuinely liked you and what if you didn’t have to live alone forever and what if you never had to give up doing the things you love) and of course there’s the most fantastical part of it all (what if you could afford london housing prices)
She got the idea for the study while walking with her advisor at Stanford to discuss her thesis topic, and the paper she eventually published in the Journal of Experimental Psychology in 2014 is sharp enough that it should have ended the seated meeting on the day it came out.
She ran 4 experiments on 176 people. Same person tested twice. Once sitting, once walking. The creativity tasks were the standard ones psychologists have used for decades to measure how good a brain is at generating novel useful ideas.
81% of participants in the first experiment produced more creative ideas while walking than while sitting. In the second experiment, 88%. In the third, 100%. Every single person walked into a more creative version of themselves. On average, people generated 60% more novel useful ideas the moment their legs started moving.
The skeptical question is the obvious one. Maybe it was the fresh air. Maybe it was the scenery passing by. Maybe it was the change of environment doing the work, not the walking itself.
Oppezzo killed every one of those explanations with one experimental decision. She put people on a treadmill facing a blank wall. No scenery. No fresh air. No environmental change. Just legs moving in place while staring at white drywall. The 60% boost held.
Then she ran the experiment that closed the case completely. She took participants outside in two conditions. Half of them walked through a Stanford courtyard. The other half were pushed through the exact same courtyard in a wheelchair. Same outdoor stimulation. Same scenery passing at the same speed. The only difference was whether the legs were moving.
The walkers produced dramatically more novel high-quality ideas than the wheelchair group. The outdoors did almost nothing on its own. The walking did everything.
She also tested the opposite kind of thinking. Convergent thinking. The kind where there is one right answer and you have to narrow down to it. Word puzzles where 3 words share a hidden fourth word that connects them. The seated participants did slightly better on these. Walkers got slightly worse.
Walking is not a general intelligence enhancer. It does one specific thing. It opens up the divergent search inside your brain. The part that generates options. The part that produces unexpected connections. The part that takes a problem and finds five ways into it instead of one.
When you need to converge on the single right answer, sit down. When you need to find the answer in the first place, get up.
The mechanism is now well understood. Walking selectively activates what neuroscientists call the default mode network, the system inside your brain that runs when you are not consciously focused on anything. The DMN is where mind-wandering happens. Where memories cross-reference each other. Where ideas that have been sitting in separate folders inside your head finally bump into each other.
When you sit at a desk and force yourself to concentrate, you suppress the DMN. When you walk at a natural pace, the executive part of your brain gets just busy enough handling the walking that the DMN comes online and starts doing the work that focus was blocking.
The most useful finding in the entire paper is the one almost nobody quotes. The boost did not turn off the moment people stopped walking. Participants who walked first and then sat back down stayed elevated. Their next round of seated creativity work was still significantly better than people who had been sitting the whole time. The rest lingered for at least several minutes after the legs stopped moving.
You do not need to do creative work while walking. You need to walk before the creative work. The brain holds the state.
Edited down a long tweet. (x)
The eye doctor is the most fun doctor you can go to. They never steal your blood. They never make you get naked and put on a paper dress. They're just like, "Can you see these letters? It's fine if you can't, we can fix that." And they don't even spell anything.
I finished my second embroidery piece! by madelineglinesart on reddit.
More angry cats by Léo Forest (b 1985) is a Paris-based contemporary artist known for his animal designs, primarily created through pencil and charcoal drawings.
290K Followers, 1,600 Following, 113 Posts - See Instagram photos and videos from Léo Forest (@leo___forest)