Get this! I heard that Harry Potter’s Vernon Dursley will play... THE DUKE!
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Get this! I heard that Harry Potter’s Vernon Dursley will play... THE DUKE!
CODENAME: G.O.L.D.I.L.O.C.K.S
COMNG OUT THIS SUMMER
Goldilocks after dark! This is a delight, Georgia. A very creative spin on the traditional Goldilocks story. Next stop, Inglorious Goldilocks!
Three college bears rent a cabin in the woods, throw a party in an attempt to relive their friend of his virginity.
ZACHARY MCDONALD - BLOCKBUSTER BLOG TASK
Good on you Zach! Very, very sexy on the page. Economical in big print, yet still visual and engaging. I also am intrigued by the desert setting. I would have never imagined Goldilocks to be in a desert, but it works!
Background for the scene: Goldie has been in the attic for a week or so now, and her and Baby Bear are starting to become friends. (Goldie being an agent and Baby being a 10-year-old Austrian kid who looks heaps like her).
Mama Bear saw someone get taken away in town or maybe saw a poster of a missing rogue agent, and has had the idea of offering her services to the occupying forces i.e. help in the kitchens, wash their uniforms, essentially enlist. Papa Bear is overcome with worry, pleading with her to run, out of fear for her and their family. They had a fight about it earlier.
Gee wiz, Matilda this is fantastic! I love how well-rounded these characters are, especially Baby! The big-print is heavy in this, but I think it works because you have choreographed the scene well. Fantastic!
Goldilocks: Wearbear Hunter - Locks and Loaded...
An excellent superhero comedy duo! I would definitely pay to see Brett and Ben’s dynamic on screen. The tone of this reminds me a bit of ‘Kick Ass.’ Good stuff!
Blog Task 2 - Superheroes & Supervillains
Wake me up, (WAKE ME UP INSIDE).
As usual, you have written the most beautiful big-print. And the award for most fantastic character names goes to Giordano! I can tell you put a lot of heart into this, it’s a visual masterpiece lit by flickering candle light.
Sorry this is terrible and rushed. The essay. You know how it is.
What this is supposed to be is an ‘assassins creed’ type thing. Into the body of her ancestor, where she unlocks the key to destroying their common enemy.
Anyway.
I can see it and i like it! Very excited for the graphic novel... Such an interesting and creative take on the superhero genre.
Plotting Superheros!
Weather Warning and Yang vs. Typhoon and Yin
This was a painful exercise.
As painful as this may have been, the pain payed off big time! This is fantastic! You write killer dialogue that is sharp, witty and delivers the joke with a punch. Nice job writing the montage scenes, too.
recommendation: don’t read this hahahah #helpme
possibly may have not found time to watch more episodes so sorry to any diehards
This is so much fun. The Hangover gone haywire. I would love to see what a Rodger/Zach Galifianakis duo would entail. Write some more and pitch it to Todd Phillips!
An excerpt from a crack I had at American Dad fan fiction -
CONTEXT: Roger and Klaus have a child together and attempt to raise it. Stan intervenes and decides to take it upon himself to instil American, Christian values in the child. He kidnaps him and heads for the most American, Christian place he could think to take the boy -
(The Child is ‘Wally’)
Good stuff, Zach. I think you were definitely channeling McFarlane by taking the controversial venue of West-borough Baptist Church and using it as a comedic tool to raise the stakes of both the plot and the jokes.
American Dad goes to ‘Texaco’.
Week 12- Industry Perspectives
Scream – Kevin Williamson
What I enjoyed the most about this script is Williamson’s short, and punching dialogue. It made for a fast paced, exciting read. His big-print too, is concise and to the point. Williamson does not get too caught up in the minute details of painting a setting, and instead delivers heart-pumping action that is thrilling for the reader. After reading this, I have cut back on my big print, only including what is absolutely necessary for the scene to be interpreted correctly by the reader and the director.
Psycho – Joseph Stephano
What makes this a stellar script, is that Joseph Stephano capitalizes on his use of suspense, making the read just as thrilling and suspenseful as the on-screen product. He does so by subtly releasing more and more details about the character, so that we know just enough to follow them on their journey, but not too much so that it ruins the surprise. As a fan of the horror genre, watching this skill being implemented was extremely valuable to me being an aspiring horror writer. I have learned that a horror script should be just as thrilling for the reader as the viewer, and that suspense should be my #1 tool.
Brokeback Mountain – Larry McMurtry and Diana Ossana
For a film that relies greatly on building a strong relationship between two characters, Larry McMurtry and Diana Ossana have excelled in submersing their readers into a vivid world, where we can project the story of Ennis and Jack. This script contrasts greatly against Kevin Williamson’s Scream in terms of big-print, but for this story, it works. They have added an excess about of detail, and included many establishing shots of the countryside, but the consequence of this is that the reader has a complete sense of setting and world, allowing Ennis and Jack’s relationship to feel even more real. What I have learned from reading this is that to make a world and a relationship feel authentic, I shouldn’t be afraid of big-print, so long as it does not distract from the action and pacing of the story.
Pictures, sounds, words - Week 12 blog task - Moodboard
FAST AND FURIOUS
https://www.youtube.com/watch?v=cX3w3143yto
WEEK 11
Week 11 Blog
This is still quite rough (terrible, actually) and there’s no guarantee that this will all make it to the readings over the next two days but I’m posting it anyway so I don’t forget.
x
Hey Jordan I think this is a very strong ending. You have absolutely nailed the dialogue, and i can sense a lot of emotion reading through the lines. Good work!