THE PRINCESS DIARIES (2001)dir. Garry Marshall

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THE PRINCESS DIARIES (2001)dir. Garry Marshall
FRIENDS (1994-2004) 9x14: "The One with the Blind Dates."
so i mentioned it in the tags of this post but i want to elaborate on this line in particular:
because rachel reid uses ‘bitchy’ or ‘bitchiness’ as a descriptor of shane’s behaviour in the long game, both by shane himself and ilya. what i find bizarre about it — considering that it is a derogatory gendered term — is that it is always used to imply shane is being unreasonable. shane is tone policing himself, even though his response to this situation (ilya telling him that he’s now close with troy barrett, someone shane knows as outwardly homophobic) is logical, and predicated on ilya’s repeated failure to communicate. ilya replies ‘i might be busy having sex with troy’ and then hangs up. despite his tone, despite what he says, he is only described as speaking ‘tightly,’ rather than ‘bitchily.’
to be clear, ilya and shane are both men, but ilya’s behaviour is never described this way, even when he also acts petty, unkind, or bitchy. as another example:
ilya pokes fun at shane’s diet, even after shane tells him to stop. shane loses his patience and reacts to something ilya started, but shane’s behaviour is what is described as bitchy, not ilya’s. shane is reacting unreasonably.
in the same scene — shane describes himself as an absolute bitch. shane is acting unreasonably. and again:
why is shane described this way? or more specifically — why is shane the only one described this way in the book? ilya is jealous of shane interacting with a reporter in a professional setting and shoots a puck at them from behind glass, something shane describes as humiliating, but reid doesn’t describe this action as bitchiness. ilya antagonises shane, but shane responding is what is considered bitchy.
like i said, we cannot extricate ‘bitch’ from its origin as a gendered pejorative, but we also cannot ignore that it is racialised — reid exclusively uses it to describe the gay asian character (who is also a bottom) responding to antagonism. does that make sense? why are you using this particular language to deride shane’s actions in this way, and why is it always utilised in scenes where ilya is an instigator? not to get heteronormative about it, but this dynamic feels like a reflection of the happy husband / nagging bitch wife dynamic. it is that deep.
it is important to consider the language we use to tell a story. reid’s depiction of shane is not magically unaffected by her own, obvious biases around race and sexuality. the fetishisation of his race, his feminisation, her use of ableist language all informs how she chooses to have him react and, in turn, how she chooses to describe his reaction. this is not meaningful commentary about shane’s understanding of gender or his own queerness or his struggle to find community in a toxically masculine environment. he is not calling himself a bitch as an interrogation of shane’s role as a professional athlete intersecting with his sexuality, or even how shane personally views women, it is more indicative of how reid views women. she codifies that shane and ilya fulfil gendered stereotypes in their relationship. ilya is tall and masculine and shane small and hairless. ilya is intelligent and shane is not. ilya is right and shane is wrong. ilya is a cocky asshole and shane is a bitch.
au where when Ilya shoots the puck at Shane and the reporter, the glass breaks and the puck hits one of them?
stop it - that’s genius!! I don’t think anyone has written a fic like that.
Like the reaction would be so juicy, press and fans would eat it up, call Ilya violent, discuss the ‘rivalry’ at length. Shane would try to convince himself it was an accident and would be Ilya so ashamed by his actions. If it hit the reporter, they could potentially sue Ilya for causing harm, or if it hit Shane Ilya would never forgive himself.
And glass shattering would potentially hurt the two of them anyways, even superficial cuts. Ilya wouldn’t be able to look Shane in the eyes for weeks, seeing all the wee cuts littering his face, obscuring his freckles.
MATILDA (1996) dir. Danny DeVito
A CINDERELLA STORY (2004) dir. by Mark Rosman
kylieminogue: 🩵💚🩵💚
Imagine if a disgruntled long suffering assistant of Crowells loses it one day, and releases thousands of incriminating emails, recordings and files on the internet, damning not only Crowell, but the NHL.
There is countless proof that Kent’s crimes were brushed under the carpet, potentially causing a nearing trail to be postponed. There is a player in Minnesota with a spiralling drug addiction and no support from upper management. Emails detailing how Ilya confronted Crowell to defend Troy go viral - mainly due to a strong but loud group of rpfers who have shipped them since Troy joined the Centaurs.
Video footage of Shane’s meeting with Crowell and being subtly threatened to stay in the closet are shown as evidence of the NHL’s insidious treatment of Shane as a gay POC.
But it’s also fantasied about by Ilya/Shane enthusiasts. Because if Ilya defended his best friend openly against Crowell, can you only imagine how he reacted when he heard about what he did to Shane?!
Ilya is crushingly ashamed because he resented him, while Shane wonders quietly if he’s not worth protecting.
THE GOOD PLACE | 1.06
BUFFY THE VAMPIRE SLAYER 4.04 Fear Itself
a fic where fanon Ilya meets post-tlg Shane and Ilya and is horrified by how emotionally neglected Shane is please. 😌
THE LIZZIE MCGUIRE MOVIE (2003) dir. Jim Fall
LEGALLY BLONDE (2001) dir. robert luketic
FRIENDS | 10.09
I'm scared of everything. I'm scared of what I saw, I'm scared of what I did, of who I am, and most of all I'm scared of walking out of this room and never feeling the rest of my whole life the way I feel when I'm with you.
DIRTY DANCING (1987) dir. Emile Ardolino
ZARA LARSSON Radio 1's Big Weekend (May 23, 2026)
Shane laughed, which made Ilya’s heart race. What if he’d never heard Shane’s laugh again?