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@fin-bart
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Industry Perspectives Blog Task Week 9
Indus. Persp. Week 7 entry
ROUGH PLOT
Mary Taylor is beginning her job as a live-in nurse for an old war veteran named Harold. Set during the height of the red scare of communism, Harold becomes increasingly paranoid that communists are following him. After Mary returns from a grocery shopping trip, Harold admits that he thinks communists are attempting to recruit Mary in order to get to him. He shows her a van that is parked across the road, convinced its communists. When Mary tries to leave he chains her to the radiator. Mary makes efforts to escape, killing Harold before finally leaving the house before watching the mysterious van takes off into the night.
How are you showing his increasing paranoia, in terms of plot? Everything else is very clear and action-driven, but for Harold to believe his paranoid theories enough to chain his nurse to the radiator, there must be something driving it. I’m sure it’s in your script, it’s just not super obvious here. Like, has he got some fear-mongering radio station blasting in his ear every day, or is the suspicious van lingering outside from the start of the script and a series of incidents with communist-y seeming persons in and around it spur on his fear?
Other than that, clear story, and a nicely contained setting. The image of an old dude peeking suspiciously out his front window is immediately in mind, and the incoming red takeover seem both plausible and completely ludicrous
Sick idea, I love the red terror political tinge to it. I think that in terms of plot pacing, judging from the way it plays out in this paragraph, maybe you have her chained to the radiator a little late. I get a horror vibe, and I think if she’s chained to the radiator before you reveal the van full of Commies that are freaking Harold out, which in turn also gives you the reason why he’s chained her up, you maintain a mystery as well as two levels of revelation about Harold. The first level, we know he’s twisted when he chains her up suddenly. The second level, we know why he’s chaining her up. It layers Harold more.
But it’s a fantastic premise and a really moody atmosphere. It’s given me such a vivid image in my head already.
That was tite, my G.
Great twist at the end. I’m assuming the van was the communists, if so maybe give us more of an indication; like a man with binoculars, etc. Super original idea also (FRESH). Keep it up!
I did this wrong don’t tell nobody
Ellie has been confined to a cramped flat for the past year, unable to leave due to her elderly father’s paranoia that she will meet the same fate as her mother, a victim of political execution purged for carrying the same plague that Ellie has contracted. Yearning to join the brewing uprising against the gonverment that took her mother, Ellie is granted her wish when she is discovered by a government official, and is forced to flee into the bowels of a decaying city with her father, engaging in a chase between two disabled relvolutionaries and a military watchdog.
(Psst, they get caught and the dad dies.)
omg yesss, I really think changing the perspective from the father to the daughter really adds to the stakes and intensity of the story. I am quite excited to see how this unfolds and how you build up this world (”bowels of a decaying city”, like come on, take my money).
Yo neat idea, son. You got a great interplay between these two characters if only still in theory. I’d love to see the detail of the dystopian world you are creating. Plus uh spoilers dawg!
Rough Crowd - Rough Plot
After another failed performance, struggling comedians Jack and Todd leave the comedy club bitter and upset. Unknown to them, a murder is taking place behind them in an alleyway. The murderers see Jack and Todd and kidnap them. Trapped in a dark and dirty basement, it is revealed that their captors are Serbian Mafia, led by the ruthless and bloodthirsty Dragän. The boys, although terrified, decide to practise their comedy routines in the basement to pass time and distract themselves from the doom that awaits them. Dragän overhears one of their routines and invites them to perform at his speakeasy ‘The Underworld’ in exchange for their lives. Jack and Todd now have to prepare for their biggest performance yet. They deliver their stand-up to a sea of criminals. To Jack and Todd’s surprise, their performance goes brilliantly and they receive a standing ovation - they have found their audience.
I love this idea so much and I cannot wait to read your written material. An unfortunate situation of wrong place at the wrong time has a hilarious outcome for both the protagonists and the audience. From reading this, I get the sense that our antagonist Dragan may have a sensitive side, and I am interested to see how you will develop his character.
I cannot wait for this to come to fruition. It seems like you’ve really fleshed out Jack and Todd and the world that they’re thrust into as a result of being in the wrong place at the wrong time. I’m interested to see how you define the comedy that initially failed with the comedy that becomes popular with the Serbian Mafia.
Really hilarious, oddball comedy idea. I think, if done well you have a real winner that you could hold on to. The Serbian Mafia comes straight out of left-field, which I love. Would love to see how far this involvement with the Mafia goes. Neato Burrito.
How to Kill A Kangaroo (Plot Outline)
We first meet Louie; a 13 year old, working class kid from the Western Suburbs. He loves sport and action movies. His mother left the family when Louie was young and it’s clear he has been left with a sense of abandonment and constantly seeks external validation particularly from his father. He also lives with his brother, Jack, 18, who is a bookish teenager who never really fit in and is a constant source of disappointment for his father; a warning of what not to be for Louie. The old man is a gruff, hard-as-nails type who keeps a cold emotionless house.
After Louie’s 13 birthday as a family tradition Louie is invited by his father to go on a hunting trip on his uncle’s farm. His brother, having gone through the tradition warns him that his will father force him to kill a kangaroo with a bat, as a trial by fire into manhood, Louie ignores the warning and agrees to the trip. The road trip out to the farm opens Louie up to a new, darker side to his father he had not previously seen. He begins to align more with his brother’s thinking and rebels against the traditionalist thinking of his father. Louie’s improper storage of a gun in the ute tray leads to the father being shot when the pair hit a kangaroo on an empty, dusty country road. Louie takes out his guilted rage on the kangaroo by beating it to death with a cricket bat.
PSW Blog Task - 1 Page Script Set to Music
(See next post for music)
Illogical Plotting - Blog Entry
Choose one of the questions:
How did Sylvia get inside the apartment of a crack secret service agent?
Identify the plotting issue being raised. Why is it problematic for the story’s logic?
The ease in which Sylvia Trench, a civilian, broke into the apartment is incongruous with Bond’s finesse as a secret service agent.
It would appear to be a rookie mistake on Bond’s part to allow his most private physical spaces be broken-into and tampered with so easily; especially if these places harbor highly sensitive and personal information that could potentially be used against him.
Propose a viable solution to make the illogical thing logical, without sacrificing any entertainment value, or requiring the whole script to be thrown out the window.
M could have staged the entire breaking-and-entering operation.
Staging this invasive ruse would allow M to draw Bond’s attention to his amateur faults as a newly inducted “00″ agent and to educate Bond about the importance of guarding his most private of spaces.
The film originally contains a scene where M chastises Bond for sticking to his “trusty” Beretta and for using a firearm which has no effect in his new post as a “00” agent.
From this exchange, it is clear to us that some of Bond’s instilled habits, which he had been accustomed to in his previous post, will not serve him now in his new position. Being promoted to “00″ status, Bond is now placed in a more dangerous and more covert sphere of espionage therefore, he must learn to adapt if he is to survive in this higher-stakes game.
M could ask Sylvia Trench, an MI7 operative who specialises in domestic security, to see if she can break into Bond’s apartment and if she can, to stay there until Bond returns so that she can teach Bond to safeguard his home with the most rigorous of measures.
Seeing that Bond is a stubborn character, M would be forced to be more creative in his instruction and to teach this lesson in a way that Bond could pay attention to. Hiring a woman with allure and sex appeal like Sylvia Trench would definitely ensure that the lesson hits home for Bond.
Later on in the film, when we see Bond take some measure in safeguarding his hotel room in Jamaica, could be an indication that Bond has taken the first steps in learning this lesson.
Yo Danni,
Tip top stuff here. I love the idea of Sylvia as an agent it really baffles me why they didn’t just run with this idea in the original. Really detailed and well-thought out in terms of all the ways she could be interwoven in the plot.
Awesome show, Great Job! I’ll leave you with a quote
akhsfkasfhsldkfjlkasfdhalksdfhalks
- A man with a sock in his mouth
Illogical Plotting - Blog Entry Week 6
Minute 30: the bar and the photographer
Identify the plotting issue being raised. Why is it problematic for the story's logic?
Given how much Dr No knows about Bond, what is the girl photographer actually trying to do?
Furthermore, the character seems like it cannot decide whether to be part of the major storyline or just an inconsequential ‘speedbump’ for Bond. She takes photos of Bond at the airport and once again at the bar and is easily apprehended and her equipment destroyed. She doesn’t serve any real purpose to the plot.
Propose a viable solution to make the illogical thing logical, without sacrificing any entertainment value, or requiring the whole script to be thrown out the window.
The photographer girl should have been given a larger role.
If the role of the photographer is a spy/intelligence gatherer for Dr No she could have a scene in between the airport and the bar where she delivers information to Dr No or one of his henchman.
Had she delivered a series of photographs which identified Bond meeting with people and gathering information the audience would understand her role as a spy for Dr No.
Also a way she could have been weaved into the plot to justify her existence would be to have her appear in the final scenes on the island where she would have a hand in capturing and possibly fighting Bond.
Prof. Eugene Adachi
Character Building Blocks
Propose a Flawed Belief they might have that stems from the Wound: “If I just do this then I’ll never be wounded again.”
“If I just work harder I’ll never make the same mistake again”
Eugene is determined that the fatal miscalculation of his last, disastrous experiment was a fault of not working hard enough, rather than working too hard.
Proposal an Irrational Fear for the Protagonist: “If I just avoid doing that then I’ll never be wounded again.”
“These test subjects are dangerous and uncompromising. I must never treat them as anything but a threat. I have learnt that the hard way and I’ll never make the same mistake again”
The carnage of his last failure has bred a deep fear and mistrust of all contained paranormal subjects. He now treats all contained subjects as both subhuman and a potential threat - even the friendly ones.
Propose a potential Deeply Held Longing – the thing the character needs in order to be a better person and lead a better life. It heals the Wound, destroys the Flawed Belief, and exposes the Irrational Fear.
There’s a void within Eugene - a disconnection from external world he thinks he can fill through scientific research. In reality, it’s a connection to others, and an understanding of empathy that Eugene subconsciously longs for. The longer he chases the ever-illusive ‘final scientific breakthrough’ the closer he comes to wounding himself again.
Which of the Three Classic Ways to Create Empathy might be utilised in creating your protagonist?
Sympathy (victim of undeserved misfortune)
We should feel sympathy for the both physical and mental isolation Eugene finds himself in, particularly because it is self imposed. At the beginning of the story this takes the form of his lonely job in Archives. As the plot progresses it will take the form of Eugene’s scientific disconnection that bleeds into his daily interactions.
Jeopardy (placed in a threatening situation)
Eugene will find himself in particularly dangerous situations when dealing with a dangerous rouge subject.
Which of Five Additional Ways to Strengthen Empathy might be drawn upon in creating your protagonist?
High level skills
Eugene is an incredible problem solver and very hard worker. Although, often, he will work himself to the bone, you can guarantee that whatever he produces will be perfect.
Familiar flaws and foibles
Eugene is typically awkward with social interaction. He does his best to be friendly to his co-workers however, he often misreads social and emotional cues in conversation. He’s the kinda guy you have to explain the punchline of a joke to.
Thematic Statement
Thematic idea: The abuse of others …
Transformative action: … for the sake of scientific advancement …
Manifestation or result: … is ultimately dehumanising for all involved.
The abuse of others for the sake of scientific advancement is ultimately dehumanising for all involved.
Hello there Mr. Gibson.
You most certainly have laid out the building blocks of a great character. The attention to detail really serves this character description. It better helped me formulate in my mind what this character would look like on the screen; in terms of how he acts and the things he says. Great wound! The tortured scientist is an interesting angle and I can’t wait to see what you do with it.
Until next time....
“The shovel was a groundbreaking invention”
- Baroque Obamamas
Part One
Propose a Flawed Belief they might have that stems from the Wound. Ie: something that would seem to fit the sentence, “If I just do this then I’ll never be wounded again.”
“If I try to emulate my father I will never be abandoned again.”
Proposal an Irrational Fear for the Protagonist, also stemming from the Wound. Ie: something that would seem to fit the sentence “If I just avoid doing that then I’ll never be wounded again.”
“If I avoid disappointing my father by stepping outside of the norms of masculine behaviour then I won’t be rejected again.”
Propose a potential Deeply Held Longing – the thing the character needs in order to be a better person and lead a better life. This is not the same as the Goal/Want. This is the thing that, once attained, heals the Wound, destroys the Flawed Belief, and exposes the Irrational Fear as phony
The deeply held longing for Louie is to follow his own passions and dreams regardless of the expectations of his father or society. By being “his own man” Louie will not have to worry about rejection or abandonment because his validation will come from within rather than phony external sources.
Which of the Three Classic Ways to Create Empathy might be utilised in creating your protagonist?
Sympathy (victim of undeserved misfortune)
Louie’s mother abandoning the family while Louie was a young child is undeserved misfortune. This evokes sympathy from the audience.
Jeopardy (placed in a threatening situation)
Louie’s father’s parenting style is cold and unfriendly. In a sense Louie is in a threatening situation because there is the danger he will become like his father; a cold, unfeeling, rigorously traditional man.
Likability (kindness, generosity etc)
One of Louie’s best qualities is his sense of humour and his innocence. He is not yet corrupted but is being slowly lead astray by the teachings of his father. The audience sympathises with Louie’s attempts to strike out on his own and internalise his validation.
Which of Five Additional Ways to Strengthen Empathy might be drawn upon in creating your protagonist?
Placed in a familiar setting
Louie is brought up in the script through the erosive expectations of masculinity which pervade modern Australian culture. The setting is that of modern Australia; the home of the audience. The audience recognises the themes of the script and connects it with interactions in their daily lives.
Acting as the ‘eyes’ of the audience
Louie is the eyes of the audience in the respect that Louie is bombarded with rules and guidelines just like a majority of Australian boys and girls; the audience of this script.
PART TWO
Thematic Idea: Emulation
Transformative Action: employed in the pursuit of personal validation
Manifestation or Result: leads to a life of devoid of fulfilment.
Emulation employed in the pursuit of personal validation leads to a life devoid of fulfilment.
@onepageold if we are all doing character drawings....
Week 4 Blog Entry
Physical Makeup
Name - Louie
Age - 13
Gender - Boy
Appearance - Short, prepubescent. Scruffy; not afraid of getting dirty.
Dis/abilities - Nothing differing from the average
Personality
Intelligence - naturally clever but not driven to take academics seriously
Emotional makeup - confrontational and defensive. Well adept at dry humour
Role
Job - N/A
Family/Love life - Lives with father and older brother.
Friends - School friends who all share relatively same characteristics in regard to upbringing and interests.
Affiliations - member of local junior rugby league club and cricket club. Two affiliations that he most deeply cares about.
Finances - Family is at the bottom end of middle class, meaning they live in a relatively nice house in a not-so-nice suburb
Ethnicity- white/irish
Religion - protestant
Domestic Arrangements - see above
What is the Goal/Want that the Protagonist is actively and consciously pursuing in this story?
The appreciation and affection of his father.
Which one of the Five Classic Goals/Wants does it best fit with?
To Win...the affection of his father
What is the Protagonist’s Wound and is it drawn from any of the Classic types?
Abandonment - his mother left him when he was a young child; old enough to remember but young enough to not fully comprehend the reasoning or the context.
“Patience” - PSW Homework Week 3
Story 1 - Bus Stop
A man waits for a bus to take him to work; he looks impatient. He is dressed well, too well for someone who has to take the bus to work. We discover that his expensive Bentley is in the shop. He phones his mechanic who tells him it will be another month. He starts to lose it. His boss calls asking where he is. He tries to explain how the bus is late. A car comes along and splashes muddy water all over him destroying his phone and soaking him head to toe. An old man comes along and begins insulting him and his generation. A bus comes by but it is full so it keeps on driving.
Story 2 – Hell
The dirtiest, shittiest bus stop in the entire universe. The floor is hot lava and the surrounding area is engulfed in flames. The man is dressed in a tattered suit. A little demon sits on his head clawing at his forehead making him bleed profusely. He calls up the Devil. He asks whether he could get his position in Hell reevaluated. The Devil leads him on but eventually says no. A car comes by and splashes him in scolding hot lava. He burns but doesn't die. Adolf Hitler stops by to talk about how he was really misunderstood. A bus comes by but it's full and keeps on driving.
Git ‘er dun.
Pictures, sounds and words script about some History!
For a tiny bit of context, Malinalli was the nahuatl name for Doña Marína; Cortez’ Nahua translator who helped him avoid disaster all throughout the conquest.
My friend, many blessings, l’chaim. The big print is very captivating and literary although at sometimes overused. Very clear considering the content. Super interesting and fun to read. You have done well, young padawan.
Pictures, Sounds and Words: Blog Task 2
Accidents Happen by Finbar Todd
Dreadful Penny inspired a scene
The glow is literal. Think Fantastic Mr. Fox, or Harry attempting to master “lumos” at the start of Prisoner of Azkaban,
This is truly hilarious/witty/interesting. You nail it in so many ways. The “pale-but-not-bleak” and the “nice-but-not-comfortable” is such an inventive way to be funny. It’s bazarist in a way that is really just delightful. Top stuff!!