woman of your dreams

[timelessbian]

she fucked the grim reaper, she made a baby from scratch, she's a con artist and a scammer, she blew up the hindenburg, she sank the titanic, she served cunt, she's annoying and mean, she's traumatized, she's thee jolene, situationship so bad she's gaining custody of twins in the afterlife, she's even a lesbian!! agatha harkness most character of all time

[ellieswr1d]

elektra natchios edit - strangers by ethel cain

[fictional-bitch]

why would someone do this to me

[vampalpatine-archive-deactivate]

sharp objects (2018) dir. jean-marc vallée // la morte vivante (1982) dir. jean rollin

[coughloop]

Don't let anyone tell you there isn't time for another smoke break. They're lying. get out there and sit on an upside down milk crate. NOW!

[pinktinselmonstrosity]

elaine just walking up to george and eating his sandwich + drying her hands on jerry's shirt....... obsessed with her

[bloodybrahms]

the monsters of hellboy ii, guillermo del toro // wintersong, s. jae-jones // larry fessenden // wicked saints, emily a. duncan // monster movie, nicola maye goldberg // c. joybell c. // frankenstein, mary shelley // fortesa latifi // crimson peak, dir. guillermo del toro // start here, caitlyn siehl

[wizzard890]

this is my interest in Russian cultural history showing, but I think it's really fascinating that the characters in Scorsese's Goncharov exist as imagined Soviets, particularly as articulated from an American perspective in the early 70s.

Scorsese was, then as now, a great appreciator of world cinema, and he absolutely was aware of how the archetype of the Soviet man underwent a transformation during Gorbachev's Era of Stagnation. Gone was the clean-cut, traditional wartime hero, always holding Soviet values aloft. Even the fictional Soviet woman became more adrift, lost in a modern tide of isolation, loneliness, and individual despair. (This is so so brilliantly brought to bear in Katya, and really gives lie to the old canard that Scorsese doesn't imagine the inner lives of female characters.)

Goncharov is a grey, almost temporally unmoored character, one that was previously unimaginable in Soviet cinema, and what does it mean that this new archetype was articulated, by perhaps THE American director of the late 20th century, at such an intentional cultural remove?

Idk, I think the resurgence of interest in the film really gives us an opportunity to ask questions about a piece that has previously only been discussed through a broadly Marxist lens, instead of reckoning with wider forces within the Eastern European imagination. Put more simply, what did it mean for Americans to watch a transformation of the Soviet zeitgeist through a glass darkly, and what light does that shed on the "Russian" in the American mind today?

[shanecoded]

Cybill Shepherd as KATYA GONCHAROVA and Robert De Niro as GONCHAROV in GONCHAROV (1973) dir. Matteo JWHJ0715 produced by Martin Scorsese

[lycanthrology]

tragedy enjoyers when their favourite characters are brutally killed in a completely avoidable scenario of their own creation

[Image description: A gif of a crowd cheering wildly. They throw their hands up and high five each other. /End ID]

[satyriconmp3]

babygirl i am going to chop these vegetables so roughly. does the diversity of shapes on display in these pieces of onion make you want me

[leninthesixth]

think about this every time i watch videos about youtuber drama

[oatmilkcore]

reverse ‘i knew about it before it was cool’. i refuse to consume it until it is borderline irrelevant.

[howlpendraig]

The assassin you sent after me is part of my found family now

[zeitgeistluvr]

[zeitgeistluvr]

[solonelytrying2beyours-deactiva]

lord forgive me but I may have to make a nonessential purchase

[fakenudes]

gay holidays include: pride month, the met gala, halloween, and spotify wrapped day

[eelizabit]

Ok girlies time for our prescription 1-2 hour walk, imagine we r all in line like Madeline